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Digital Interactive Audio | Conspectus

A Short Introduction To Digital Audio. CD audio files have a sampling rate of 44.1k. The sampling rate defines the number of samples per second taken from a continuous signal to make a discrete signal (analog to digital conversion). So in other words to continue our movie analogy, CD audio is like a movie for your ears with 44,100 frames per second flashing across the screen. Used in digital radio, TV work, also long play DAT and HDTV. The CD sampling rate. The DAT (Digital Audio Tape) sampling rate.

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Digital Interactive Audio | Conspectus | ableton2011.edicypages.com Reviews
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A Short Introduction To Digital Audio. CD audio files have a sampling rate of 44.1k. The sampling rate defines the number of samples per second taken from a continuous signal to make a discrete signal (analog to digital conversion). So in other words to continue our movie analogy, CD audio is like a movie for your ears with 44,100 frames per second flashing across the screen. Used in digital radio, TV work, also long play DAT and HDTV. The CD sampling rate. The DAT (Digital Audio Tape) sampling rate.
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2 conspectus
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6 tutorials
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9 and today
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Digital Interactive Audio | Conspectus | ableton2011.edicypages.com Reviews

https://ableton2011.edicypages.com

A Short Introduction To Digital Audio. CD audio files have a sampling rate of 44.1k. The sampling rate defines the number of samples per second taken from a continuous signal to make a discrete signal (analog to digital conversion). So in other words to continue our movie analogy, CD audio is like a movie for your ears with 44,100 frames per second flashing across the screen. Used in digital radio, TV work, also long play DAT and HDTV. The CD sampling rate. The DAT (Digital Audio Tape) sampling rate.

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ableton2011.edicypages.com ableton2011.edicypages.com
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Digital Interactive Audio | Conspectus

http://www.ableton2011.edicypages.com/en

A Short Introduction To Digital Audio. CD audio files have a sampling rate of 44.1k. The sampling rate defines the number of samples per second taken from a continuous signal to make a discrete signal (analog to digital conversion). So in other words to continue our movie analogy, CD audio is like a movie for your ears with 44,100 frames per second flashing across the screen. Used in digital radio, TV work, also long play DAT and HDTV. The CD sampling rate. The DAT (Digital Audio Tape) sampling rate.

2

Digital Interactive Audio | About Me

http://www.ableton2011.edicypages.com/about-me

I have been working as a DJ for past ten years. I started producing music about five years ago, using Fruity Loops and Logic Pro. About two years ago I switched to Ableton Live and it was a love from the first sight. I also host a radio show with Kyka called "Housetrap" on SS-Radio UK. I'm also a resident DJ in club Privé. Digital Interactive Audio - 2011. Edicy Make a website.

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Digital Interactive Audio | Tutorials

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Audio and MIDI Setup. Digital Interactive Audio - 2011. Edicy Make a website.

4

Digital Interactive Audio | Course Info

http://www.ableton2011.edicypages.com/course

IFI7108 Digital Interactive Audio. Requirements For Independent Work. Students can use IMKE Lab for the independent work or their own computers. Each student will get a copy of Ableton Live 8 on CD. (PC/Mac). For independent work students have to produce a track witch contains previously learned skills from lectures. 1 4 Audio tracks. May include two imported clips from point three and field recording from point seven plus one extra clip). 2 2 MIDI tracks. For example one drum rack and one piano).

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Digital Interactive Audio | Today

http://www.ableton2011.edicypages.com/today-1

Digital Interactive Audio - 2011. Edicy Make a website.

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tiinaatimke.wordpress.com tiinaatimke.wordpress.com

Task 13: Bringing together your framework and Activity Theory | Tiina @ IMKE

https://tiinaatimke.wordpress.com/2012/11/26/task-13-bringing-together-your-framework-and-activity-theory

On the road of Interactive Media and Knowledge Environments. Task 13: Bringing together your framework and Activity Theory. November 26, 2012. To do: take a look at your initial framework developed for Task 5 and your interpretation of Activity Theory and compare them by looking for similarities and differences. Later I found out that as underlying the activity theory there are two main ideas: the mind can be only understood in the context of the subject-object relationship, human mind has a social nature.

kairi-at-imke.blogspot.com kairi-at-imke.blogspot.com

Kairike @ IMKE: March 2013

http://kairi-at-imke.blogspot.com/2013_03_01_archive.html

MSc Interactive Media and Knowledge Environments. Monday, March 11, 2013. Le papier ne sera jamais mort / Paper is not dead! Paper Is Dead, Except When It's the Most Important Thing in the House. What the hell is that? Wish I'd known that years ago. Subscribe to: Posts (Atom). How we show what we know. In the digital age. View my complete profile. Ethics and Law in New Media (IFI7137). Generative Content Creation (IFI7111). Introduction and Theoretical Foundations of New Media (IFI7101). Powerful photo s...

