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ACTIONANDVIDEO | Series of Swiss Artists, Curated by Li Zhenhua

Series of Swiss Artists, Curated by Li Zhenhua

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ACTIONANDVIDEO | Series of Swiss Artists, Curated by Li Zhenhua | actionandvideo.wordpress.com Reviews
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Series of Swiss Artists, Curated by Li Zhenhua
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1 mdash;
2 actionandvideo
3 anne julie raccoursier
4 marc lee
5 beat brogle
6 roman signer
7 幽默与微妙 anne julie raccoursier的影像作品
8 leave a comment
9 original
10 作者 kathleen bühler
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mdash;,actionandvideo,anne julie raccoursier,marc lee,beat brogle,roman signer,幽默与微妙 anne julie raccoursier的影像作品,leave a comment,original,作者 kathleen bühler,翻译 顾灵,siegfried kracauer,这一录像装置规模很大,长17米,高4米多,这件三屏装置把人看得昏昏欲睡,矛盾的压力,男性的保藏,这些保卫队员们行动如一,好像个体在这画圈中不复存在
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ACTIONANDVIDEO | Series of Swiss Artists, Curated by Li Zhenhua | actionandvideo.wordpress.com Reviews

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Series of Swiss Artists, Curated by Li Zhenhua

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1

Marc Lee | ACTIONANDVIDEO

https://actionandvideo.wordpress.com/marc-lee

Series of Swiss Artists, Curated by Li Zhenhua. The Last Reflex (Pavlov’s Condition). 复旦大学上海视觉艺术学院 Shanghai Institute of Visual Art. 民生现代美术馆 Minsheng Art Museum. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. You are commenting using your Twitter account. ( Log Out. You are commenting using your Facebook account. ( Log Out. Blog at WordPress.com.

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幽默与微妙——Anne-Julie Raccoursier的影像作品 | ACTIONANDVIDEO

https://actionandvideo.wordpress.com/2012/05/20/with-humor-and-subtlety-cn

Series of Swiss Artists, Curated by Li Zhenhua. May 20, 2012. 永不停止的乐趣 Non-Stop Fun,2008 是Anne-Julie Raccoursier的一部三屏录像作品,画面中是大群舞动着的人。 三部录像都记录了超大型体育或健身活动的现场 最左边是体育场观众席上,人们举起双手高喊 Hola 欢呼 之前的短暂数秒,将其循环播放 中间是孩子的集体舞,通过跑动组合出不断变化的图案 右侧是体育场观众席上的人群高举双手制造波浪。 尽管这句话说在1927年,当时的历史背景与当前很不一样,但它还是与Anne-Julie Raccoursier 的录像艺术有种模糊的共通之处,也就是说,这一价值评估适用于在目前这一新的全球化 帝国 中,出现于体育馆里的庸庸大众。 作品 旋转 Whirligig,2007 中,法国总统的保卫队在海岸旁的一个停车场排演。 这体现于艺术家近年的两件新作品 连锁蒸汽 Chain Steam,2011 与 玫瑰粉色 Rose Pink,2010 ,都关注于粗略的整体观察。 民生现代美术馆 Minsheng Art Museum.

3

信息、空间与新闻 information, space and News | ACTIONANDVIDEO

https://actionandvideo.wordpress.com/2011/10/06/信息、空间与新闻-information-space-and-news

Series of Swiss Artists, Curated by Li Zhenhua. October 6, 2011. 信息、空间与新闻 information, space and News. 信息、空间与新闻 information, space and News. 地点 RAM 外滩美术馆 圆明园路169号 协进大楼 1F. Marc Lee 克隆它 一万个移动的城市. Marc的工作可以被归结为几个有趣的阶段,一个阶段是他基于网络所创作的针对人工智能,和网络自身所带来的对私人侵扰的担忧,如1999年Marc Lee 创作的关于网络智能的作品NUN http:/ www.nun.ch/netz.html. 2001年他与LAN和Knowbotic Research的合作作品Clone-it 克隆 更是将网络文化中个人私密信息这一话题推向了高潮,这一作品充分体现了艺术家的担忧和对未来网络的预见性。 Project 狗肉联盟 http:/ www.1go1.net/index.php/Main/Dogmeat. Next post →. 民生现代美术馆 Minsheng Art Museum.

