quilosandthewindmill.com quilosandthewindmill.com

quilosandthewindmill.com

 quilos and the windmill

Quilos and the windmill is a collaborative multi-disciplinary art practice engaging with painting, drawing, sculpture, video, performance and writing.

http://www.quilosandthewindmill.com/

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CONTACTS AT QUILOSANDTHEWINDMILL.COM

Michele Whiting

Michele Whiting

The ●●●●reat

32 C●●●●ston

Wes●●●ury , BA13 4NY

GB

44.1●●●●0717
mi●●●●●●●●●●●●@virgin.net

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Michele Whiting

Michele Whiting

The ●●●●reat

32 C●●●●ston

Wes●●●ury , BA13 4NY

GB

44.1●●●●0717
mi●●●●●●●●●●●●@virgin.net

View this contact

Michele Whiting

Michele Whiting

The ●●●●reat

32 C●●●●ston

Wes●●●ury , BA13 4NY

GB

44.1●●●●0717
mi●●●●●●●●●●●●@virgin.net

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 quilos and the windmill | quilosandthewindmill.com Reviews
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Quilos and the windmill is a collaborative multi-disciplinary art practice engaging with painting, drawing, sculpture, video, performance and writing.
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1 qilos and the windmill
2 michele whiting
3 linda khatir
4 contemporary
5 modern art
6 art
7 artist
8 theory
9 multi-disciplinary
10 collaboration
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about/contact,assemblage/object,drawing/painting,installation/intervention,moving image/photography,writing/research,biography,exhibition,the prospector
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 quilos and the windmill | quilosandthewindmill.com Reviews

https://quilosandthewindmill.com

Quilos and the windmill is a collaborative multi-disciplinary art practice engaging with painting, drawing, sculpture, video, performance and writing.

INTERNAL PAGES

quilosandthewindmill.com quilosandthewindmill.com
1

 quilos and the windmill

http://www.quilosandthewindmill.com/index.html

Quilos and the windmill. Our collaborative practice explores relations between spaces: architectural, landscape, formal, informal, actual and imaginal. We draw from the disciplines of painting, drawing, sculpture, photography, video and writing, and as each new work develops, it begins to unravel fixed ideas on illusion and reality, multiplicity and originality. Quilos and the windmill. Michele whiting PhD., linda khatir PhD. Quilos and the windmill. Book sandwich, 2014. A new work often begins as a smal...

2

  quilos and the windmill | assemblage · object

http://www.quilosandthewindmill.com/assemblage_object.html

Quilos and the windmill. To the rondo 1/3.

3

 quilos and the windmill | drawing · painting

http://www.quilosandthewindmill.com/drawing_painting.html

Quilos and the windmill. Prospector series 3 1/5. There are stories inside us. Gingham nets and other things. Gods and godesses 1. Quilos and the windmill. There are stories inside us. Gods and godesses 1. Quilos and the windmill. Gingham nets and other things.

4

 quilos and the windmill | installation · intervention

http://www.quilosandthewindmill.com/installation_intervention.html

Quilos and the windmill. Library of babel 1/3. Intervention series .1 1/4. Becoming american intervention series .1.

5

 quilos and the windmill | moving image · photography

http://www.quilosandthewindmill.com/moving-image_photography.html

Quilos and the windmill. 30 minute loop, split screen, 2 channel sound. 10 minute loop, single screen, 2 channel sound. 8 minute loop, split screen, 2 channel sound. Performative text, 8 minutes, 2 channel sound. 28 minutes, 5 screen, 4 channel sound. 6 minutes, 3 screen, 4 channel sound. 30 minute loop, split screen, 2 channel sound. 28 minutes, 5 screen, 4 channel sound. Performative text, 8 minutes, 2 channel sound. 8 minute loop, split screen, 2 channel sound. 6 minutes, 3 screen, 4 channel sound.

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LINKS TO THIS WEBSITE

engagementandentrapment.blogspot.com engagementandentrapment.blogspot.com

Engagement AND Entrapment 1,2 & 3: Diane Maclean

http://engagementandentrapment.blogspot.com/2016/06/diane-maclean.html

Engagement AND Entrapment 1,2 and 3. Touring exhibition at Binyamin Gallery, Tel Aviv, Israel (2014) and Zmart Gallery of the Loukia and Michael Zampelas Art Museum, Nicosia, Cyprus (2015), Gallerie GAIA, South Korea (2016) Engagement is a way of capturing attention, a way of alluring and a way of enticing to possess ownership. International artists have been invited to question this through political, personal, artistic and cultural systems. Curated by Diana Ali. When does the real become hyper-real?

