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aman's work

286的當代精神

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aman's work | amaan286.blogspot.com Reviews
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286的當代精神
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1 aman's work
2 pages
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aman's work | amaan286.blogspot.com Reviews

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286的當代精神

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1

aman's work: 蝸牛料理影音訪談計畫-台9線篇 Snail Dishes Interview Program: Highway No. 9.

http://amaan286.blogspot.com/2013/09/9-snail-dishes-interview-program.html

蝸牛料理影音訪談計畫-台9線篇 Snail Dishes Interview Program: Highway No. 9. 12298;蝸牛料理影音訪談計畫-台九線篇》選取台九線東部南迴段範圍成為主要的探訪取徑,並藉由這個路徑去感受一個社會的地理紋理,試圖尋找出如食物鏈般的連結來描繪這個文化地景。 台九線路段,對許多人來說,除了火車,它就是唯一一條能回家的道路;而蝸牛料理在這條路上,如何去提示生活記憶的味道?如何在這條線/鏈上串聯出與『家』的共同感受? 在這個計畫裡,邀請部落族人以蝸牛為主食材,為我們演繹許多在地料理,通過其中的訪談對話,開啟與介紹不同面向的文化味蕾,繼續的去挖掘或披露生命裡更深層的黏稠關係。 12296;台9線,414公里〉,24分36秒. 料理:涼拌野菜蝸牛、豆乳蝸牛。 414km, Highway No. 9. 24’ 36”. Taimali Jinlun Village Township. CAST: The Kanadun Youth Union Leadership, CHEN Jhih-Wei. 料理:南瓜蝸牛湯、月桃包粽。 21’ 53”. Turn East ont...

2

aman's work: 五月 2015

http://amaan286.blogspot.com/2015_05_01_archive.html

12300;半路夜食譜─施工中」Halfway Night Recipes-Construction continued. 計畫型創作,裝置,依場地,2015. 12300;半路夜食譜─施工中」網站  http:/ halfwaynightrecipes.blogspot.tw/ . 2008年野草莓運動後,在廣場相識的一群人在2009年以共營、開放、實驗的模式經營「直走咖啡」,以空間做為組織,開展想像,建立具有意識並且有行動力的社群。2012年「直走」歇業;在陌生咖啡店的沙發窩裡、在街頭上流離的,既有與新的個體們相遇,重塑彼此,於是2014年「半路咖啡」上路了。 作為另一個新計畫和全新的聚合,試圖讓更多失去方向、語言的人都可以在「半路」找到自己的位置;延續對於公共性的創造,「半路」以國家為喻,發展了四條具政治企圖的路線:貨幣、互助牆、菜園與夜食堂。 張恩滿受半路的魅力所吸引,於是探尋並試著提案;先以短駐概念進入空間與社群,採訪夜食堂大廚們做整理編排,初步出版〈 半路夜食譜-試刊. 參與展覽:《食物箴言:思想與食物》. Halfway Night Recipes - - TRIAL ISSUE.

3

aman's work: 十一月 2016

http://amaan286.blogspot.com/2016_11_01_archive.html

重如鴻毛 As Heavy as a Feather. 影片擷圖 (Aerial Photography Vikung Lalengeang). 12299; ,. 重如鴻毛〈小豆篇〉,29分44秒. 12300;重如鴻毛」典故出自西元前兩百年的中國諺語「重於泰山,輕於鴻毛」,論人們如何看待生存並活出自己的價值;這裡將語意重組,藉由反常的量感,探究渺小的對象其生命的重量,並通過影像描繪出某種抽象的力量,企圖展開別於單一資本體系價值的想像。位於台灣台東的杉原海灣,在阿美族的傳統地名是 fudafudak,為閃閃發光之意,也是緊鄰的小部落的名稱。fudafudak 就如同許多偏鄉地區,面臨青壯人口外流與文化流失等問題;而這個不起眼小村莊的自然生活領域,有許多大型開發案正虎視眈眈的包圍著。跟著從事部落文化重建工作的社會運動者進入部落,...As Heavy as a Feather. Video installation, dimensions variable, 2016. Kite, bamboo, canvas, projection: 13’ 45”. 張貼者: En Man CHANG.