4

Beat Brogle | ACTIONANDVIDEO

https://actionandvideo.wordpress.com/2011/10/11/beat-brogle

Series of Swiss Artists, Curated by Li Zhenhua. October 11, 2011. November 27th- December 7th, 2011. Next post →. The Last Reflex (Pavlov’s Condition). 复旦大学上海视觉艺术学院 Shanghai Institute of Visual Art. 民生现代美术馆 Minsheng Art Museum. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. You are commenting using your Twitter account. ( Log Out.

5

Beat Brogle | ACTIONANDVIDEO

https://actionandvideo.wordpress.com/beat-brogle

Series of Swiss Artists, Curated by Li Zhenhua. Beat Brogle is a Swiss artist living in Berlin. His work investigates issues of morphological transformation and associations at the edge of perception. This investigation spans media as diverse as drawing, films/video, installations and internet projects. His work is shown in galeries/artspaces, mediaartfestivals and televison channels. The Last Reflex (Pavlov’s Condition). 复旦大学上海视觉艺术学院 Shanghai Institute of Visual Art. 民生现代美术馆 Minsheng Art Museum.

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燃点Randian | Ling

https://linggu.org/category/燃点randian

Bent before a Screen and Dreaming. From Randian, by Nora N. Khan, Translated by 顾灵 弓身屏前做着梦 前卫作曲家、艺术家托尼 康拉德 Tony Conrad 上周去世了。 他 论发现 的一段话被收入多篇讣告中 感觉我工作在某个不太能清晰定义的领域时,我就会受到巨大鼓舞。 Spiros Hadjidjanos, Network/ed Pillars , installation view, KW institute for contemporary art Berlin, 2016. 在发了一堆邮件、便签、留言与短信后,我们爬上Skype聊天,无意间透过门后瞥见他/她的世界。 Ben Schumacher, To be titled (boat with John Keenen) , boat, Shrinkwrap, chair, … Continue reading →. 两个人都用带着口音的英语复述着 河流与池塘 的睡前故事,一个人说着 河流 的台词,另一个则说 池塘 的。 在比利安娜 思瑞克 Biljana Ciric...

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Daan Roggeveen | Ling

https://linggu.org/tag/daan-roggeveen

Tag Archives: Daan Roggeveen. From Randian, 文 / 爱安啊 译 / 顾灵 面对东方 中国城市主义在非洲 Facing East: Chinese Urbanism in Africa 艺术与建筑橱窗 Storefront for Art and Architecture(纽约97 Kenmare Street), 2015年6月17日-8月1日 艺术与建筑橱窗的新近展览 面对东方 似乎白白浪费了一个大好机遇。 展览标题 面对东方 撷取自 西行计划 Go West ,不过这一点在展览新闻稿中并未提及。 后者由常驻上海的两个荷兰人 建筑师Daan Roggeveen 与记者Michiel Hulshof 共同创立于2009年并持续至今,项目汇聚了来自多个领域的实践者对不同超大城市的调研。 Facing East: Chinese Urbanism in Africa". Storefront for Art and Architecture. Toru Harada: rubbish is story teller. Museum of Modern Art.

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On “Facing East” | Ling

https://linggu.org/2015/08/06/on-facing-east

上海艺术观察 丁乙 与 施勇 访谈. When Jörg met Esther →. 文 / 爱安啊 译 / 顾灵. Facing East: Chinese Urbanism in Africa. Storefront for Art and Architecture. 纽约97 Kenmare Street), 2015年6月17日-8月1日. 展览标题 面对东方 撷取自 西行计划 Go West ,不过这一点在展览新闻稿中并未提及。 后者由常驻上海的两个荷兰人 建筑师Daan Roggeveen 与记者Michiel Hulshof 共同创立于2009年并持续至今,项目汇聚了来自多个领域的实践者对不同超大城市的调研。 View all posts by Ling →. This entry was posted in 燃点Randian. And tagged "Facing East: Chinese Urbanism in Africa". Storefront for Art and Architecture. 上海艺术观察 丁乙 与 施勇 访谈. Museum of Modern Art.

