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Edőcs Márta

As a child I collected glass beads. I was proud to own them and make jewelry of them. It was years later when I started to make glassworks in my own studio. The joy and playfulness took me back to my childhood. I’m playing with surfaces, colores and transparency. I’m much more interested on shapes, on lights inside the piece than on the typical shiny surface of glass. Sopron, Hungary 1965. 2013 Silversmithing training in Danemark/ at Ravstedhus. 2011 Art Glass Workshop with Amanda Simmons/ Zürich. 2017 S...

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Edőcs Márta | martaedocs.hu Reviews

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As a child I collected glass beads. I was proud to own them and make jewelry of them. It was years later when I started to make glassworks in my own studio. The joy and playfulness took me back to my childhood. I’m playing with surfaces, colores and transparency. I’m much more interested on shapes, on lights inside the piece than on the typical shiny surface of glass. Sopron, Hungary 1965. 2013 Silversmithing training in Danemark/ at Ravstedhus. 2011 Art Glass Workshop with Amanda Simmons/ Zürich. 2017 S...

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2 beads

3 plates

4 objects

5 panels

6 portfolio

7 biography

8 marta edocs

9 edőcs márta

10 cellelement

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Edőcs Márta | martaedocs.hu Reviews

https://martaedocs.hu

As a child I collected glass beads. I was proud to own them and make jewelry of them. It was years later when I started to make glassworks in my own studio. The joy and playfulness took me back to my childhood. I’m playing with surfaces, colores and transparency. I’m much more interested on shapes, on lights inside the piece than on the typical shiny surface of glass. Sopron, Hungary 1965. 2013 Silversmithing training in Danemark/ at Ravstedhus. 2011 Art Glass Workshop with Amanda Simmons/ Zürich. 2017 S...

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martaedocs.hu

1

Edőcs Márta

http://www.martaedocs.hu/gallery/LACE

As a child I collected glass beads. I was proud to own them and make jewelry of them. It was years later when I started to make glassworks in my own studio. The joy and playfulness took me back to my childhood. I’m playing with surfaces, colores and transparency. I’m much more interested on shapes, on lights inside the piece than on the typical shiny surface of glass. Sopron, Hungary 1965. 2011 Workshop with Amanda Simmons. 2009 Zürich , Masterclass with Karl Harron. 1992 hot glass class with Erna Piechna.

2

Edőcs Márta

http://www.martaedocs.hu/gallery/objects

As a child I collected glass beads. I was proud to own them and make jewelry of them. It was years later when I started to make glassworks in my own studio. The joy and playfulness took me back to my childhood. I’m playing with surfaces, colores and transparency. I’m much more interested on shapes, on lights inside the piece than on the typical shiny surface of glass. Sopron, Hungary 1965. 2011 Workshop with Amanda Simmons. 2009 Zürich , Masterclass with Karl Harron. 1992 hot glass class with Erna Piechna.

3

Edőcs Márta

http://www.martaedocs.hu/page/about

As a child I collected glass beads. I was proud to own them and make jewelry of them. It was years later when I started to make glassworks in my own studio. The joy and playfulness took me back to my childhood. I’m playing with surfaces, colores and transparency. I’m much more interested on shapes, on lights inside the piece than on the typical shiny surface of glass. Sopron, Hungary 1965. 2011 Workshop with Amanda Simmons. 2009 Zürich , Masterclass with Karl Harron. 1992 hot glass class with Erna Piechna.

4

Edőcs Márta

http://www.martaedocs.hu/gallery/beads

As a child I collected glass beads. I was proud to own them and make jewelry of them. It was years later when I started to make glassworks in my own studio. The joy and playfulness took me back to my childhood. I’m playing with surfaces, colores and transparency. I’m much more interested on shapes, on lights inside the piece than on the typical shiny surface of glass. Sopron, Hungary 1965. 2011 Workshop with Amanda Simmons. 2009 Zürich , Masterclass with Karl Harron. 1992 hot glass class with Erna Piechna.

5

Edőcs Márta

http://www.martaedocs.hu/gallery/FROZENROMANTIC

As a child I collected glass beads. I was proud to own them and make jewelry of them. It was years later when I started to make glassworks in my own studio. The joy and playfulness took me back to my childhood. I’m playing with surfaces, colores and transparency. I’m much more interested on shapes, on lights inside the piece than on the typical shiny surface of glass. Sopron, Hungary 1965. 2011 Workshop with Amanda Simmons. 2009 Zürich , Masterclass with Karl Harron. 1992 hot glass class with Erna Piechna.

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Programok a Design Hét Sopron keretin belül

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2016szeptember 23. / 9.30-16.00. A Holokauszt emlékének pedagógiai dimenziói konferencia. Helyszín: Pannónia Med Hotel - Sopron, Várkerület 75. (Európa terem). A Soproni Magyar-Izraeli Baráti Kör elnökének és Dr. Chava Baruch. A Yad Vashem oktatási vezetőjének megnyitó beszéde. Szántó Imréné dr. Balázs Edit:. A helyi történet fontossága a Holokauszt tanulmányozásában (Országos Rabbiképző Zsidó Egyetem, Budapest). A Zsidó Múlt projekt (Országos Rabbiképző Zsidó Egyetem, Bp.). Kerekasztal beszélgetés és ös...

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As a child I collected glass beads. I was proud to own them and make jewelry of them. It was years later when I started to make glassworks in my own studio. The joy and playfulness took me back to my childhood. I’m playing with surfaces, colores and transparency. I’m much more interested on shapes, on lights inside the piece than on the typical shiny surface of glass. Sopron, Hungary 1965. 2013 Silversmithing training in Danemark/ at Ravstedhus. 2011 Art Glass Workshop with Amanda Simmons/ Zürich. 2017 S...

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