4

aman's work: 十月 2014

http://amaan286.blogspot.com/2014_10_01_archive.html

台灣原住民獵槍除罪化 Decriminalization of Taiwanese Indigenous Hunting Rifles. 12300;除罪化」意指將一個原本是犯罪的行為規定為非犯罪;反之將一個原本不是犯罪的行為而定義犯罪,稱為「入罪化」。在所謂的文明社會裡,原住民狩獵文化何以成為異文化法制下審視的客體?昔日部落驕傲的獵人,在這個後來的年輕國家的律法下卻成為了罪犯,多元文化的尊重竟是現今經政體難以面對的課題,甚至是守護傳統的人們。 影片透過單一案例採訪映現議題,並佐以案例提供的紀錄影像,以及自撰的口傳故事穿插其中。 2014, video, 31 40. 張貼者: En Man CHANG. 訂閱: 文章 (Atom). 半路夜食譜-施工中 Halfway Night Recipes. 一間小屋;回溯與對話的重整 Review a hut. Work collection for English (update: 2012). Work collection (update: 2011). Work collection (update: 2009).

5

aman's work: 馬賽克傳說─能盛興工廠初探 Legend of Pixelated - Preliminary research of Neng-Sheng-Xing Factory

http://amaan286.blogspot.com/2016/07/legend-of-pixelated-preliminary_48.html

馬賽克傳說─能盛興工廠初探 Legend of Pixelated - Preliminary research of Neng-Sheng-Xing Factory. Video, 21’ 45”, 2016. 能盛興工廠位於台南,是一棟荒廢二十年的三層樓長屋,被一群年輕人整理翻修,成為他們實踐某些理想的基地,並對外開放做多元活動的場所。而空間與人密不可分,或因人而成就的空間是一個接一個的過渡,持續進行的有機狀態航向某個夢土,或心所嚮往的:烏托邦。 藝術家在能盛興工廠短期進駐的一個月裡製作影片,採訪女性成員們描述她們最喜愛的地方,穿插男性口白以一位虛構人物作串場。藉由身體實踐力十足的能盛興工廠成員,以及所連結的社群,淺談台灣近代藝術的發展脈絡,並對所謂的藝術圈做反身性思考。 影片截圖 (點圖觀看清晰圖) Click the picture to get a clear. Dispaly (Click the picture to get a clear). Dispaly (Click the picture to get a clear). 張貼者: En Man CHANG.

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Open-Contemporary Art Center-: OCAC via P.P.T. salon #1 Chang En Maan & Preeyachanok Ketsuwan

http://open-c.blogspot.com/2012/10/ocac-via-ppt-salon-1-chang-en-maan.html

Sep 8, 2012. Sep 8, 2012. OCAC via P.P.T. salon #1 Chang En Maan and Preeyachanok Ketsuwan. OCAC via P.P.T. salon #1. Chang En Maan and Preeyachanok Ketsuwan. Date: 09/08, 5pm. Moderators: Shih Tung Lo, Jiradej and Pornpilai Meemalai. Via PP.T Salons. On the first salon, OCAC Bangkok has invited Chang En Maan. Taiwanese artist and Preeyachanok Ketsuwan. Thai artist to introduce their work. ในระหว่างที่ OCAC Bangkok เปิดพื้นที่ในกรุงเทพฯเป็นระยะเ...Chang, En-Maan was born in 1967. Her artistic practic...

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重如鴻毛 As Heavy as a Feather. 影片擷圖 (Aerial Photography Vikung Lalengeang). 12299; ,. 重如鴻毛〈小豆篇〉,30分8秒. As Heavy as a Feather. Video installation, dimensions variable, 2016. Kite, bamboo, canvas, projection: 13’ 45”. 8220;As Heavy as a Feather” Main video: 42 48. 8220;As Heavy as a Feather” Chapter: Lin Dou: 30’ 08”. Here the meaning is reconstructed by altering the sentence. From the inverse semantics, the artist tries to explore how people with tiny power value and look at their own lifes. By portr...藝術家在能...

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