engagementandentrapment.blogspot.com engagementandentrapment.blogspot.com

Engagement AND Entrapment 1,2 & 3: Lou Hazelwood

http://engagementandentrapment.blogspot.com/2016/06/lou-hazelwood.html

Engagement AND Entrapment 1,2 and 3. Touring exhibition at Binyamin Gallery, Tel Aviv, Israel (2014) and Zmart Gallery of the Loukia and Michael Zampelas Art Museum, Nicosia, Cyprus (2015), Gallerie GAIA, South Korea (2016) Engagement is a way of capturing attention, a way of alluring and a way of enticing to possess ownership. International artists have been invited to question this through political, personal, artistic and cultural systems. Curated by Diana Ali. When does the real become hyper-real?

engagementandentrapment.blogspot.com engagementandentrapment.blogspot.com

Engagement AND Entrapment 1,2 & 3: Tracy Bo Lee

http://engagementandentrapment.blogspot.com/2016/06/tracy-bo-lee.html

Engagement AND Entrapment 1,2 and 3. Touring exhibition at Binyamin Gallery, Tel Aviv, Israel (2014) and Zmart Gallery of the Loukia and Michael Zampelas Art Museum, Nicosia, Cyprus (2015), Gallerie GAIA, South Korea (2016) Engagement is a way of capturing attention, a way of alluring and a way of enticing to possess ownership. International artists have been invited to question this through political, personal, artistic and cultural systems. Curated by Diana Ali. When does the real become hyper-real?

engagementandentrapment.blogspot.com engagementandentrapment.blogspot.com

Engagement AND Entrapment 1,2 & 3: Images from Israel, Cyprus, South Korea

http://engagementandentrapment.blogspot.com/2016/06/gill-hobson.html

Engagement AND Entrapment 1,2 and 3. Touring exhibition at Binyamin Gallery, Tel Aviv, Israel (2014) and Zmart Gallery of the Loukia and Michael Zampelas Art Museum, Nicosia, Cyprus (2015), Gallerie GAIA, South Korea (2016) Engagement is a way of capturing attention, a way of alluring and a way of enticing to possess ownership. International artists have been invited to question this through political, personal, artistic and cultural systems. Curated by Diana Ali. When does the real become hyper-real?

engagementandentrapment.blogspot.com engagementandentrapment.blogspot.com

Engagement AND Entrapment 1,2 & 3: Hanjin Jo

http://engagementandentrapment.blogspot.com/2016/06/images-from-israel-cyprus-south-korea.html

Engagement AND Entrapment 1,2 and 3. Touring exhibition at Binyamin Gallery, Tel Aviv, Israel (2014) and Zmart Gallery of the Loukia and Michael Zampelas Art Museum, Nicosia, Cyprus (2015), Gallerie GAIA, South Korea (2016) Engagement is a way of capturing attention, a way of alluring and a way of enticing to possess ownership. International artists have been invited to question this through political, personal, artistic and cultural systems. Curated by Diana Ali. When does the real become hyper-real?

engagementandentrapment.blogspot.com engagementandentrapment.blogspot.com

Engagement AND Entrapment 1,2 & 3: Sam Treadaway

http://engagementandentrapment.blogspot.com/2016/06/hajun-lee.html

Engagement AND Entrapment 1,2 and 3. Touring exhibition at Binyamin Gallery, Tel Aviv, Israel (2014) and Zmart Gallery of the Loukia and Michael Zampelas Art Museum, Nicosia, Cyprus (2015), Gallerie GAIA, South Korea (2016) Engagement is a way of capturing attention, a way of alluring and a way of enticing to possess ownership. International artists have been invited to question this through political, personal, artistic and cultural systems. Curated by Diana Ali. When does the real become hyper-real?

engagementandentrapment.blogspot.com engagementandentrapment.blogspot.com

Engagement AND Entrapment 1,2 & 3: Mina Kim

http://engagementandentrapment.blogspot.com/2016/06/mina-kim.html

Engagement AND Entrapment 1,2 and 3. Touring exhibition at Binyamin Gallery, Tel Aviv, Israel (2014) and Zmart Gallery of the Loukia and Michael Zampelas Art Museum, Nicosia, Cyprus (2015), Gallerie GAIA, South Korea (2016) Engagement is a way of capturing attention, a way of alluring and a way of enticing to possess ownership. International artists have been invited to question this through political, personal, artistic and cultural systems. Curated by Diana Ali. When does the real become hyper-real?

engagementandentrapment.blogspot.com engagementandentrapment.blogspot.com

Engagement AND Entrapment 1,2 & 3: Tracey Holland

http://engagementandentrapment.blogspot.com/2016/06/chnn726navercom.html

Engagement AND Entrapment 1,2 and 3. Touring exhibition at Binyamin Gallery, Tel Aviv, Israel (2014) and Zmart Gallery of the Loukia and Michael Zampelas Art Museum, Nicosia, Cyprus (2015), Gallerie GAIA, South Korea (2016) Engagement is a way of capturing attention, a way of alluring and a way of enticing to possess ownership. International artists have been invited to question this through political, personal, artistic and cultural systems. Curated by Diana Ali. When does the real become hyper-real?

