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Anouk De Clercq

Anouk De Clercq explores the potential of audiovisual language to create possible worlds, many of which have a strongly architectonic character. She has received several awards, including the Illy Prize at Art Brussels in 2005 and a Prix Ars Electronica Honorary Mention in 2014. Her work has been shown in Tate Modern, Centre Pompidou, Museo Nacional Centro de Arte Reina Sofia, MAXXI. Centre d’Art Contemporain Genève, International Film Festival Rotterdam, Ars Electronica, among others.

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Anouk De Clercq | portapak.be Reviews
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Anouk De Clercq explores the potential of audiovisual language to create possible worlds, many of which have a strongly architectonic character. She has received several awards, including the Illy Prize at Art Brussels in 2005 and a Prix Ars Electronica Honorary Mention in 2014. Her work has been shown in Tate Modern, Centre Pompidou, Museo Nacional Centro de Arte Reina Sofia, MAXXI. Centre d’Art Contemporain Genève, International Film Festival Rotterdam, Ars Electronica, among others.
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Anouk De Clercq | portapak.be Reviews

https://portapak.be

Anouk De Clercq explores the potential of audiovisual language to create possible worlds, many of which have a strongly architectonic character. She has received several awards, including the Illy Prize at Art Brussels in 2005 and a Prix Ars Electronica Honorary Mention in 2014. Her work has been shown in Tate Modern, Centre Pompidou, Museo Nacional Centro de Arte Reina Sofia, MAXXI. Centre d’Art Contemporain Genève, International Film Festival Rotterdam, Ars Electronica, among others.

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1

Anouk De Clercq — Petit Palais

http://www.portapak.be/works/21/petit-palais

Video, b/w, 16:9, stereo, BE, 2002, 15:00. This contemplative and absorbing work was made for a presentation by the Belgian fashiondesigner Bruno Pieters at the Petit Palais in Paris. The combination of music, visual art, fashion, choreography and architecture is typical of the work of Anouk De Clercq, and of a generation of eclectic artists and designers from flanders who, since the 1990s, have been successful in finding an international podium. A collaboration with Joris Cool. State-X New Forms Festival.

2

Anouk De Clercq — Autobiography of the Eye

http://www.portapak.be/works/28/autobiography-of-the-eye

Autobiography of the Eye. Video, b/w, 4:3, stereo, English text, BE, 1997, 05:00. A trance-like musical video in two movements, a contemplative work comparing the velocity of images with those of thoughts. Arnaud Hendrickx, Michael Van den Abeele. With the support of. Previously on display at the following locations. Amsterdam (NL) May 15 – 18, 2003. Rennes (FR) Oct, 1998. Brussels (BE) Oct, 1998. London (NL) Jun 20, 1998. Rotterdam (NL) Jun 19 – 20, 1998. Brussels (BE) Nov, 1997.

3

Anouk De Clercq — Tears of Melancholy

http://www.portapak.be/works/29/tears-of-melancholy

Video, b/w, mute, BE, 2013. Tears of Melancholy reveals the beauty and the intimacy of the process of listening. What happens to someone when they listen to music? They are moved, carried away; their soul is touched. Being able to see this is a thing of great beauty. Luoella Alatiit, Manuela Bucher, Elise Christiaens, Tom Devaere, Jivka Kaltcheva, Rebecca Rosen. With the support of. Baroque Orchestra B’Rock. School of Arts University College Ghent. This work is part of. The art of scaping.

4

Anouk De Clercq — Game of Mobile Forces

http://www.portapak.be/works/14/game-of-mobile-forces

Game of Mobile Forces. Live visuals and music, color, stereo, 4:3, BE, 2001, 33:00. Game of Mobile Forces. Is an interactive experiment with music and 3D-software, a collaborative work around sound- and image-manipulation, with live music, projections and state of the art software. Game of Mobile Forces. Is about the desire to visualize music and to put together two disciplines – music and image – into something that transcends the boundaries of each discipline involved. Game of Mobile Forces.

5

Anouk De Clercq — Sonar

http://www.portapak.be/works/23/sonar

Video, b/w, 4:3, stereo, BE, 2001, 02:00. Is short and sharp, a dynamic interplay between sight and sound. In the line of contemporary moving graphic arts,. Was originally produced as an introduction to Bruno Pieters’ couture show presented in Paris, for which he won an award from L’Officiel Magazine as best couture presentation of 2001. Previously on display at the following locations. Kawasaki (JP), Nov 21, 2015. Barcelona (ES), Jun 14-16, 2007. Amsterdam (NL), Jan 7, 2007. London (GB), Mar 5, 2005.

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We at ManaMa - 2010/11: March 2011

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We at ManaMa - 2010/11. Links to this post. Subscribe to: Posts (Atom). WESLEY MEURIS / coordinator. Lieven Van den Abeele. ManaMa 2010/11. Simple template. Powered by Blogger.

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We at ManaMa - 2010/11: Office

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We at ManaMa - 2010/11. Http:/ www.dbartmag.de/archiv/2005/e/2/2/322.html. Subscribe to: Post Comments (Atom). WESLEY MEURIS / coordinator. Lieven Van den Abeele. ManaMa 2010/11. Simple template. Powered by Blogger.

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We at ManaMa - 2010/11: Thomas Demand

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We at ManaMa - 2010/11. Http:/ www.thomasdemand.de. Subscribe to: Post Comments (Atom). WESLEY MEURIS / coordinator. Lieven Van den Abeele. ManaMa 2010/11. Simple template. Powered by Blogger.

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We at ManaMa - 2010/11: June 2011

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We at ManaMa - 2010/11. Links to this post. Subscribe to: Posts (Atom). WESLEY MEURIS / coordinator. Lieven Van den Abeele. ManaMa 2010/11. Simple template. Powered by Blogger.

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We at ManaMa - 2010/11

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We at ManaMa - 2010/11. 21 February 2011 at 09:35. Vs Hans Schabus http:/ www.engholmengelhorn.com/artists/hans schabus/HS.html. Subscribe to: Post Comments (Atom). WESLEY MEURIS / coordinator. CALDIC COLLECTIE - Kunsthal Rotterdam. Lieven Van den Abeele. ManaMa 2010/11. Simple template. Powered by Blogger.

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We at ManaMa - 2010/11: One day sculpture

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client list - mapsandmachines-the work of Yves Marquillie

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Hans op de beeck. Facing Time- Jan Fabre/Felicien Rops. The Age Of De$poti$m. Architectural visualisation pt I. Architectural visualisation pt II. Landscape GL 1.6.

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Anouk De Clercq

Anouk De Clercq explores the potential of audiovisual language to create possible worlds, many of which have a strongly architectonic character. She has received several awards, including the Illy Prize at Art Brussels in 2005 and a Prix Ars Electronica Honorary Mention in 2014. Her work has been shown in Tate Modern, Centre Pompidou, Museo Nacional Centro de Arte Reina Sofia, MAXXI. Centre d’Art Contemporain Genève, International Film Festival Rotterdam, Ars Electronica, among others.

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