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The Classical Review

The Classical Review was founded in March 2010 by music critic Lawrence A. Johnson to establish a single, one-stop online source for classical music coverage.

http://www.theclassicalreview.com/

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The Classical Review | theclassicalreview.com Reviews
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The Classical Review was founded in March 2010 by music critic Lawrence A. Johnson to establish a single, one-stop online source for classical music coverage.
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8 chicago classical review
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The Classical Review | theclassicalreview.com Reviews

https://theclassicalreview.com

The Classical Review was founded in March 2010 by music critic Lawrence A. Johnson to establish a single, one-stop online source for classical music coverage.

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The Classical Review » » Weak libretto undermines strong music and compelling story in Florida Grand Opera’s “Before Night Falls”

http://theclassicalreview.com/2017/03/weak-libretto-undermines-strong-music-and-compelling-story-in-florida-grand-operas-before-night-falls

New York Classical Review. South Florida Classical Review. Weak libretto undermines strong music and compelling story in Florida Grand Opera’s “Before Night Falls”. March 20, 2017. Elliot Madore and Elizabeth Caballero in Jorge Martín’s “Before Night Falls” at Florida Grand Opera. Photo: Chris Kakol. Before Night Falls,. Which opened Saturday at the Arsht Center in Miami, contains many of the ingredients for an effective stage production. After serving time in the infamous prison of El Morro Castle, Aren...

2

The Classical Review » Articles

http://theclassicalreview.com/category/articles

New York Classical Review. South Florida Classical Review. Lost concerto’s revival marks the end of a long quest for Houston Symphony cellist. Ndash; Apr 12, 2017. In January 1935, cellist Gregor Piatigorsky and Arturo Toscanini offered the world […]. With birthday bash on tap, Philip Glass talks about reaching 80 years and 11 symphonies. Ndash; Jan 30, 2017. For Philip Glass, the birthday present came early. Wednesday morning, Carnegie Hall […]. Ndash; Jan 25, 2017. Ndash; Jan 21, 2017. Ndash; Jan 28, 2...

3

The Classical Review » » Bolcom’s “Dinner at Eight” has a mixed premiere at Minnesota Opera

http://theclassicalreview.com/2017/03/bolcoms-dinner-at-eight-has-a-mixed-premiere-at-minnesota-opera

New York Classical Review. South Florida Classical Review. Bolcom’s “Dinner at Eight” has a mixed premiere at Minnesota Opera. March 16, 2017. Craig Irvin as Dan Packard and Susannah Biller as Kitty Packard in William Bolcom’s “Dinner at Eight” at Minnesota Opera. Photo: Cory Weaver. Dying is easy, comedy is difficult. Silent Night, The (R)evolution of Steven Jobs. Yet despite a terrific singing and acting cast, the opera proved a mixed, dramatically unsatisfying work in its world premiere. If a dark com...

4

The Classical Review » Lawrence A. Johnson

http://theclassicalreview.com/author/ljohnson

New York Classical Review. South Florida Classical Review. In her Met quasi-farewell Fleming strikes sparks with Garanča in new “Rosenkavalier”. Ndash; Apr 16, 2017. One of the main offstage story-lines at the Met this season has […]. Lost concerto’s revival marks the end of a long quest for Houston Symphony cellist. Ndash; Apr 12, 2017. In January 1935, cellist Gregor Piatigorsky and Arturo Toscanini offered the world […]. Mutter and Orkis warm up a rainy night in Chicago with communicative artistry.

5

The Classical Review » About

http://theclassicalreview.com/about

New York Classical Review. South Florida Classical Review. The Classical Review was founded in March 2010 by music critic Lawrence A. Johnson to establish a single, one-stop online source for classical music coverage. Festivals, opera companies, orchestras, artist managers, and all music organizations that would like to be considered for live coverage, email editor Lawrence A. Johnson at ljohnson@theclassicalreview.com.

