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Mapping Sculpture - Mapping the Practice and Profession of Sculpture in Britain and Ireland 1851-1951

Find out more about the Mapping Sculpture project. Click here for help using the Mapping Sculpture site. Click here for details of how to contact the Mapping Sculpture team. Mapping the Practice and Profession of Sculpture in Britain and Ireland 1851-1951. Or to view some sample searches click here. There are no featured people just yet! Rt Hon. C. J. Rhodes. Reversal of Architectural Judgements in our Lifetime (Art Workers Guild), 1929. You can also browse entries by record type. 2015 Developed by HATII.

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Mapping Sculpture - Mapping the Practice and Profession of Sculpture in Britain and Ireland 1851-1951 | sculpture.gla.ac.uk Reviews

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Find out more about the Mapping Sculpture project. Click here for help using the Mapping Sculpture site. Click here for details of how to contact the Mapping Sculpture team. Mapping the Practice and Profession of Sculpture in Britain and Ireland 1851-1951. Or to view some sample searches click here. There are no featured people just yet! Rt Hon. C. J. Rhodes. Reversal of Architectural Judgements in our Lifetime (Art Workers Guild), 1929. You can also browse entries by record type. 2015 Developed by HATII.

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Mapping Sculpture - Mapping the Practice and Profession of Sculpture in Britain and Ireland 1851-1951 | sculpture.gla.ac.uk Reviews

https://sculpture.gla.ac.uk

Find out more about the Mapping Sculpture project. Click here for help using the Mapping Sculpture site. Click here for details of how to contact the Mapping Sculpture team. Mapping the Practice and Profession of Sculpture in Britain and Ireland 1851-1951. Or to view some sample searches click here. There are no featured people just yet! Rt Hon. C. J. Rhodes. Reversal of Architectural Judgements in our Lifetime (Art Workers Guild), 1929. You can also browse entries by record type. 2015 Developed by HATII.

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sculpture.gla.ac.uk

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Mapping Sculpture - Mapping the Practice and Profession of Sculpture in Britain and Ireland 1851-1951

http://sculpture.gla.ac.uk/index.php

Find out more about the Mapping Sculpture project. Click here for help using the Mapping Sculpture site. Click here for details of how to contact the Mapping Sculpture team. Mapping the Practice and Profession of Sculpture in Britain and Ireland 1851-1951. Or to view some sample searches click here. Art metal worker, sculptor, medallist. Carver, Gilder, Picture Frame Maker, Wood Carver. Corporation of Manchester Art Gallery, Royal Institution, First Autumn Exhibition, 1883. 2016 Developed by HATII.

2

Help - Mapping the Practice and Profession of Sculpture in Britain and Ireland 1851-1951

http://sculpture.gla.ac.uk/about/help.php

Find out more about the Mapping Sculpture project. Click here for help using the Mapping Sculpture site. Click here for details of how to contact the Mapping Sculpture team. You may find the following guidelines useful when using the search function. Entering less gives wider results. If you are looking for a name beginning 'Mac' or 'Mc' try entering only the second half of the name e.g. 'gillivray' for Macgillivray or 'dermot' for Mcdermot. Watch a video demonstrating the advanced search. All the record...

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Rt Hon. C. J. Rhodes by John Tweed - Mapping the Practice and Profession of Sculpture in Britain and Ireland 1851-1951

http://sculpture.gla.ac.uk/view/object.php?id=msib2_1203445406

Find out more about the Mapping Sculpture project. Click here for help using the Mapping Sculpture site. Click here for details of how to contact the Mapping Sculpture team. Rt Hon. C. J. Rhodes. Created by John Tweed. Usually date of exhibition rather than production. Exhibitions and other Events. Exhibited at Exhibition of International Art (International Society of Sculptors, Painters and Gravers, London), 1898. Id=msib2 1203445406, accessed 02 Sep 2016]. Have some extra information about this record?

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Introduction - Mapping the Practice and Profession of Sculpture in Britain and Ireland 1851-1951

http://sculpture.gla.ac.uk/about/index.php

Find out more about the Mapping Sculpture project. Click here for help using the Mapping Sculpture site. Click here for details of how to contact the Mapping Sculpture team. Database is the outcome of a major three-year research programme. It delivers the results of the first comprehensive study of sculpture between the Great Exhibition of 1851. And the Festival of Britain in 1951. The Great Exhibition of 1851. 1867-1954) and Percy Metcalfe. 1854-1934), Jacob Epstein. 1880-1959) and Henry Moore. Plaster ...

5

Browse - Mapping the Practice and Profession of Sculpture in Britain and Ireland 1851-1951

http://sculpture.gla.ac.uk/browse/index.php

Find out more about the Mapping Sculpture project. Click here for help using the Mapping Sculpture site. Click here for details of how to contact the Mapping Sculpture team. Browse people records by surname. Browse objects by title. Browse organizations by name. Browse events by title. Browse places by town or city. Browse sources by title. 2016 Developed by HATII.

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thedrollhackabout.wordpress.com

Seeing in Colour: Cordier’s ‘Capresse des Colonies’ | The Droll Hackabout

https://thedrollhackabout.wordpress.com/2013/12/19/seeing-in-colour-cordiers-capresse-des-colonies

Visual Culture and Social History in the Long Eighteenth Century. Seeing in Colour: Cordier’s ‘Capresse des Colonies’. December 19, 2013. Middot; by Danielle Thom. Middot; in Uncategorized. Middot; Leave a comment. Stepping outside my academic comfort zone (prints, the 18th century, men in wigs), I’ve been mulling over the ethnographic busts by Charles Cordier which I saw in the Musée d’Orsay recently. In particular, Cordier’s. Bust in onyx and patinated bronze (1861). Photo Musée d’Orsay/RMN. Must negot...