engagementandentrapment.blogspot.com engagementandentrapment.blogspot.com

Engagement AND Entrapment 1,2 & 3: Ruth Eckland

http://engagementandentrapment.blogspot.com/2016/06/william-hughes.html

Engagement AND Entrapment 1,2 and 3. Touring exhibition at Binyamin Gallery, Tel Aviv, Israel (2014) and Zmart Gallery of the Loukia and Michael Zampelas Art Museum, Nicosia, Cyprus (2015), Gallerie GAIA, South Korea (2016) Engagement is a way of capturing attention, a way of alluring and a way of enticing to possess ownership. International artists have been invited to question this through political, personal, artistic and cultural systems. Curated by Diana Ali. When does the real become hyper-real?

engagementandentrapment.blogspot.com engagementandentrapment.blogspot.com

Engagement AND Entrapment 1,2 & 3: William Hughes

http://engagementandentrapment.blogspot.com/2016/06/jane-walker.html

Engagement AND Entrapment 1,2 and 3. Touring exhibition at Binyamin Gallery, Tel Aviv, Israel (2014) and Zmart Gallery of the Loukia and Michael Zampelas Art Museum, Nicosia, Cyprus (2015), Gallerie GAIA, South Korea (2016) Engagement is a way of capturing attention, a way of alluring and a way of enticing to possess ownership. International artists have been invited to question this through political, personal, artistic and cultural systems. Curated by Diana Ali. When does the real become hyper-real?

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12

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Domingo, 29 de julho de 2012. De frente com as fraquezas. Estou gorda, inchada, grande. uma barriga do tamanho do mundo com tecido adiposo para dar e vender. Sinceramente, não sei qual o meu peso porque minha Plenna fez o favor de quebrar (ou acabou a pilha, não sei) e por isso não sei o quão gorda estou, mas pelo que me conheço, devo estar com uns 83, por aí. Estou mals por fora e mais ainda por dentro. Meu Deus, como eu como. Acredito que não é ansiedade, viu? O que é isso? Esse é o primeiro passo que ...

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quilos and the windmill

Quilos and the windmill. Wednesday, 9 October 2013. George Stubbs and Thomas Gainsborough, two British Painters who's landscapes (or partial landscapes) interested us as an idealised British view; the romantic notion of a pastoral England inserted into the American Landscape. Not just any landscape but a place where pioneers walked and indiginous peoples had lived prior to the immigration of Europeans. Friday, 27 September 2013. Working the drawings to a larger size. Tuesday, 24 September 2013. Working w...

quilosandthewindmill.com quilosandthewindmill.com

 quilos and the windmill

Quilos and the windmill. Our collaborative practice explores relations between spaces: architectural, landscape, formal, informal, actual and imaginal. We draw from the disciplines of painting, drawing, sculpture, photography, video and writing, and as each new work develops, it begins to unravel fixed ideas on illusion and reality, multiplicity and originality. Quilos and the windmill. Michele whiting PhD., linda khatir PhD. Quilos and the windmill. Book sandwich, 2014. A new work often begins as a smal...

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www.quilosaprofesional.com

Al mejor precio, crear tu web. De calidad. Además, servidor cloud.

quilosaprofessional.com quilosaprofessional.com

Quilosa Profesional

Energía Solar y Eólica. Quilosa presenta dos nuevas gamas de adhesivos y selladores en la feria PROFER. Quilosa, referente en el mercado de adhesivos y selladores en España, presenta en la primera . ∞. Ya disponible el video del programa Fabricando: Made In Spain. Si no pudiste ver la emisión del programa o quieres verlo de nuevo, aquí podrás . ∞. Quilosa Selena Iberia abre las puertas de su fábrica en Quer, Guadalajara, al programa de televisión Fabricando: Made in Spain , en La 1 de TVE.

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Ave Gonzalez Suarez y Juan Cajas a 30 metros del Redondel De Cumanda - Ambato. Impulsado por PATIOTuerca - Autos, motos y vehículos de Ambato Ecuador. Queda prohibida la reproducción total o parcial, por cualquier medio, de todos los contenidos sin autorización expresa de AVISORIAWEB S.A.

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Kilos Fuera !!!

Jueves, 17 de diciembre de 2015. Estudio sobre la relación entre obesidad y fibromialgia. Un nuevo estudio en el Journal of Pain. Revela que existe estrecha asociación entre la obesidad y discapacidad en pacientes con fibromialgia. El propósito del estudio, realizado por investigadores de la Universidad de Utah, fue evaluar la relación entre fibromialgia y obesidad. Presume que la obesidad agrega una carga significativamente grande a la enfermedad y la discapacidad de esta condición. Los autores también ...