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ARTS | Ling

https://linggu.org/category/arts

Toru Harada: rubbish is story teller. 捡垃圾,做怪兽 艺术家原田透爱做的两件事 原载于 端传媒 他在日本和中国捡垃圾,他从小就爱做怪兽,他当然关注环保,但他说 垃圾上栖息着两种记忆。 帕慕克 Orhan Pamuk , 纯真博物馆 他戴了一顶军绿色的帽子,皮肤是健康的小麦色。 这位名叫原田透 Toru Harada 的艺术家1980年生于日本宫崎,如今生活和工作在有上海后花园之称的朱家角,以及日本福冈。 位于香港上环的狮语画廊7月末开幕的 转角世界 原田透与烟囱双人展 ,呈现了一批原田的装置作品,大部分都是挂在墙上的可辨认的肖像。 乍一看,会让人联想起朱塞佩 阿尔钦博托 Giuseppe Arcimboldo 著名的肖像画,这位16世纪意大利画家长于用精细的手法描绘由蔬果、植被、花卉、动物所组成的人像,例如上百种不同的鸟类 四元素 系列之 空气 或各类昆虫与枯枝 四季 系列之 冬 拼凑出的人像。 这一 鬼脸 ghost face 系列表现出原田透对材料的质感、形状、色彩的敏锐把握。 然而,其对物件在空间中的表现力更体现在 小世界 little world 系列。

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Urban China | Ling

https://linggu.org/tag/urban-china

Tag Archives: Urban China. From Randian, 文 / 爱安啊 译 / 顾灵 面对东方 中国城市主义在非洲 Facing East: Chinese Urbanism in Africa 艺术与建筑橱窗 Storefront for Art and Architecture(纽约97 Kenmare Street), 2015年6月17日-8月1日 艺术与建筑橱窗的新近展览 面对东方 似乎白白浪费了一个大好机遇。 展览标题 面对东方 撷取自 西行计划 Go West ,不过这一点在展览新闻稿中并未提及。 后者由常驻上海的两个荷兰人 建筑师Daan Roggeveen 与记者Michiel Hulshof 共同创立于2009年并持续至今,项目汇聚了来自多个领域的实践者对不同超大城市的调研。 Facing East: Chinese Urbanism in Africa". Storefront for Art and Architecture. Toru Harada: rubbish is story teller. The life of a green Demio.

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“Facing East: Chinese Urbanism in Africa” | Ling

https://linggu.org/tag/facing-east-chinese-urbanism-in-africa

Tag Archives: “Facing East: Chinese Urbanism in Africa”. From Randian, 文 / 爱安啊 译 / 顾灵 面对东方 中国城市主义在非洲 Facing East: Chinese Urbanism in Africa 艺术与建筑橱窗 Storefront for Art and Architecture(纽约97 Kenmare Street), 2015年6月17日-8月1日 艺术与建筑橱窗的新近展览 面对东方 似乎白白浪费了一个大好机遇。 展览标题 面对东方 撷取自 西行计划 Go West ,不过这一点在展览新闻稿中并未提及。 后者由常驻上海的两个荷兰人 建筑师Daan Roggeveen 与记者Michiel Hulshof 共同创立于2009年并持续至今,项目汇聚了来自多个领域的实践者对不同超大城市的调研。 Facing East: Chinese Urbanism in Africa". Storefront for Art and Architecture. The life of a green Demio. Online ...

