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Ciara Lenihan | We Do Not Leave Pyramids
http://crawfordexhibitions.com/artist/ciara-lenihan
Many things at once. Often implies positivity, a potential to be something more or better, but what happens when one looks at the opposite end of the spectrum and anticipates failure? The possibility of failure, of not reaching the ideal, is the root of my practice. I celebrate the weak, the un-heroic, the catastrophic flops and misguided utopias though sardonic reproductions and imitations of architectural ruins and classical sculpture. Dish and Pot: Poles of existence in. Beckett, McCarthy, Maclean.
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Opening Speech | We Do Not Leave Pyramids
http://crawfordexhibitions.com/opening-speech-by-lee-welch
We Do Not Leave Pyramids. Degree Show Opening Speech by Lee Welch. In real life, I assure you, there is no such thing as algebra. The important thing is that man is lost in time, in the moment that immediately precedes him – which only attests, by reflection, to the fact that he is lost in the moment that follows. We Do Not Leave Pyramids. Time crumbles things; everything grows old under the power of Time and is forgotten through the lapse of Time. The things you do for yourself are gone when you are...
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Abby Wood | We Do Not Leave Pyramids
http://crawfordexhibitions.com/artist/abby-wood
I paint from my own photographic imagery of women that I have met in conversation. The dialogue and friendships built up between these women and myself on some level adds sensitivity and emotion to these characters within the context of the artwork. I deconstruct the image and recreate an idealized fragmented portrait in rich oil paint on canvas. Contemporary feminist art: destruction and reconstruction in art by artists Yayoi Kusama, Yoko Ono and Vivienne Westwood. Design by Aoife O'Dwyer.
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Fine Art | Project Categories | We Do Not Leave Pyramids
http://crawfordexhibitions.com/portfolio_category/fine-art
Design by Aoife O'Dwyer.
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Angela Gilmour | We Do Not Leave Pyramids
http://crawfordexhibitions.com/artist/angela-gilmour
Art and Science Interactions – Creating a Third Culture? Design by Aoife O'Dwyer.
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Rachel O’ Shea | We Do Not Leave Pyramids
http://crawfordexhibitions.com/artist/rachel-o-shea
The mediums I primarily work with are photography, print-making and digital imagery. However, I feel that drawing is at the heart of my artistic practice. I feel that drawing is a link between our most internal state of being and the world around us. I am especially drawn to intricate and methodical work, as the rhythm and repetition of the mark-making lends itself to introspection. Minimalism and the creative partnerships between artists, composers, choreographers. Design by Aoife O'Dwyer.
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Jean Philippe Levillain | We Do Not Leave Pyramids
http://crawfordexhibitions.com/artist/jean-philippe-levillain
My work refers to our struggle in this society to become what Friedrich Nietzsche would refer to in his philosophical writing as ‘Ubermensch’ or. Beyond man’ which, should be the aim humanity should set for itself. For Nietzsche, Mankind has been in between two states of being, which are the animal state and a state of higher consciousness. The value of skill in craft and. Its relation to the art world. Design by Aoife O'Dwyer.
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Business Listings | We Do Not Leave Pyramids
http://crawfordexhibitions.com/business-listings
Carry Out Off License. O’ Donovan’s Off License. Silver Key Bar and Restaurant. Design by Aoife O'Dwyer.
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Vita Klaro | We Do Not Leave Pyramids
http://crawfordexhibitions.com/artist/vita-klaro
The urge to create art and tattoo oneself is a fundamental human pursuit. No other creature on planet earth does this. Tattoo art in the Occident and the Orient: a study in contrasting and shifting attitudes. Design by Aoife O'Dwyer.
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Rob C. Meehan | We Do Not Leave Pyramids
http://crawfordexhibitions.com/artist/rob-c-meehan
Freedom means you are unobstructed in living your life as you choose. Anything less is a form of slavery. 087 22 80 625. Colour design and their connection to the monochrome, 19th to mid 20th century. Design by Aoife O'Dwyer.
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