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John Keston Classes | Curriculum for classes taught by John Keston at Art Institutes Minnesota

John Keston – Spring 2015 Class Schedule. Welcome to aim.johnkeston.com. IM2460 Intro to Authoring. 8:00am – 11:00am. IM2460 Intro to Authoring. 8:00am – 11:00am. 10:00am – 11:00am. 10:00am – 11:00am. IM2420 Fundamentals of Scripting. 11:00am – 2:00pm. IM2420 Fundamentals of Scripting. 11:00am – 2:00pm. IM1480 Fundamentals of IMD. 2:00pm – 5:00pm. IM1480 Fundamentals of IMD. 2:00pm – 5:00pm. Curriculum for classes taught by John Keston at Art Institutes Minnesota. AP2460 MIDI Systems I (12).

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John Keston Classes | Curriculum for classes taught by John Keston at Art Institutes Minnesota | aim.johnkeston.com Reviews
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John Keston – Spring 2015 Class Schedule. Welcome to aim.johnkeston.com. IM2460 Intro to Authoring. 8:00am – 11:00am. IM2460 Intro to Authoring. 8:00am – 11:00am. 10:00am – 11:00am. 10:00am – 11:00am. IM2420 Fundamentals of Scripting. 11:00am – 2:00pm. IM2420 Fundamentals of Scripting. 11:00am – 2:00pm. IM1480 Fundamentals of IMD. 2:00pm – 5:00pm. IM1480 Fundamentals of IMD. 2:00pm – 5:00pm. Curriculum for classes taught by John Keston at Art Institutes Minnesota. AP2460 MIDI Systems I (12).
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John Keston Classes | Curriculum for classes taught by John Keston at Art Institutes Minnesota | aim.johnkeston.com Reviews

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John Keston – Spring 2015 Class Schedule. Welcome to aim.johnkeston.com. IM2460 Intro to Authoring. 8:00am – 11:00am. IM2460 Intro to Authoring. 8:00am – 11:00am. 10:00am – 11:00am. 10:00am – 11:00am. IM2420 Fundamentals of Scripting. 11:00am – 2:00pm. IM2420 Fundamentals of Scripting. 11:00am – 2:00pm. IM1480 Fundamentals of IMD. 2:00pm – 5:00pm. IM1480 Fundamentals of IMD. 2:00pm – 5:00pm. Curriculum for classes taught by John Keston at Art Institutes Minnesota. AP2460 MIDI Systems I (12).

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IM1480 Fundamentals of IMD | John Keston Classes

http://aim.johnkeston.com/category/im1480

IM1480 Fundamentals of IMD. Syllabus and Meeting Times. April 5, 2015. The course introduces students to the history, trends, terminology, and concepts in the field of interactive design. Through materials presented in the course, students become familiar with the roles and responsibilities of people working in the field, professional organizations, and significant organizations. Students are also introduced to the basic concepts and tools for developing interactive media applications. January 10, 2015.

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Teaching Philosophy | John Keston Classes

http://aim.johnkeston.com/philosophy

Each new group of students require a distinct approach. It can take several sessions before the atmosphere congeals. An underlying foundation of curriculum with carefully organized content and detailed project requirements is critical to my approach, but it is also important for me to be flexible when necessary. This might mean introducing new challenges to the curriculum, or making adjustments when more learning or research within a specific area is important. October 6, 2009 at 10:03 pm.

3

Classes | John Keston Classes

http://aim.johnkeston.com/classes

Content for each class can be found under the Class Content heading in the sidebar. Here’s a list of currently available class content and former class titles. Course titles under “Former Classes” and that are not links are not a current part of the Web Design and Interactive Media curriculum. AP2460 MIDI Systems I. GD2480 Designing for the Web. IM1480 Fundamentals of IMD. IM2420 Fundamentals of Scripting Languages. IM2440 User Centered Interface Design. IM2460 Intro to Authoring. DF3420 Sound Design (12).

4

IM2420 Fundamentals of Scripting Languages | John Keston Classes

http://aim.johnkeston.com/category/im2420

IM2420 Fundamentals of Scripting Languages. Students develop and refine basic programming skills. Emphasis is placed on programming concepts including logic, problem solving, process flow and flow-charting, syntax and structures, and debugging and troubleshooting. Students will acquire skills needed to design, develop, and produce practical interactive applications. Syllabus and Meeting Times. May 11, 2015. IM2420 Fundamemtals of Scripting Languages. Meeting Times and Location:. Session 1 / Session 2.

5

March | 2015 | John Keston Classes

http://aim.johnkeston.com/2015/03

Monthly Archives: March 2015. Motion Graphics for Web Applications. March 9, 2015. Motion graphics and interactive animation are frequently used in web applications to enhance the user experience commonly referred to as UX. These transitions lead the eye to important content or interface items. There are three primary techniques for creating this kind of functionality with web based applications: Adobe Flash, JavaScript, and CSS3 Transitions. JavaScript is considered the programming language of the web&#...

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Music | John Keston

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Duets with the Singing Ringing Tree. March 20, 2015. In May, 2014 I performed. Duets with the Singing Ringing Tree. Evoke an eerie resonance. The synthesizer accompaniment alternates between contrasting and mimicking the haunting tones of the cold, metal structure. Read on for a series of photos from the project. NOTE: These are binaural recordings combined with synthesizer accompaniment. Although it sounds great through speakers, circumaural headphones must be used to experience the binaural effect.