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Go West project | Ling

https://linggu.org/tag/go-west-project

Tag Archives: Go West project. From Randian, 文 / 爱安啊 译 / 顾灵 面对东方 中国城市主义在非洲 Facing East: Chinese Urbanism in Africa 艺术与建筑橱窗 Storefront for Art and Architecture(纽约97 Kenmare Street), 2015年6月17日-8月1日 艺术与建筑橱窗的新近展览 面对东方 似乎白白浪费了一个大好机遇。 展览标题 面对东方 撷取自 西行计划 Go West ,不过这一点在展览新闻稿中并未提及。 后者由常驻上海的两个荷兰人 建筑师Daan Roggeveen 与记者Michiel Hulshof 共同创立于2009年并持续至今,项目汇聚了来自多个领域的实践者对不同超大城市的调研。 Facing East: Chinese Urbanism in Africa". Storefront for Art and Architecture. Toru Harada: rubbish is story teller. Museum of Modern Art.

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西行计划” | Ling

https://linggu.org/tag/西行计划

From Randian, 文 / 爱安啊 译 / 顾灵 面对东方 中国城市主义在非洲 Facing East: Chinese Urbanism in Africa 艺术与建筑橱窗 Storefront for Art and Architecture(纽约97 Kenmare Street), 2015年6月17日-8月1日 艺术与建筑橱窗的新近展览 面对东方 似乎白白浪费了一个大好机遇。 展览标题 面对东方 撷取自 西行计划 Go West ,不过这一点在展览新闻稿中并未提及。 后者由常驻上海的两个荷兰人 建筑师Daan Roggeveen 与记者Michiel Hulshof 共同创立于2009年并持续至今,项目汇聚了来自多个领域的实践者对不同超大城市的调研。 Facing East: Chinese Urbanism in Africa". Storefront for Art and Architecture. Toru Harada: rubbish is story teller. The life of a green Demio. Yan lei: what i like to do.

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施勇 | Ling

https://linggu.org/tag/施勇

上海艺术观察 丁乙 与 施勇 访谈. All visible could be exhibition. 可看的皆是展 艺术世界293 2015年1月2月合刊(奥沙艺术基金) P148 正如金钱不过纸造,展览也就是几间房 中国上海 奥沙艺术基金 2014 年 11 月 20 日-2015 年 2 月 28 日 顾灵 文 比利安娜 思瑞克 Biljana Ciric 在奥沙艺术基金上海策划的展览有个让人过目不忘却颇为拗口的标题 正如金钱不过纸造,展览也就是几间房 ,其中包含的类比关系,皆是将对象的物质媒介与其携带的价值与意义相分离。 早在我2011年与比利安娜的采访中,当谈及现场艺术的 市场免疫力 时,她就指出 今天被我们日常谈论的艺术,我们已经完全习惯于观看它,它其实已经 慢慢变成了消费文化的一部分。 通过类比关系,标题也将金钱与展览联系在一起,展览成为 艺术消费品 的 短期橱窗 ,而支持所谓知识生产与艺术尝试的空间则十分稀少,甚至随着市场商业化的日益泛滥而越来越少。 Toru Harada: rubbish is story teller. The life of a green Demio.

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ACTIONANDVIDEO | Series of Swiss Artists, Curated by Li Zhenhua

Series of Swiss Artists, Curated by Li Zhenhua. May 20, 2012. 永不停止的乐趣 Non-Stop Fun,2008 是Anne-Julie Raccoursier的一部三屏录像作品,画面中是大群舞动着的人。 三部录像都记录了超大型体育或健身活动的现场 最左边是体育场观众席上,人们举起双手高喊 Hola 欢呼 之前的短暂数秒,将其循环播放 中间是孩子的集体舞,通过跑动组合出不断变化的图案 右侧是体育场观众席上的人群高举双手制造波浪。 尽管这句话说在1927年,当时的历史背景与当前很不一样,但它还是与Anne-Julie Raccoursier 的录像艺术有种模糊的共通之处,也就是说,这一价值评估适用于在目前这一新的全球化 帝国 中,出现于体育馆里的庸庸大众。 作品 旋转 Whirligig,2007 中,法国总统的保卫队在海岸旁的一个停车场排演。 这体现于艺术家近年的两件新作品 连锁蒸汽 Chain Steam,2011 与 玫瑰粉色 Rose Pink,2010 ,都关注于粗略的整体观察。 October 11, 2011. With Qiu ...

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