artandsurveillance.com

Art and Surveillance

Some Will Take More Prodding, Others Will Be More Difficult. Artwork Michael Lewis, 2008. Michael Lewis, Some Will Take More Prodding, Others Will Be More Difficult, 2008. Oil on canvas. Image courtesy of the artist. Michael Lewis. Some Will Take More Prodding, Others Will Be More Difficult. Artwork Michael Lewis, 2008. Oil on canvas In the group exhibition Sorting Daemons: Art, Surveillance Regimes and Social Control Agnes Etherington Art Centre, Kingston, ON. I’ll Take Care of It. Commissioned by the M...

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Art and Surveillance | artandsurveillance.com Reviews

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Some Will Take More Prodding, Others Will Be More Difficult. Artwork Michael Lewis, 2008. Michael Lewis, Some Will Take More Prodding, Others Will Be More Difficult, 2008. Oil on canvas. Image courtesy of the artist. Michael Lewis. Some Will Take More Prodding, Others Will Be More Difficult. Artwork Michael Lewis, 2008. Oil on canvas In the group exhibition Sorting Daemons: Art, Surveillance Regimes and Social Control Agnes Etherington Art Centre, Kingston, ON. I’ll Take Care of It. Commissioned by the M...

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2 resources

3 news

4 website

5 http / michaellewisartist.com/

6 welcome

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8 http / marmco.com/

9 stéphane degoutin

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Art and Surveillance | artandsurveillance.com Reviews

https://artandsurveillance.com

Some Will Take More Prodding, Others Will Be More Difficult. Artwork Michael Lewis, 2008. Michael Lewis, Some Will Take More Prodding, Others Will Be More Difficult, 2008. Oil on canvas. Image courtesy of the artist. Michael Lewis. Some Will Take More Prodding, Others Will Be More Difficult. Artwork Michael Lewis, 2008. Oil on canvas In the group exhibition Sorting Daemons: Art, Surveillance Regimes and Social Control Agnes Etherington Art Centre, Kingston, ON. I’ll Take Care of It. Commissioned by the M...

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artandsurveillance.com

1

NEWS | Art and Surveillance

http://www.artandsurveillance.com/news

The Art and Surveillance Project wants to help contribute to networks of scholars and cultural practitioners interested in the topic of art and surveillance in Canada. If you are organizing or know of any upcoming events or publications, please visit the Contact page. And send me a message. Exhibition Opening–“Surveillance” at The New Gallery, Calgary. The Way Things Are Now. 2016 Susan Cahill Web Design by Travis North Web Development by Bit Bat Studios.

2

ARTISTS + ARTWORKS + EXHIBITS | Art and Surveillance

http://www.artandsurveillance.com/artists-artworks-exhibits

The catalogues of artists, artworks, and exhibitions are on-going records of cultural producers and objects broadly engaging with the themes of surveillance technologies and policies in Canada after 2001. The adjudication process of who and what to include in this list is open and flexible; if you’d like to make suggestions, please send a message via the Contact. Border Cultures: Part Three (security, surveillance). Exhibition poster, 2015. Border Cultures: Part Three (security, surveillance). Is a time-...

3

ABOUT | Art and Surveillance

http://www.artandsurveillance.com/about

The Art and Surveillance Project is an on-going research project funded by the Social Sciences and Humanities Research Council. Susan Cahill, PhD. Assistant Professor, Department of Art. Morgan Campbell, MFA Candidate. Stéphanie McKnight, MA Candidate. 2016 Susan Cahill Web Design by Travis North Web Development by Bit Bat Studios.

4

RESOURCES | Art and Surveillance

http://www.artandsurveillance.com/resources

The bibliography listed here is an ongoing compilation that focuses mainly on academic writing on art, surveillance technologies, government security regulations, and intergovernmental organizations in the Canadian context. If you know of any sources that should be included here, please don’t hesitate to visit the Contact page. And send a message. Allen, Jan, Kirsty Roberston, and Sarah EK Smith. 2010. Sorting Daemons: Art, Surveillance Regimes and Social Control. Affinities: Theory, Culture, Action.