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Tearing Up History | The Droll Hackabout

https://thedrollhackabout.wordpress.com/2014/05/21/tearing-up-history

Visual Culture and Social History in the Long Eighteenth Century. May 21, 2014. Middot; by Danielle Thom. Middot; in Uncategorized. Middot; Leave a comment. If you hadn’t already caught it on the BBC, do watch Dr Richard Clay’s marvellous. 8211; the story of art and iconoclasm in the French Revolution. (Richard was my MPhil supervisor, and I’m really chuffed that he’s getting this well-deserved recognition for his work). Leave a Reply Cancel reply. Enter your comment here. Address never made public).

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Whigs without wigs: constructing character in posthumous portraiture | The Droll Hackabout

https://thedrollhackabout.wordpress.com/2015/01/10/whigs-without-wigs-constructing-character-in-posthumous-portraiture

Visual Culture and Social History in the Long Eighteenth Century. Whigs without wigs: constructing character in posthumous portraiture. January 10, 2015. Middot; by Danielle Thom. Middot; in Uncategorized. Middot; Leave a comment. This paper was delivered at the British Society for Eighteenth Century Studies conference (Oxford, January 2015), with the title ‘Posthumous Portraiture: Nollekens, Gillray and the after-life of Sir George Savile’. Which was only known in better times’. The Fisher monument, ere...

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Danielle Thom | The Droll Hackabout

https://thedrollhackabout.wordpress.com/author/theowlofderision

Visual Culture and Social History in the Long Eighteenth Century. Author Archives: Danielle Thom. May 27, 2015. Middot; by Danielle Thom. Middot; in Uncategorized. Middot; Leave a comment. Whigs without wigs: constructing character in posthumous portraiture. January 10, 2015. Middot; by Danielle Thom. Middot; in Uncategorized. Middot; Leave a comment. Seductive Sculptures and Priapic Prints. September 6, 2014. Middot; by Danielle Thom. Middot; in Uncategorized. Middot; Leave a comment. I recently publish...

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New Generation Thinkers | The Droll Hackabout

https://thedrollhackabout.wordpress.com/2015/05/27/new-generation-thinkers

Visual Culture and Social History in the Long Eighteenth Century. May 27, 2015. Middot; by Danielle Thom. Middot; in Uncategorized. Middot; Leave a comment. Finally, I have won something better than the Kylie Minogue EP awarded to the best dancer under 6 at my 1991 primary school disco. I’ve been picked *trumpet fanfare* as one of the BBC and AHRC’s “New Generation Thinkers” for 2015, alongside nine other academics. It happens to be the case that I’m the first and, to date, only NGT to be a non-uni...

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We The Humanities | The Droll Hackabout

https://thedrollhackabout.wordpress.com/2014/02/25/we-the-humanities

Visual Culture and Social History in the Long Eighteenth Century. February 25, 2014. Middot; by Danielle Thom. Middot; in Uncategorized. Middot; Leave a comment. Just a note to say, as of next week (3 March) I will be taking a ‘guest curator’ spot on the We The Humanities. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. Notify me of new comments via email.

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Musing With Apollo: Update | The Droll Hackabout

https://thedrollhackabout.wordpress.com/2014/05/12/musing-with-apollo-update

Visual Culture and Social History in the Long Eighteenth Century. Musing With Apollo: Update. May 12, 2014. Middot; by Danielle Thom. Middot; in Uncategorized. Middot; Leave a comment. I’m now contributing to Apollo regularly, mostly on museum issues and curatorial life (clue: this involves tea and dusty things). You can find my various wordsplurges here. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). Academic Men E...

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Review: ‘Georgians Revealed’ and ‘The Cheapside Hoard’ | The Droll Hackabout

https://thedrollhackabout.wordpress.com/2013/12/23/review-georgians-revealed-and-the-cheapside-hoard

Visual Culture and Social History in the Long Eighteenth Century. Review: ‘Georgians Revealed’ and ‘The Cheapside Hoard’. December 23, 2013. Middot; by Danielle Thom. Middot; in Uncategorized. Middot; Leave a comment. One of the perks of working for a major national museum is the reciprocal agreement in place with other institutions to allow staff free or discounted entry to exhibitions. Notwithstanding the rain and gales last Saturday, I waded to. The Cheapside Hoard: London’s Lost Jewels. At the Museum...

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The Droll Hackabout | Visual Culture and Social History in the Long Eighteenth Century | Page 2

https://thedrollhackabout.wordpress.com/page/2

Visual Culture and Social History in the Long Eighteenth Century. October 6, 2013. Middot; by Danielle Thom. Middot; in Uncategorized. Middot; Leave a comment. First of all, apologies, for the long hiatus between posts. I offer up teaching preparation and job applications as my excuse for not writing much else. I’m absolutely thrilled, however, that my job search has come to an end for the time being, as I have been offered a place on the V&A’s Curator Development […]. July 30, 2013. June 10, 2013. Middo...

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Seductive Sculptures and Priapic Prints | The Droll Hackabout

https://thedrollhackabout.wordpress.com/2014/09/06/seductive-sculptures-and-priapic-prints

Visual Culture and Social History in the Long Eighteenth Century. Seductive Sculptures and Priapic Prints. September 6, 2014. Middot; by Danielle Thom. Middot; in Uncategorized. Middot; Leave a comment. I recently published a short piece on the sculptural nude in 18th century satirical prints, for the Royal College of Art’s splendid. Blog – and you can read it here. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public).

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