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Andrea J. Peters - Oil Painter

Andrea Peters is a vivid observer of the landscape around her. Fauvre in color, her paintings are composed for maximum expression. I push beyond the obvious, Peters says, and in doing so creates a seismic shift in the way we see the landscape. It is a visual extravaganza; the flashing out of the soul's delight, as Dante would describe it. Mdash; Genetta McLean, Ph.D. To view The Blue Snows of East Boothbay in Feb 2010 Downeast Magazine. To view The Canvas Nov/Dec 2010 from Maine Home Design Magazine.

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Andrea Peters

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East●●●●hbay , ME, 04544-0245

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md●●●●@adelphia.net

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Andrea Peters

Andrea Peters

PO ●●●245

East●●●●hbay , ME, 04544-0245

UNITED STATES

1207●●●●7947
md●●●●@adelphia.net

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Andrea Peters is a vivid observer of the landscape around her. Fauvre in color, her paintings are composed for maximum expression. I push beyond the obvious, Peters says, and in doing so creates a seismic shift in the way we see the landscape. It is a visual extravaganza; the flashing out of the soul's delight, as Dante would describe it. Mdash; Genetta McLean, Ph.D. To view The Blue Snows of East Boothbay in Feb 2010 Downeast Magazine. To view The Canvas Nov/Dec 2010 from Maine Home Design Magazine.
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Andrea J. Peters - Oil Painter | andreapetersart.com Reviews

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Andrea Peters is a vivid observer of the landscape around her. Fauvre in color, her paintings are composed for maximum expression. I push beyond the obvious, Peters says, and in doing so creates a seismic shift in the way we see the landscape. It is a visual extravaganza; the flashing out of the soul's delight, as Dante would describe it. Mdash; Genetta McLean, Ph.D. To view The Blue Snows of East Boothbay in Feb 2010 Downeast Magazine. To view The Canvas Nov/Dec 2010 from Maine Home Design Magazine.

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Andrea J. Peters - Oil Painter

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Ken Greenleaf, Making Mud Time in Portland, Portland Phoenix, March 20, 2013, http:/ portland.thephoenix.com/arts/153265-marking-mud-time-in-portland-gall. MAINE SUNDAY TELEGRAM, January 9, 2011, Audience. Jakimides, Annaliese, The Complexity of the Simple, The Canvas, MAINE HOME and DESIGN, Nov/Dec 2010, pg. 98. Beem, Edgar Allen, The Blue Snows of East Boothbay, DOWNEAST MAGAZINE, February 2010, p. 44. Keyes, Bob, Winter Feeds Artist's Vision, PORTLAND PRESS HERALD, December 22, 2008, p. A1 and A12.

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Andrea J. Peters - Oil Painter

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Heavy Burden 22 x 22 inches oil.

3

Andrea J. Peters - Oil Painter

http://www.andreapetersart.com/statement.php

Whatever you call it, energy, spirit or soul, grasping that is my primary goal in painting, which then becomes a personal journey for my life. I like the element of unpredictability and let each painting be guided by itself and that particular period in time, to let it be whatever it will be, accepting it only for what it is.a moment in my life. Mdash; Andrea Peters.

4

Andrea J. Peters - Oil Painter

http://www.andreapetersart.com/news.php

November 21, 2015. Coastal Maine Botanical Gardens, Boothbay, ME. September 3 through October 13, 2015. A Season of Color. Gleason Fine Art, Boothbay Harbor. April through October 2015. The Inn at Hastings Park, Lexington, MA. The Dock Gallery, Islesford, ME. September 1 through October 14, 2014. Gleason Fine Art, Boothbay Harbor. Http:/ www.gleasonfineart.com/gallery/category/andrea-peters. June through December 2014. Centre Street, Bath, ME. Featured on the Spring 2014 issue of the LLBean Catalog.

5

Andrea J. Peters - Oil Painter

http://www.andreapetersart.com/index.php

Andrea Peters is a vivid observer of the landscape around her. Fauvre in color, her paintings are composed for maximum expression. I push beyond the obvious, Peters says, and in doing so creates a seismic shift in the way we see the landscape. It is a visual extravaganza; the flashing out of the soul's delight, as Dante would describe it. Mdash; Genetta McLean, Ph.D. To view The Blue Snows of East Boothbay in Feb 2010 Downeast Magazine. To view The Canvas Nov/Dec 2010 from Maine Home Design Magazine.

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Carol Jessen's Watercolor World: Use A Sponge

http://caroljessen.blogspot.com/2015/04/use-sponge.html

Carol Jessen's Watercolor World. Impressionistic watercolors with tips on composition, techniques, values and color choices. Friday, April 17, 2015. One way to insure that the paper will accept the pigment is to pre-wet the page using a natural sponge. First, this removes the sizing on the paper, making the application of the paint more uniform. Second, it slows the drying time down. Finally, it creates soft edges that can later be contrasted with hard edges. Posted by Carol Jessen. Friday, April 17, 2015.

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Carol Jessen's Watercolor World: The Star on Each Plane

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Carol Jessen's Watercolor World. Impressionistic watercolors with tips on composition, techniques, values and color choices. Thursday, March 5, 2015. The Star on Each Plane. Sometimes it's a good idea to de-emphasize the foreground or background by painting wet-into-wet to keep the edges soft. But in some landscapes, I like to look past something interesting in the foreground to something interesting in the mid-ground and the far distance. In this way I supply a pathway through the scene. Wet-Into-Wet, G...

