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Portrait/Homage/Embodiment | Pulitzer Foundation for the Arts

The Portrait/Homage/Embodiment exhibit at the Pulitzer Foundation for the Arts constitutes another kind of context: the contemplative setting, which encourages a personal experience of art within architecture, and the title of the exhibition encourage viewers to focus on the artist and the sitter simultaneously. November 3, 2006 through June 30, 2007 at the Pulitzer Foundation for the Arts in St. Louis, Missouri.

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Portrait/Homage/Embodiment | Pulitzer Foundation for the Arts | portrait.pulitzerarts.org Reviews

<META> DESCRIPTION

The Portrait/Homage/Embodiment exhibit at the Pulitzer Foundation for the Arts constitutes another kind of context: the contemplative setting, which encourages a personal experience of art within architecture, and the title of the exhibition encourage viewers to focus on the artist and the sitter simultaneously. November 3, 2006 through June 30, 2007 at the Pulitzer Foundation for the Arts in St. Louis, Missouri.

<META> KEYWORDS

1 Portrait

2 Homage

3 Embodiment

4 Pulitzer Foundation for the Arts

5 Giacometti

6 Cindy Sherman

7 Andy Warhol

8 Doris Salcedo

9 Chuck Close

10 Bruce Nauman

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portrait/homage/ebodiment,emile antoine bourdelle,aime jules dalou,chuck close,alberto giacometti,felix gonazalez torres,roni horn,jeff koons,jacques lipchitz,bruce nauman,medardo rosso,doris salcedo,george segal,richard serra,cindy sherman,andy warhol

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Portrait/Homage/Embodiment | Pulitzer Foundation for the Arts | portrait.pulitzerarts.org Reviews

https://portrait.pulitzerarts.org

The Portrait/Homage/Embodiment exhibit at the Pulitzer Foundation for the Arts constitutes another kind of context: the contemplative setting, which encourages a personal experience of art within architecture, and the title of the exhibition encourage viewers to focus on the artist and the sitter simultaneously. November 3, 2006 through June 30, 2007 at the Pulitzer Foundation for the Arts in St. Louis, Missouri.

INTERNAL PAGES

portrait.pulitzerarts.org

1

The Pulitzer Foundation for the Arts | Lower Corridor | Aimé Jules Dalou - Portrait of Georgette Dalou

http://portrait.pulitzerarts.org/lower-corridor/georgette-dalou

Angel of gaiety, have you known anguish,. Shame and remorse, tears, boredom, and dismay,. Vague horrors of the nights in which we languish,. Which crumple hearts like papers thrown away? Angel of gaiety, have you known anguish? Angel of kindness, have you met with hate? Fists clenched in gloom, eyes running tears of gall,. When Vengeance beats his drum to subjugate. Our faculties, the captain of them all? Angel of kindness, have you met with hate? Angel of health, have you beheld the Fevers? And it seeme...

2

The Pulitzer Foundation for the Arts | North Main Gallery | Felix Gonzalez-Torres - "Untitled" (Klaus Barbie as a Family Man)

http://portrait.pulitzerarts.org/north-main-gallery/klaus-barbie

I know that in one of the evaluations of my service [to the Nazi Party] there is a note concerning my abilities as an intelligence agent, and my responsibility in the dismantling of numerous enemy networks…One of those reports describes me as "Extremely dependable." But I was only doing my duty…I executed the orders I received. I behaved like any other SS officer. Klaus Barbie (at his trial, 13 May 1987) as quoted in Annette Kahn,. New York: Summit Books, 1991), p. 74. The Confessions of Klaus Barbie.

3

The Pulitzer Foundation for the Arts | Lower Gallery | Alberto Giacometti - Head of Diego on Base

http://portrait.pulitzerarts.org/lower-gallery/head-of-diego

Excerpt from Alberto Giacometti, "Le Rêve, le Sphinx et la mort de T," trans. David Sylvester and Grey Gowrie in Sylvester,. London: Chatto and Windus, 1994), pp. 114-115. First published in. One must learn to look and the hand/. Follows the eye, said Alberto while talking about/. Drawing to a friend. I saw Alberto die I was seated at his bedside/. Holding his hand Alberto was looking at me/. Or rather scrutinizing the contours of my face/. Delineating it with his eyes like he was/. It was time to go.

4

The Pulitzer Foundation for the Arts | Entrance Gallery | Doris Salcedo - Atrabiliarios

http://portrait.pulitzerarts.org/entrance-gallery/atrabiliarios

Will it be possible to rationalize the existence of military groups, who, in their search for national security, claimed the streets at night, kidnapping from their homes all of those who seemed to be young subversives because they wore jeans and read Karl Marx? How can we reconcile the ideology of those who believe in arbitrary arrests followed by the most atrocious of acts: torture? Marjorie Agosín, "The Generation of Disenchantment,". Vol 14, no. 1 (Feb 1992): 136. These shoes belonged to people who h...

5

The Pulitzer Foundation for the Arts | South Main Gallery | Andy Warhol - Most Wanted Men No.12, Frank B.

http://portrait.pulitzerarts.org/south-main-gallery/warhol

Nowadays if you're a crook you're still considered up-there. You can write books, go on TV, give interviews—you're a big celebrity and nobody even looks down on you because you're a crook. You're still up-there. This is because more than anything people just want stars. The Philosophy of Andy Warhol (From A to B and Back Again). New York: Harcourt Brace Jovanovich), p. 85. Alias: James Bellone, "Tanky.". Commissioner Michael J. Murphy,. The Thirteen Most Wanted. Andy Warhol on criminals &.

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Portrait/Homage/Embodiment | Pulitzer Foundation for the Arts

You need the latest Flash Player installed to fully experience this site. Click here. To download the latest version of Adobe Flash Player, or select from the individual works below to explore the work in this exhibition. Mask of Beethoven (ca. 1905). Portrait of Georhette Dalou (1876). Head of Diego on Base (1958). Portrait of David Sylvester (1960). Portrait of Isabel (1937). Untitled" (Klaus Barbie as a Family Man) (1988). The Odd Morphology of the Asphere (1988). Mao (ca. 1973).

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