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Out with the old… – Confessions of a Linguaphile
https://confessionsofalinguaphile.wordpress.com/2014/09/18/out-with-the-old
Confessions of a Linguaphile. Thoughts on words, language and life. Out with the old…. 8230;and in with the new. Today’s assignment from Blogging 101 (yes, I skipped yesterday’s) was as follows:. Today’s assignment: try out at least three other themes even if you’re happy with the one you first chose. Try one you’re drawn to, and one you would. 8220;Writr” theme sample. The theme I was using for the past few weeks is called. 8220;Spun” theme sample. It’s not that I don’t like the. Yes, several; there wer...
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Richard Ansett: A Child's Bedroom
http://richardansett.blogspot.com/2016/06/a-childs-bedroom.html
Monday, 6 June 2016. I see only great benefits to belonging. My existential loneliness that seeps into every pixel is a very comfortable place; it is where ‘I belong’. I am of course not alone, but the often crushing realizations that lead to hugely challenging moments in our lives as we pass into the era of individuation, I am already prepared for. I am working with a group of artists on an exhibition in the Houses of Parliament later this month sponsored by 1001 Critical Days Manifesto.
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Richard Ansett: Like Father Like Son
http://richardansett.blogspot.com/2016/07/like-father-like-son_4.html
Monday, 4 July 2016. Like Father Like Son. Jeremy and Grayson © Richard Ansett 2016. Detail from Jeremy and Grayson © Richard Ansett 2016. Jeremy and Grayson, 2016'. Is published in the new edition of Der Greif Magazine. Launching at the Arles Photofestival. This image is from an ongoing exploration of the issues around the expression of emotion in men following the recent shocking statistics of male suicide in the UK. Subscribe to: Post Comments (Atom). The Perils of Penelope Pitstop.
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Richard Ansett: September 2015
http://richardansett.blogspot.com/2015_09_01_archive.html
Wednesday, 23 September 2015. Margaret and Smokey, England © Richard Ansett / Fuji RDP 100 120. Detail from Margaret and Smokey, England © Richard Ansett / Fuji RDP 100 120. Friday, 4 September 2015. Image 0334, Recce pic of the office of Professor Stephen Hawking, Cambridge University. 169; Richard Ansett 2015. Labels: A Brief History of Time. Amyotrophic lateral sclerosis (ALS). Subscribe to: Posts (Atom). View my complete profile. Centre for the History of Emotions. The National Secular Society.
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Richard Ansett: Dogwood
http://richardansett.blogspot.com/2016/05/dogwood.html
Thursday, 26 May 2016. 169; Richard Ansett 2016. Secret Life of the Human Pups. Tom Peters. puppy pride. Subscribe to: Post Comments (Atom). View my complete profile. Centre for the History of Emotions. The National Secular Society. Simple theme. Powered by Blogger.
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Richard Ansett: July 2016
http://richardansett.blogspot.com/2016_07_01_archive.html
Tuesday, 12 July 2016. The Perils of Penelope Pitstop. For the purposes of this project. Penelope (follow this link for full series). I have worked with a female masker, (a man who transforms into a female character using latex) to re-create a popular childhood fiction inspired by adult. Mabel Norman's performance in the 1913 'Race for a Life'. Betty Hutton, 1947. Feelings of suicide, self harm and need for rescue. The Perils of Penelope Pitstop. Was a spinoff from Wacky Races ,. The Perils of Penelope P...
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Richard Ansett: January 2016
http://richardansett.blogspot.com/2016_01_01_archive.html
Wednesday, 27 January 2016. At the black board I reflected the flash off the surface to create a sort of sun or supernova and I imagine Hawking orbiting this in his chair. This image was part of a portrait session to promote the BBC Reith lecture where he focuses on the nature of black holes. Thanks especially to BBC, NPG, Anna Lenihan for their unwavering trust and faith and Prof Hawking and his amazing team. Subscribe to: Posts (Atom). View my complete profile. Centre for the History of Emotions.
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Richard Ansett: A Mosquito Trapped in Amber
http://richardansett.blogspot.com/2016/11/a-mosquito-trapped-in-amber_20.html
Sunday, 20 November 2016. A Mosquito Trapped in Amber. So, the challenge now and initial arbiter of quality for any photograph, is whether it is capable of elevating the technical aesthetic to a level that can only. Be explored by the still image. What defines a great photograph above and beyond a transferable aesthetic to the moving image? Sign, a rubbish bin, a Toyota Prius. Subscribe to: Post Comments (Atom). A Mosquito Trapped in Amber. Richard Ansett's images are in public and private collections in...
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Richard Ansett: January 2017
http://richardansett.blogspot.com/2017_01_01_archive.html
Monday, 9 January 2017. A letter to Clair Rees curator of 1001 critical Days Tomorrow;s Child after a discussion over breakfast at The Wolseley 09/01/2017. An answer to your question "How do you represent mental health with photography? There is a danger of me banging the same old drum here for anyone that knows me well but. Http:/ richardansett.com/gallery/work-in-series/man-exercising-for-the-camera/#anonymous element 1. My work now is increasingly focused on images that ambivalently explore our relati...
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Richard Ansett: December 2015
http://richardansett.blogspot.com/2015_12_01_archive.html
Thursday, 31 December 2015. Pregnant Woman with House Plant. Image 8763, Pregnant Woman with House Plant © Richard Ansett 2015. Monday, 14 December 2015. Farmer with Mistletoe at dawn © Richard Ansett. Monday, 7 December 2015. There is an inevitable. Associated with adoption, a detachment from one's very genetic foundations can have a profound effect on our sense of place in the world. With the acceptance of this, comes a realisation that the other. Stephanie standing in the mud © Richard Ansett. The Nat...
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