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Carol Jessen's Watercolor World: Workshops

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Carol Jessen's Watercolor World. Impressionistic watercolors with tips on composition, techniques, values and color choices. Thursday, May 14, 2015. All Saints By The Sea Chapel". By Carol Jessen, Maine Artist. Last week I gave a workshop in St. Charles, Missouri. My students were great! We had a fun time, and I hope they learned a lot, too. So many students are not squeezing out enough paint on their palettes. You can't mix a dark with a tiny bit of paint. Posted by Carol Jessen. Thursday, May 14, 2015.

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Carol Jessen's Watercolor World: Room With a View

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Carol Jessen's Watercolor World. Impressionistic watercolors with tips on composition, techniques, values and color choices. Monday, February 23, 2015. Room With a View. Now that I have to start thinking about packing up to go back to St. Louis, it's finally gotten warm enough to paint outdoors in a T-shirt. It is 76 degrees here on the panhandle this afternoon! I'd stay longer but I have an important doctor's appointment. Posted by Carol Jessen. Monday, February 23, 2015. View my complete profile.

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Carol Jessen's Watercolor World: Step-By-Step

http://caroljessen.blogspot.com/2015/01/limited-palette.html

Carol Jessen's Watercolor World. Impressionistic watercolors with tips on composition, techniques, values and color choices. Friday, January 30, 2015. Concentrating on values rather than color can make the painter's job much easier. The wet-into-wet sky and foreground first wash employed yellow ochre with a touch of burnt sienna very lightly applied. Work quickly so the colors will blend. If you don't work fast, the page will start to dry. Posted by Carol Jessen. Friday, January 30, 2015. I've been drawi...

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Carol Jessen's Watercolor World: Go Figure

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Carol Jessen's Watercolor World. Impressionistic watercolors with tips on composition, techniques, values and color choices. Tuesday, May 19, 2015. Sometimes a landscape composition will benefit from the inclusion of a figure. The fisherman in this painting anchors the scene, even though the painting is about the waterfall. I am convinced that most men who fish secretly do it because it gives them a manly reason to be out in nature. The quiet (well, waterfalls aren't exactly quiet! Posted by Carol Jessen.

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Carol Jessen's Watercolor World: Save the Whites and Paint the Negative Space

http://caroljessen.blogspot.com/2015/04/save-whites-and-paint-negative-space.html

Carol Jessen's Watercolor World. Impressionistic watercolors with tips on composition, techniques, values and color choices. Friday, April 10, 2015. Save the Whites and Paint the Negative Space. Keeping the negative shapes relatively neutral in color was also helpful to keep them subordinated to the sails. As a result, any orange and black accents stand out. Don't forget about my May workshop in St. Charles, Missouri, and my annual Maine workshop in July! Posted by Carol Jessen. Friday, April 10, 2015.

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Carol Jessen's Watercolor World: Soft Edges - Hard Edges

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Carol Jessen's Watercolor World. Impressionistic watercolors with tips on composition, techniques, values and color choices. Tuesday, May 5, 2015. Soft Edges - Hard Edges. Tying Up" by Maine Artist, Carol Jessen. In this painting of a lobsterman tying up his dinghy, the sky area provides a foil for the hard edged shapes of boats. Creating soft edges requires speed. This takes quite a bit of practice to understand the ratio of water to paint. It's like practicing the scales. Skip at your own peril! I've b...

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Carol Jessen's Watercolor World: Sequence

http://caroljessen.blogspot.com/2015/03/sequence.html

Carol Jessen's Watercolor World. Impressionistic watercolors with tips on composition, techniques, values and color choices. Friday, March 27, 2015. Most watercolorists will tell you that you begin with the lights, proceed to the midtones and then punch it up with the darks. Goodness knows that's the way I was taught and how I've painted through the years. Also, certain color combinations would create muddy darks. It always resulted in an ugly mess. Here's an example of this approach. Wet-Into-Wet, Grada...

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andreapetersart.com andreapetersart.com

Andrea J. Peters - Oil Painter

Andrea Peters is a vivid observer of the landscape around her. Fauvre in color, her paintings are composed for maximum expression. I push beyond the obvious, Peters says, and in doing so creates a seismic shift in the way we see the landscape. It is a visual extravaganza; the flashing out of the soul's delight, as Dante would describe it. Mdash; Genetta McLean, Ph.D. To view The Blue Snows of East Boothbay in Feb 2010 Downeast Magazine. To view The Canvas Nov/Dec 2010 from Maine Home Design Magazine.

andreapetersart.net andreapetersart.net

Andrea J. Peters - Oil Painter

Andrea Peters is a vivid observer of the landscape around her. Fauvre in color, her paintings are composed for maximum expression. I push beyond the obvious, Peters says, and in doing so creates a seismic shift in the way we see the landscape. It is a visual extravaganza; the flashing out of the soul's delight, as Dante would describe it. Mdash; Genetta McLean, Ph.D. To view The Blue Snows of East Boothbay in Feb 2010 Downeast Magazine. To view The Canvas Nov/Dec 2010 from Maine Home Design Magazine.

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