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King Lear and Role Inversion | Fireflies in February

https://firefliesinfebruary.wordpress.com/2013/07/28/king-lear-and-role-inversion

Shakespeare's Borrowers 2013. Emilia and Sexual Jealousy in Othello. Deceptive Acts in Hamlet. July 28, 2013. As Stanley Wells discusses in the introduction to The Oxford Shakespeare: King Lear. Shakespeare conflated and transformed two familiar tales, King Leir. Into the tragedy King Lear. This blog post will examine one of the ways in which King Lear. King Lear and His Daughters. I do invest you [Cornwall and Albany] jointly in my power,. Pre-eminence, and all the large effects. The name and all the ad...

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Emilia and Sexual Jealousy in Othello | Fireflies in February

https://firefliesinfebruary.wordpress.com/2013/07/21/emilia-and-sexual-jealousy-in-othello

Shakespeare's Borrowers 2013. Stirring up Shakespeare: Strange Brew. And Role Inversion →. Emilia and Sexual Jealousy in Othello. July 21, 2013. The tragic momentum of Shakespeare’s play Othello. Is driven almost entirely by the malicious machinations of Iago, Othello’s ensign. It is Iago who rouses Othello’s jealous rage, who raises it to a fever pitch, and who encourages him to murder his innocent wife, Desdemona. The tragic ending of Othello. I hate the Moor,. But I, for mere suspicion in that kind,.

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Stirring up Shakespeare: Strange Brew and Hamlet | Fireflies in February

https://firefliesinfebruary.wordpress.com/2013/07/17/stirring-up-shakespeare-strange-brew-and-hamlet

Shakespeare's Borrowers 2013. The Past Is Prologue. Emilia and Sexual Jealousy in Othello. Stirring up Shakespeare: Strange Brew. July 17, 2013. One way of engaging with the Canadian comedy Strange Brew. 1983), co-directed by Rick Moranis and Dave Thomas, is to consider the film as a transmedia adaptation of Shakespeare’s Hamlet. In other words, Strange Brew. In a similar way, the film also acts as a highly self-conscious, self-reflexive adaptation of Hamlet. In the following ways:. It recreates Elsinore...

heresbloggingatyoukid.wordpress.com

If He Could Turn Back Time: How “Hamlet 2” Became a Success. | Here's Blogging at You, Kid.

https://heresbloggingatyoukid.wordpress.com/2013/07/17/if-he-could-turn-back-time-how-hamlet-2-became-a-success

Here's Blogging at You, Kid. If He Could Turn Back Time: How “Hamlet 2” Became a Success. July 17, 2013. Snapshot Film Curation Project. That have not been popular with the public or the school’s young newspaper critic. Dana’s decision to write a sequel to Shakespeare’s Hamlet. Proves to be life-changing. Dana believes that Hamlet. It is apparent that he is making note of his play’s proximity to the source text, but then diverges on his own unique path which produces entirely different results from the s...

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cdepottey83 | Fireflies in February

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Shakespeare's Borrowers 2013. Chapter One – Lansa. June 30, 2016. Lady Sophia Jane Seddon was not where she was supposed to be: curled up nice and safely in her bed, under her warm winter quilt that her great aunt Helena had made for her. It was, she reflected as she tiptoed softly across the flagstones, rather a shame. After all, those flagstones were. The trees here were just as beautiful as the carefully pruned trees in front of the manor house, but in a different way. They sprang up in unexpected...

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Deceptive Acts in Hamlet | Fireflies in February

https://firefliesinfebruary.wordpress.com/2013/08/04/deceptive-acts-in-hamlet

Shakespeare's Borrowers 2013. Stoppard’s Rosencrantz and Guildenstern Are Dead →. Deceptive Acts in Hamlet. August 4, 2013. Nearly every major character in Shakespeare’s tragedy Hamlet. In fact, Hamlet explicitly voices his motivations for staging the play-within-a-play, linking it with his desire to discover whether or not the ghost is telling the truth about his father’s murder:. The spirit that I have seen. May be the devil, and the devil hath power. T’assume a pleasing shape; yea, and perhaps. In 34,...

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“Repression and Betrayal Trauma in King Lear.” | Here's Blogging at You, Kid.

https://heresbloggingatyoukid.wordpress.com/2013/07/28/repression-and-betrayal-trauma-in-king-lear

Here's Blogging at You, Kid. 8220;Repression and Betrayal Trauma in King Lear.”. July 28, 2013. Repression and Betrayal Trauma in King Lear. The decline of mental stability and subsequent slide into insanity that is experienced by the title character in King Lear. May suggest the monarch’s exposure to a form of betrayal trauma brought on by his elderly reversion back to childlike behaviors, his daughter’s inability to care for his basic needs, and his repression of painful emotions and thoughts. Hillary:...

shakespearesborrowers.wordpress.com

To Be or Not To Be: That is the Adventure Roundup | ENGL 693: Shakespeare's Borrowers

https://shakespearesborrowers.wordpress.com/2013/08/09/to-be-or-not-to-be-that-is-the-adventure-roundup

ENGL 693: Shakespeare's Borrowers. Bewailing the anxiety of influence since 1623. August 9, 2013. To Be or Not To Be: That is the Adventure Roundup. As the copies of Ryan North’s. To Be or Not To Be: That is the Adventure. Go out to Kickstarter funders, the press is starting to take notice, restarting debates (and old canards) about Shakespeare adaptations. Here are a few recent articles:. NPR offers an overview. Bustle.com discusses North’s rewriting of the role of Ophelia. To Be or Not To Be. Rosencran...

unvexmehere.wordpress.com

Blog Post #2: Storytelling and “Ocular Proof” in Othello | Un-vex Me Here

https://unvexmehere.wordpress.com/2013/07/21/blog-post-2-storytelling-and-ocular-proof-in-othello

A blog for ENGL-693. Telling/Showing to Showing/Telling: The Tempest and “Requiem for Methuselah”. Annotated Bibliography/Discussion Questions for Harlem Duet →. Blog Post #2: Storytelling and Ocular Proof in Othello. July 21, 2013. I was especially interested in the frequency with which the play references the physical act of seeing. The characters in the play, Othello in particular, guide the action of the story based on what they see, but more so on what they think. They see. Othello. Iago certainly u...

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Blog Post #1: Hutcheon’s Modes of Engagement and The Tempest | Un-vex Me Here

https://unvexmehere.wordpress.com/2013/07/14/blog-post-1-hutcheons-modes-of-engagement-and-the-tempest

A blog for ENGL-693. Telling/Showing to Showing/Telling: The Tempest and “Requiem for Methuselah” →. Blog Post #1: Hutcheon’s Modes of Engagement and The Tempest. July 14, 2013. There can be no doubt that the words-on-paper, Oxford edition of The Tempest. I would like to take a closer look at The Tempest. As a staged performance, however. A dramatization of The Tempest. As it exists in the showing mode may also contain elements of the participation mode that Hutcheon details. Let’s recall the final l...