kairi-at-imke.blogspot.com kairi-at-imke.blogspot.com

Kairike @ IMKE: May 2012

http://kairi-at-imke.blogspot.com/2012_05_01_archive.html

MSc Interactive Media and Knowledge Environments. Sunday, May 13, 2012. Book review: Don't Make Me Think. Don't Make Me Think: A Common Sense Approach to Web Usability is a book by Steve Krug about human-computer interaction and web usability. Originally published in 2000, the book is in its second edition (2005) and has sold more than 300 000 copies. The chapter of user testing, as it appears in the second edition, was probably one of the chapters I personally found the most useful, regarding the IMKE c...

kairi-at-imke.blogspot.com kairi-at-imke.blogspot.com

Kairike @ IMKE: Le papier ne sera jamais mort / Paper is not dead !

http://kairi-at-imke.blogspot.com/2013/03/le-papier-ne-sera-jamais-mort-paper-is.html

MSc Interactive Media and Knowledge Environments. Monday, March 11, 2013. Le papier ne sera jamais mort / Paper is not dead! Paper Is Dead, Except When It's the Most Important Thing in the House. What the hell is that? Wish I'd known that years ago. Subscribe to: Post Comments (Atom). How we show what we know. In the digital age. View my complete profile. Ethics and Law in New Media (IFI7137). Generative Content Creation (IFI7111). Introduction and Theoretical Foundations of New Media (IFI7101). Skype an...

kairi-at-imke.blogspot.com kairi-at-imke.blogspot.com

Kairike @ IMKE: October 2011

http://kairi-at-imke.blogspot.com/2011_10_01_archive.html

MSc Interactive Media and Knowledge Environments. Monday, October 31, 2011. The world is at seven billion. What's your number? On October 31, 2011, the world population hit 7 billion. Click on the photo to find out what's your number. What are new standards for writing narratives with new media? New media – how we show what we know in the digital age. Explaining narrative and new media. Do new media produce new narratives? What are new standards for writing narratives with new media? Ryan (2004, p. 3...

kairi-at-imke.blogspot.com kairi-at-imke.blogspot.com

Kairike @ IMKE: May 2011

http://kairi-at-imke.blogspot.com/2011_05_01_archive.html

MSc Interactive Media and Knowledge Environments. Monday, May 2, 2011. Domain names containing letters with diacritical marks (IDN). As of June 13, 2011 Estonian Internet Foundation introduces domain names with diacritical marks. For details go to www.eestiinternet.ee/teavitus/en/. Subscribe to: Posts (Atom). How we show what we know. In the digital age. View my complete profile. Ethics and Law in New Media (IFI7137). Generative Content Creation (IFI7111). Master Thesis Seminar I (IFI7117). Introduction ...

tiinaatimke.wordpress.com tiinaatimke.wordpress.com

The Digital Enforcement, topic 20 | Tiina @ IMKE

https://tiinaatimke.wordpress.com/2012/11/28/the-digital-enforcement-topic-20

On the road of Interactive Media and Knowledge Environments. The Digital Enforcement, topic 20. November 28, 2012. To do: Write a short analysis about applicability of copying restrictions – whether you consider them useful, in which cases exceptions should be made etc. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. Notify me of new comments via email.

tiinaatimke.wordpress.com tiinaatimke.wordpress.com

IFI7153: Philosophy of Cognition, task 4 | Tiina @ IMKE

https://tiinaatimke.wordpress.com/2012/12/05/ifi7153-philosophy-of-cognition-task-4

On the road of Interactive Media and Knowledge Environments. IFI7153: Philosophy of Cognition, task 4. December 5, 2012. Task is: The tacit dimension cannot be explicitly communicated, but it can be shared. Take an example of tacit dimension and describe how you would try to share it. Like Polanyi mentions in his paper “The tacit dimension”:. 8220;This is why mathematical theory can be learned only by practicing its application: its true knowledge lies in our ability to use it.”. December 7, 2012 at 17:56.

moonladder.wordpress.com moonladder.wordpress.com

Concept map for Run&Play | Moonladder... rung by rung

https://moonladder.wordpress.com/2011/10/11/concept-map-for-runplay

Moonladder… rung by rung. Reading. makes you smarter. Concept map for Run&Play. Posted by Meren Tamm. Comments on “Research Through Design as a Method for Interaction Design Research in HCI” ». Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. You are commenting using your Twitter account. ( Log Out. Notify me of new comments via email.

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Digital Interactive Audio | Conspectus

A Short Introduction To Digital Audio. CD audio files have a sampling rate of 44.1k. The sampling rate defines the number of samples per second taken from a continuous signal to make a discrete signal (analog to digital conversion). So in other words to continue our movie analogy, CD audio is like a movie for your ears with 44,100 frames per second flashing across the screen. Used in digital radio, TV work, also long play DAT and HDTV. The CD sampling rate. The DAT (Digital Audio Tape) sampling rate.

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abletonation - Your ultimate guide to Ableton Live

Presets and Live Racks. Tutorial: How to make a dubstep beat. In this tutorial I will show you how to setup a simple dubstep beat. Start off with setting the tempo of the song to about 140 bpm. Continue reading “Tutorial: How to make a dubstep beat” ». Free dubstep presets for Ableton. Following the tutorials from DubStop. I created three dubstep presets for Ableton Live. Included presets in the dubstep package:. Dupstep Talking bass (Make sure to play on low octaves and fiddle around with the LFO Rate).

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Atlanta Ableton Users Group

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