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AAWM - Analytical Approaches To World Music Journal

Volume 4, No. 1 (2015). Octave Cycles and Illusory Pitch Shifts in a North Chinese Wind Repertoire. Beth Szczepanski (Lewis and Clark College). Musical Performance and Ritual Action in a South Indian Temple. William Tallotte (University of London). And the activities carried out by priests during the last daily worship performed in the Śaiva temple complex of Chidambaram, Tamil Nadu. Between Theory, Representation and Practice of. Rethinking the Representation of the Arabic. Have increasingly been used t...

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AAWM - Analytical Approaches To World Music Journal | aawmjournal.com Reviews

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Volume 4, No. 1 (2015). Octave Cycles and Illusory Pitch Shifts in a North Chinese Wind Repertoire. Beth Szczepanski (Lewis and Clark College). Musical Performance and Ritual Action in a South Indian Temple. William Tallotte (University of London). And the activities carried out by priests during the last daily worship performed in the Śaiva temple complex of Chidambaram, Tamil Nadu. Between Theory, Representation and Practice of. Rethinking the Representation of the Arabic. Have increasingly been used t...

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AAWM - Analytical Approaches To World Music Journal | aawmjournal.com Reviews

https://aawmjournal.com

Volume 4, No. 1 (2015). Octave Cycles and Illusory Pitch Shifts in a North Chinese Wind Repertoire. Beth Szczepanski (Lewis and Clark College). Musical Performance and Ritual Action in a South Indian Temple. William Tallotte (University of London). And the activities carried out by priests during the last daily worship performed in the Śaiva temple complex of Chidambaram, Tamil Nadu. Between Theory, Representation and Practice of. Rethinking the Representation of the Arabic. Have increasingly been used t...

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Volume 5, No. 1 (2016). The Byar: an Ethnographic and Empirical Study of a Balinese Musical Moment. Andy McGraw (University of Richmond) and Christine Kohnen (Carleton College). Repertoire is marked by virtuosic, unmetered tutti passages, referred to as. Which often begin with a. Review of Michael Church, ed.,. The Other Classical Musics: Fifteen Great Traditions. Boydell and Brewer, 2015). Mark Hijleh (King's College). This review essay highlights the innovative and useful contributions of.

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AAWM JOURNAL VOL. 3 NO. 2 (2014). The Subversive Songs of Bossa Nova: Tom Jobim in the Era of Censorship. Irna Priore and Chris Stover. Read full article in PDF version. Is Assistant Professor of Music in Theory and Composition at the New School for Jazz and Contemporary Music.

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AAWM JOURNAL VOL. 4 NO. 1 (2015). Octave Cycles and Illusory Pitch Shifts in a North Chinese Wind Repertoire. Buddhist monks at Wutaishan in Shanxi Province, China perform melodies on. It also argues that the discovery of pitch paradoxes in this repertoire should inspire scholars to undertake more rigorous analysis and more detailed transcription in order to discover the complexities that might be hidden inside what seem to be simple Chinese traditional tunes. Read full article in PDF version.

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Every submission is evaluated by two readers; in cases resulting in a split decision, an evaluation by a third reader is employed to break the tie. The review process typically lasts approximately three months, however, mitigating factors may increase or decrease this duration accordingly. Submissions should conform to the following guidelines:. 2 All manuscripts and supporting files, as well as an abstract of 250-400 words should be submitted electronically to aawmjournal@gmail.com. 5 In order to mainta...

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Volume 4, No. 2 (2015). Volume 4, No. 1 (2015). Volume 3, No. 2 (2014). Volume 3, No. 1 (2013). Volume 2, No. 2 (2013). Volume 2, No. 1 (2012). Volume 1, No. 2 (2011). Volume 1, No. 1 (2011).

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Newer posts →. December 5, 2012 · 1:20 pm. Which interpretation should be privileged? Are all equally valid? 8230;And so it goes on! I’m off to the library tomorrow to explore further the writings of Paul Ricoeur. October 30, 2012 · 4:06 pm. Book review: Musicians from a Different Shore – Mari Yoshihara. Continue reading →. Filed under What I'm reading. October 29, 2012 · 1:32 pm. Emotionality…Where does it all come from? October 29, 2012 · 12:42 pm. Fieldwork is just living… even for introverts. Postcar...

