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Acoustics and Music of British Prehistory Research Network | part of the AHRC/EPSRC Science and Heritage Programme | ambpnetwork.wordpress.com Reviews
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Issues of Musical Behaviour and the Performative at Prehistoric Monuments | Acoustics and Music of British Prehistory Research Network
https://ambpnetwork.wordpress.com/introductions-to-the-field/issues-of-musical-behaviour-and-the-performative-at-prehistoric-monuments
Acoustics and Music of British Prehistory Research Network. Part of the AHRC/EPSRC Science and Heritage Programme. Issues of Musical Behaviour and the Performative at Prehistoric Monuments. Issues of Musical Behaviour and the Performative at Prehistoric Monuments. But what happens when people are absent? Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your Twitter account. ( Log Out. Sarah Ma...
July | 2013 | Acoustics and Music of British Prehistory Research Network
https://ambpnetwork.wordpress.com/2013/07
Acoustics and Music of British Prehistory Research Network. Part of the AHRC/EPSRC Science and Heritage Programme. July 10, 2013. The Sky at Night, Stonehenge and Sound. Posted by ruperttill under Uncategorized. As well as being used by the sky at night, This research has been used by the History Channel, BBC radio 4, the New Scientist, the iPad/iPhone app ‘Stonehenge Experience’, and it has featured on Apple’s recent worldwide advertising campaign. Http:/ www.bbc.co.uk/programmes/p01ccpsp. Acoustic mode...
Acoustics and Music of British Prehistory Research Network | part of the AHRC/EPSRC Science and Heritage Programme | Page 2
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Acoustics and Music of British Prehistory Research Network. Part of the AHRC/EPSRC Science and Heritage Programme. September 7, 2011. Hearing the Past through our ancestors’ ears. Posted by ruperttill under Uncategorized. Hearing the Past through our ancestors’ ears. BBC Radio 4,. 11 am, Monday September 12th, 2011. Imagine being able to eavesdrop on the sound of a ritual at Stonehenge four thousand years ago, or hear singing in the original Coventry Cathedral before it was bombed in 1940. The initial pr...
Stonehenge iPhone App | Acoustics and Music of British Prehistory Research Network
https://ambpnetwork.wordpress.com/2011/12/28/stonehenge-iphone-app
Acoustics and Music of British Prehistory Research Network. Part of the AHRC/EPSRC Science and Heritage Programme. December 28, 2011. Posted by ruperttill under Uncategorized. The Stonehenge Experience app is available on the Apple App Store. Http:/ itunes.apple.com/gb/app/stonehenge-experience/id486455671? More At http:/ www.stonehengeexperience.com/indexnorm.php. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public).
Hearing the Past through our ancestors’ ears | Acoustics and Music of British Prehistory Research Network
https://ambpnetwork.wordpress.com/2011/09/07/hearing-the-past-through-our-ancestors’-ears
Acoustics and Music of British Prehistory Research Network. Part of the AHRC/EPSRC Science and Heritage Programme. September 7, 2011. Hearing the Past through our ancestors’ ears. Posted by ruperttill under Uncategorized. Hearing the Past through our ancestors’ ears. BBC Radio 4,. 11 am, Monday September 12th, 2011. Imagine being able to eavesdrop on the sound of a ritual at Stonehenge four thousand years ago, or hear singing in the original Coventry Cathedral before it was bombed in 1940. The initial pr...
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soundsofstonehenge.wordpress.com
Stonehenge | Sounds of Stonehenge
https://soundsofstonehenge.wordpress.com/acoustic-tests-at-stonehenge
Acoustic Tests at Stonehenge. This picture shows clearly how the stones are shaped to focus sound. Whether intentional or not, this would have the effect of focusing sound. Imagine finding glass from a giant telescope, and claiming it was accidentally shaped to focus images! Sarsen is so difficult to shape that it seems extremely unlikely that this is accidental. All the stones are shaped and point in the same direction, so this is not just a randomly or naturally curved shape. This one is not as curved.
soundsofstonehenge.wordpress.com
Movies | Sounds of Stonehenge
https://soundsofstonehenge.wordpress.com/ball-release-reflections-video
Resonance inside Maryhill Monument (Concrete full size version of Stonehenge). You will hear a simple bass drum turned into a bass synthesizer by the acoustic properties of the circle. And no the difference in concrete and stone does not affect this substantially, the effect would be stronger at Stonehenge due to the harder and more carefully shaped stone! Ball Release Reflections Video. Solstice Celebrations at Stonehenge over several years. The Imigea Stonehenge model used within Odeon. This is a kind ...