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Poison Ivy's Wall of Text: Midsummer's Night Dream - Exciting Debuts

http://poisonivywalloftext.blogspot.com/2015/06/midsummers-night-dream-exciting-debuts.html

Poison Ivy's Wall of Text. Art, life, and other scribblings. Sunday, June 7, 2015. Midsummer's Night Dream - Exciting Debuts. A Midsummer's Night Dream. Has become the traditional way to close the NYCB's spring season. Because the ballet requires so many moving parts (a huge cast of soloists, the entire corps de ballet, plus a large contingent of SAB students) sometimes casting for this ballet can be a bit stale. If it ain't broke, why fix it? So how was she? Miller was not alone in making an anticipated...

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South Florida Classical Review » » The Top 10 Performances of 2011

http://southfloridaclassicalreview.com/2011/12/the-top-10-performances-of-2011

South Florida Classical Review. New York Classical Review. The Top 10 Performances of 2011. By David Fleshler and Lawrence Budmen. 1 Michael Tilson Thomas and the New World Symphony in Mahler’s Symphony No. 6. 2 Ken Noda and friends. Photo: Gaston de Cardenas. 3 Florida Grand Opera’s. Photo: Gaston de Cardenas. 4 Florida Grand Opera’s. The soprano Elizabeth Futral performed the feat of taking on all four female roles in Florida Grand Opera’s production of Offenbach’s. 5 Violinist Ray Chen. Bach’s s...

chicagoclassicalreview.com chicagoclassicalreview.com

Chicago Classical Review » » Akiho’s mesmerizing work the highlight of MusicNOW program

http://chicagoclassicalreview.com/2013/12/akihos-mesmerizing-work-the-highlight-of-musicnow-program

New York Classical Review. South Florida Classical Review. Akiho’s mesmerizing work the highlight of MusicNOW program. Tue Dec 17, 2013 at 2:29 pm. By Lawrence A. Johnson. Andy Akiho’s “Vick(i/y)” was performed at the CSO’s MusicNOW program Monday night at the Harris Theater. The second MusicNOW program of the season served up one of the most compelling solo performances of the year, amid three other works that included a Mason Bates premiere. Monday night’s concert at the Harris Theater opened with.

chicagoclassicalreview.com chicagoclassicalreview.com

Chicago Classical Review » » Collaborative Arts Festival leads off with intimate Schumann evening

http://chicagoclassicalreview.com/2014/09/collaborative-arts-festival-leads-off-with-intimate-schumann-evening

New York Classical Review. South Florida Classical Review. Collaborative Arts Festival leads off with intimate Schumann evening. Fri Sep 12, 2014 at 12:24 pm. Susanna Phillips performed in the opening concert of the Collaborative Arts Festival Thursday night at the Poetry Foundation. Rather than settling for a survey of Schumann’s greatest hits, the 90-minute program explored less familiar territory in selections from three of Schumann’s song collections:. Tragodie, Gedichte aus ‘Liebesfruhling’. Phan an...

operaticstlouis.blogspot.com operaticstlouis.blogspot.com

Operatic Saint Louis: July 2013

http://operaticstlouis.blogspot.com/2013_07_01_archive.html

News, reviews, sneak peeks, interviews and looks backstage on all things opera in our fair city. Wednesday, July 31, 2013. Rehearsal of UAO's "Die Walküre". Rehearsals are underway for Union Avenue Opera's Die Walküre. The second part of Richard Wagner's Ring Cycle. UAO's artists arrived in St. Louis on Monday to begin the three-week rehearsal process. Take a look at Conductor Scott Schoonover. Leading Soprano Alexandra LoBianco. And Bass Timothy Bruno. Photo © Phil Touchette, 2013. Tuesday, July 16, 2013.

newyorkclassicalreview.com newyorkclassicalreview.com

New York Classical Review » Blog Archive » Partch offers a fascinating alternative universe at Lincoln Center Festival

http://newyorkclassicalreview.com/2015/07/partch-offers-a-fascinating-alternative-universe-at-lincoln-center-festival

South Florida Classical Review. Partch offers a fascinating alternative universe at Lincoln Center Festival. July 24, 2015 at 1:13 pm. Harry Partch’s “Delusion of the Fury” was performed by Ensemble Musikfabrik Thursday night at the Lincoln Center Festival. Photo: Stephanie Berger. Harry Partch is the rare artist for whom the pleasure his work produces is less important than the fascination it elicits. Terms like “maverick” and “outsider” are insufficient to describe Partch. D...Delusion of the Fury.