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Performance | John Keston

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Instant Composer: Mad-libbed Music. January 13, 2016. On June 13, 2015 I collaborated with a team of nine students and nine musicians on a project I directed for Northern Spark. An annual, all-night, art festival In Minneapolis and St. Paul, Minnesota. We titled the project,. Instant Composer: Mad-libbed Music. And the intent was to engage the audience into instantly writing musical compositions for an ensemble of improvising musicians. Continue reading →. At Echofluxx 14, Prague. June 30, 2015. NOTE: Th...

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Experimentation | John Keston

http://johnkeston.com/tag/experimentation

Duets with the Singing Ringing Tree. March 20, 2015. In May, 2014 I performed. Duets with the Singing Ringing Tree. Evoke an eerie resonance. The synthesizer accompaniment alternates between contrasting and mimicking the haunting tones of the cold, metal structure. Read on for a series of photos from the project. NOTE: These are binaural recordings combined with synthesizer accompaniment. Although it sounds great through speakers, circumaural headphones must be used to experience the binaural effect.

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Improvisation | John Keston

http://johnkeston.com/tag/improvisation

Instant Composer: Mad-libbed Music. January 13, 2016. On June 13, 2015 I collaborated with a team of nine students and nine musicians on a project I directed for Northern Spark. An annual, all-night, art festival In Minneapolis and St. Paul, Minnesota. We titled the project,. Instant Composer: Mad-libbed Music. And the intent was to engage the audience into instantly writing musical compositions for an ensemble of improvising musicians. Continue reading →. At Echofluxx 14, Prague. June 30, 2015. NOTE: Th...

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Performance Art | John Keston

http://johnkeston.com/tag/performance-art

Tag Archives: Performance Art. Duets with the Singing Ringing Tree. March 20, 2015. In May, 2014 I performed. Duets with the Singing Ringing Tree. Evoke an eerie resonance. The synthesizer accompaniment alternates between contrasting and mimicking the haunting tones of the cold, metal structure. Read on for a series of photos from the project. Continue reading →. Instant Cinema Work in Progress Video. May 23, 2013. Jon Steinhorst put together this video preview for our Northern Spark. April 22, 2013.

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Documentation | John Keston

http://johnkeston.com/tag/documentation

Instant Composer: Mad-libbed Music. January 13, 2016. On June 13, 2015 I collaborated with a team of nine students and nine musicians on a project I directed for Northern Spark. An annual, all-night, art festival In Minneapolis and St. Paul, Minnesota. We titled the project,. Instant Composer: Mad-libbed Music. And the intent was to engage the audience into instantly writing musical compositions for an ensemble of improvising musicians. Continue reading →. At Echofluxx 14, Prague. June 30, 2015. NOTE: Th...

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Binaural | John Keston

http://johnkeston.com/tag/binaural

Duets with the Singing Ringing Tree. March 20, 2015. In May, 2014 I performed. Duets with the Singing Ringing Tree. Evoke an eerie resonance. The synthesizer accompaniment alternates between contrasting and mimicking the haunting tones of the cold, metal structure. Read on for a series of photos from the project. NOTE: These are binaural recordings combined with synthesizer accompaniment. Although it sounds great through speakers, circumaural headphones must be used to experience the binaural effect.

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Duets with the Singing Ringing Tree | John Keston

http://johnkeston.com/news/duets-with-the-singing-ringing-tree

Duets with the Singing Ringing Tree. March 20, 2015. In May, 2014 I performed. Duets with the Singing Ringing Tree. Evoke an eerie resonance. The synthesizer accompaniment alternates between contrasting and mimicking the haunting tones of the cold, metal structure. Read on for a series of photos from the project. NOTE: These are binaural recordings combined with synthesizer accompaniment. Although it sounds great through speakers, circumaural headphones must be used to experience the binaural effect.

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New Music | John Keston

http://johnkeston.com/tag/new-music

Tag Archives: New Music. Duets with the Singing Ringing Tree. March 20, 2015. In May, 2014 I performed. Duets with the Singing Ringing Tree. Evoke an eerie resonance. The synthesizer accompaniment alternates between contrasting and mimicking the haunting tones of the cold, metal structure. Read on for a series of photos from the project. Continue reading →. Instant Composer: Mad-libbed Music. January 13, 2016. At Echofluxx 14, Prague. June 30, 2015. Duets with the Singing Ringing Tree. March 20, 2015.

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Biography | John Keston

http://johnkeston.com/biography

John Keston ( click to view cirriculum vitae. Is an educator, musician, composer, sound artist, and developer exploring the synesthetic relationships between auditory and optical landscapes. His work evokes stochastic behaviors in compositional structures by translating visual or gestural input into sound. One example is the Gestural Music Sequencer (GMS). GMS is an application developed in Processing.org. That analyzes video input and converts it into a sequence of musical information in real-time.

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John Keston Classes | Curriculum for classes taught by John Keston at Art Institutes Minnesota

John Keston – Spring 2015 Class Schedule. Welcome to aim.johnkeston.com. IM2460 Intro to Authoring. 8:00am – 11:00am. IM2460 Intro to Authoring. 8:00am – 11:00am. 10:00am – 11:00am. 10:00am – 11:00am. IM2420 Fundamentals of Scripting. 11:00am – 2:00pm. IM2420 Fundamentals of Scripting. 11:00am – 2:00pm. IM1480 Fundamentals of IMD. 2:00pm – 5:00pm. IM1480 Fundamentals of IMD. 2:00pm – 5:00pm. Curriculum for classes taught by John Keston at Art Institutes Minnesota. AP2460 MIDI Systems I (12).

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