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Graphics by Colin Lewis. Web design by Kalin Kirilov. All prices include breakfast and VAT (except where indicated). See also http:/ www.hotelsreviewed.com/uk-london-bloomsbury.hotel-reviews.html. Arran House Hotel, 77-79 Gower Street, WC1E 6HJ. Wifi available, also residents’ kitchen. Crescent Hotel, 49-50 Cartwright Gardens. Large single en suite 98. Single with shower 65. Http:/ www.crescenthoteloflondon.com/. Euro Hotel, 53 Cartwright Gardens. Single en suite 93. No lift; has Wi-fi. Single en suite 89.

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Graphics by Colin Lewis. Web design by Kalin Kirilov. The list below includes only AAWM invited speakers and presenters accepted by the AAWM Program Committee. All presenters accepted by the BFE Program Committee are listed on the BFE website. Durham University, UK). Music Analysis and Ethnomusicology: Some Reflections on Rhythmic Theory. University of Cambridge, UK). Music, Identity Politics, and the Clever Boy from Croydon. City University London UK). Bangkakaw: Rhythm of the Highlands of Mindanao.

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Graphics by Colin Lewis. Web design by Kalin Kirilov. AAWM 2014 is sponsored in part by. The School of Oriental and African Studies, University of London. The Institute for Musical Research, University of London. The University of British Columbia. He British Forum for Ethnomusicology. The Society for Music Analysis. The Centre for Music and Science, University of Cambridge. The Society for Music Theory Interest Group on Analysis of World Music.

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Graphics by Colin Lewis. Web design by Kalin Kirilov. On-line maps of the general area and of the adjacent SOAS and Senate House campuses:. Http:/ www.soas.ac.uk/visitors/location/maps/. Http:/ music.sas.ac.uk/sites/default/files/files/Map%201%20UOL.pdf. Http:/ music.sas.ac.uk/sites/default/files/files/Map%202%20UOL.pdf. Google Map of the Brunei Gallery conference location. Google Map of the Senate House conference location.

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Graphics by Colin Lewis. Web design by Kalin Kirilov. The submission process for paper proposals has now closed. Chair, AAWM 2014 Program Committee. The submission deadline is December 1, 2013. Notification of acceptance will be sent via email by February 1, 2014. For those interested in submitting proposals to BFE 2014 please visit the society website for additional information: www.bfe.org.uk. Martin Clayton (Durham University). Nicholas Cook (University of Cambridge). Simon Mills (Durham University).

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Skip to main content area. Belk Library and Information Commons. Nicholas Erneston Music Library. Enter the terms you wish to search for. Electronic Resources: Music Journals. Electronic Resources: Streaming Audio/Video. Electronic Resources: Music Journals. Full Text available from:. Advances in Acoustics and Vibration. American Music (formerly Sonneck Society Journal). Analytical Approaches to World Music. Anuario Interamericano de Investigacion Musical. Australian Journal of Music Therapy. Journal of ...

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Graphics by Colin Lewis. Web design by Kalin Kirilov. ANALYSIS, COGNITION AND ETHNOMUSICOLOGY. Joint Meeting of the Third International Conference on Analytical Approaches to. World Music (AAWM 2014), and the Annual Conference of the British Forum for Ethnomusicology (BFE 2014), in association with the Centre for Music and Science (University of Cambridge), and the Society for Music Analysis. July 1 4, 2014, Institute of Musical Research and. School of Oriental and African Studies (SOAS),.

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AAWM - Analytical Approaches To World Music Journal

Volume 4, No. 1 (2015). Octave Cycles and Illusory Pitch Shifts in a North Chinese Wind Repertoire. Beth Szczepanski (Lewis and Clark College). Musical Performance and Ritual Action in a South Indian Temple. William Tallotte (University of London). And the activities carried out by priests during the last daily worship performed in the Śaiva temple complex of Chidambaram, Tamil Nadu. Between Theory, Representation and Practice of. Rethinking the Representation of the Arabic. Have increasingly been used t...

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