Links | Rupert Chill
https://rupertchill.wordpress.com/links
Turn on, tune in, chill out. Skip to primary content. Rupert Chill Soundcloud Website. Pop Cult: Religion and Popular Music by Rupert Till. The Acoustics and Music of British Prehistory Research Network. Sounds of Stonehenge Research Project. Rupert Till University of Huddersfield Page. Chillage People Album available on itunes. Dr Whooo by Chillage People and the Vulture Squadron. Anne Garner and Chillage People. Lucy Harper – Marketing and Comms Consultant. Leave a Reply Cancel reply.
soundsofstonehenge.wordpress.com
Conclusions | Sounds of Stonehenge
https://soundsofstonehenge.wordpress.com/conclusions
There is an extremely high measure of perceived listener envelopment inside the stone circle. This falls away between the stone circle and the encircling bank to give comparable figures to seats increasingly far away at a concert hall. There was still a sense of envelopment and inclusion outside the stone circle but within the bank, but with clear delineation of the centre as the most high status space. This video shows a number of solstice celebrations at Stonehenge, note music is usually present. Bring...
Contrasts: SONGS OF THE CAVES
http://jesusalius.blogspot.com/2014/03/songs-of-caves.html
Are You Interested In Ethnoarchaeomusicology? The Latin name Salius is the equivalent of Halios (Ἅλιος), the Phaeacian dancer in the Odyssey who loses his athletic competition. Plutarch says that a Salius from Samothrace or Mantinea was reputed to be the legendary founder of the Salian priests, but that the sodality in fact was named from the leaping (Latin salire) of their armed dance. Saturday, March 8, 2014. SONGS OF THE CAVES. SONGS OF THE CAVES: ACOUSTICS AND PREHISTORIC ART IN SPANISH CAVES. Master...
soundsofstonehenge.wordpress.com
Acoustic Measurements | Sounds of Stonehenge
https://soundsofstonehenge.wordpress.com/acoustic-measurements
Acoustics Measurements of Stonehenge – please follow the link below to the post on the University of Salford’s website:. Http:/ www.acoustics.salford.ac.uk/profiles/fazenda/. Acoustics and Music of British Prehistory. I Hear Too Podcast. R Till University Page. Comments feed for this article. August 6, 2014 at 9:28 pm. Thank you for posting this information. It’s very interesting since the reverberating sounds cause an emotional response. Leave a Reply Cancel reply. Enter your comment here.
soundsofstonehenge.wordpress.com
Flames | Sounds of Stonehenge
https://soundsofstonehenge.wordpress.com/flames
These are examples that illustrate how flames at Stonehenge may have moved in time to the sound and music. This first example above shows a simple drum beat being used to make a flame move in time to music. Now imagine Stonehenge at night, lit only by bare flames, and the effect of the flickering of all these flames moving in time to percussion rhythms and resonances in the space. Acoustics and Music of British Prehistory. I Hear Too Podcast. R Till University Page. Comments feed for this article. Ben Ea...
musicarchaeologyrecordings.wordpress.com
Links | Music Archaeology Recordings
https://musicarchaeologyrecordings.wordpress.com/links
Spellweaving: Ancient Music from the Highlands of Scotland – European Music Archaeology Project Volume 1. Ice and Longboats: Ancient Music of Scandinavia – European Music Archaeology Project Volume 2. Dragon Voices: The Giant Celtic Horns of Ancient Europe – European Music Archaeology Project Volume 3. Aulos in the Tombs of the Kings, Cyprus. Hypogeum of Ħal-Saflieni, Malta. Palaeolithic Painted Caves, Northern Spain. Sculptors Cave, Covesea, Scotland. European Music Archaeology Project (EMAP). Singing i...
Contrasts: March 2014
http://jesusalius.blogspot.com/2014_03_01_archive.html
Are You Interested In Ethnoarchaeomusicology? The Latin name Salius is the equivalent of Halios (Ἅλιος), the Phaeacian dancer in the Odyssey who loses his athletic competition. Plutarch says that a Salius from Samothrace or Mantinea was reputed to be the legendary founder of the Salian priests, but that the sodality in fact was named from the leaping (Latin salire) of their armed dance. Saturday, March 8, 2014. SONGS OF THE CAVES. SONGS OF THE CAVES: ACOUSTICS AND PREHISTORIC ART IN SPANISH CAVES. Master...
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Acoustics and Music of British Prehistory Research Network | part of the AHRC/EPSRC Science and Heritage Programme
Acoustics and Music of British Prehistory Research Network. Part of the AHRC/EPSRC Science and Heritage Programme. May 11, 2009. Acoustics and Music of British Prehistory. Posted by ruperttill under Uncategorized. Research Cluster for the Investigation of Acoustic and Musical Elements of Prehistoric Archaeological Sites in Britain is funded by:. May 13, 2015. Visual Interactive and Sound Technology in Archaeology One Day Symposium. Posted by ruperttill under Uncategorized. June 2015, 10am – 5pm. Https:/ ...
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