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New York Classical Review » News

http://newyorkclassicalreview.com/category/news

South Florida Classical Review. Classical Review to expand to Texas and Washington D.C. this fall. Ndash; Aug 16, 2016. I am happy to announce that the Classical Review will be launching …. JACK Quartet to lose two founding members. Ndash; Jul 12, 2016. The JACK Quartet’s final New York concert with its original members takes …. Nézet-Séguin to become Met music director; reups in Philly as well. Ndash; Jun 02, 2016. Yannick Nézet-Séguin will become music director of the Metropolitan Opera in the …. Danie...

newyorkclassicalreview.com newyorkclassicalreview.com

New York Classical Review » Advertise

http://newyorkclassicalreview.com/advertise

South Florida Classical Review. New York Classical Review depends largely upon advertising to pay its contributors and maintain the website. Banner advertising is highly prominent, visible on every landing page and clicks through to your website. Advertisers also have their box office number and a working link added to their events in the daily calendar. For rates and ad specs, email advertising@theclassicalreview.com.

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New York Classical Review » Blog Archive » After 20 years, Michael Tilson Thomas and the San Francisco Symphony are still coloring outside the lines

http://newyorkclassicalreview.com/2014/11/after-20-years-michael-tilson-thomas-and-the-san-francisco-symphony-are-still-coloring-outside-the-lines

South Florida Classical Review. After 20 years, Michael Tilson Thomas and the San Francisco Symphony are still coloring outside the lines. November 16, 2014 at 2:29 pm. By Lawrence A. Johnson. Michael Tilson Thomas will conduct the San Francisco Symphony in two programs at Carnegie Hall Wednesday and Thursday. Tilson Thomas can be a serious, distant and, occasionally, prickly presence on the podium, especially when interpreting composers he is most passionate about, like Mahler, Stravinsky and Tchaikovsky.

southfloridaclassicalreview.com southfloridaclassicalreview.com

South Florida Classical Review » » Fabio Martino displays remarkable artistry at Miami Piano Festival

http://southfloridaclassicalreview.com/2012/05/fabio-martino-shows-remarkable-artistry-at-miami-piano-festival

South Florida Classical Review. New York Classical Review. Fabio Martino displays remarkable artistry at Miami Piano Festival. Fabio Martino performed music of Beethoven, Ravel and Scriabin Saturday night at the Miami International Piano Festival. Beethoven suits Martino, who followed the Fantasia with the monumental. His Andante held the same richness, characterized by careful releases, immaculate pedaling and impeccable voicing, especially in the suspensions of the first variation. A wonderfully fl...

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New York Classical Review. South Florida Classical Review. Trifonov serves up a Chicago season highlight with mature artistry, thrilling bravura. Most people in Chicago these days would pay money to hear Daniil […]. Weak libretto undermines strong music and compelling story in Florida Grand Opera’s “Before Night Falls”. The contemporary opera Before Night Falls, which opened Saturday at the Arsht […]. Bolcom’s “Dinner at Eight” has a mixed premiere at Minnesota Opera. More Reviews ». March 31, 2017.

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Thursday, 13 August 2015. A new release from Naxos of works by Benet Casablancas performed by the B3: Brouwer Trio show him to be an endlessly fascinating composer. Benet Casablancas (b.1956). Was born in Sabadell, Spain and studied in Barcelona and at the Vienna Academy of Music with Friedrich Cerha and Karl Heinz Füssl. A new release from Naxos. Features works by Benet Casablancas performed by B3: Brouwer Trio. The title of this disc is rather misleading in that only three of the works performed here a...