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smmcknight.com

Hawk Eye View (2015) |

https://smmcknight.com/2015/10/17/hawk-eye-view-2015

Artist: performance, media, installation and cultural research production. 8230;does it make a sound? White Water Gallery – Black Water Art. Art and Surveillance Project. FAC Meet the Artist. FAC Artist Bio – Stéphanie McKnight. Hawk Eye View – Tett. This slideshow requires JavaScript. Hawk Eye View (2015). Installation shots done by Chris Miner. Laquo; Previous Post. Next Post ». Leave a Reply x. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public).

smmcknight.com

Organic Surveillance: Security & Myth in the Rural |

https://smmcknight.com/2016/06/24/organic-surveillance-security-myth-in-the-rural

Artist: performance, media, installation and cultural research production. 8230;does it make a sound? White Water Gallery – Black Water Art. Art and Surveillance Project. FAC Meet the Artist. FAC Artist Bio – Stéphanie McKnight. Hawk Eye View – Tett. Organic Surveillance: Security and Myth in the Rural. Experimental photography, Markstay, ON, 2016. Experimental photography, Markstay, ON, 2016. Selected images) series of images with scouting (hunting) camera, Markstay, ON, 2016. 8230;does it make a sound?

smmcknight.com

“Tomboy Tools: Craft, Performance and Socially Constructed Hierarchies” (2014) |

https://smmcknight.com/2015/05/13/tomboy-tools-craft-performance-and-socially-constructed-hierarchies-2014

Artist: performance, media, installation and cultural research production. 8230;does it make a sound? White Water Gallery – Black Water Art. Art and Surveillance Project. FAC Meet the Artist. FAC Artist Bio – Stéphanie McKnight. Hawk Eye View – Tett. 8220;Tomboy Tools: Craft, Performance and Socially Constructed Hierarchies” (2014). Photographs by Dre Allen (BFA student Nipissing University). Laquo; Previous Post. Next Post ». Leave a Reply x. Enter your comment here. Address never made public).

smmcknight.com

Corporate Profile (2014) |

https://smmcknight.com/2015/05/12/corporate-profile-2014

Artist: performance, media, installation and cultural research production. 8230;does it make a sound? White Water Gallery – Black Water Art. Art and Surveillance Project. FAC Meet the Artist. FAC Artist Bio – Stéphanie McKnight. Hawk Eye View – Tett. This slideshow requires JavaScript. GREB strives to ensure ethical CBR and participatory action research, while advertisers and corporate institutions follow a separate. Photographs by Craig Berggold (PhD student at Queen’s University). Laquo; Previous Post.

smmcknight.com

Dining Room Table: Hammering Out Gender Performativity (2014) |

https://smmcknight.com/2015/05/12/dining-room-table-hammering-out-gender-performativity-2014

Artist: performance, media, installation and cultural research production. 8230;does it make a sound? White Water Gallery – Black Water Art. Art and Surveillance Project. FAC Meet the Artist. FAC Artist Bio – Stéphanie McKnight. Hawk Eye View – Tett. Dining Room Table: Hammering Out Gender Performativity (2014). Dining Room Table: Hammering Out Gender Performativity. Dining Room Table: Hammering Out Gender Performativity. Video installation, 56 minutes. (excerpt 6:41 mins). Next Post ». Leave a Reply x.

smmcknight.com

CURRICULUM VITAE |

https://smmcknight.com/curriculum-vitae

Artist: performance, media, installation and cultural research production. 8230;does it make a sound? White Water Gallery – Black Water Art. Art and Surveillance Project. FAC Meet the Artist. FAC Artist Bio – Stéphanie McKnight. Hawk Eye View – Tett. Download full CV here: CV STÉPHANIE MCKNIGHT. Leave a Reply x. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out.

smmcknight.com

Organic Surveillance Instagram Project |

https://smmcknight.com/2015/08/12/organic-surveillance

Artist: performance, media, installation and cultural research production. 8230;does it make a sound? White Water Gallery – Black Water Art. Art and Surveillance Project. FAC Meet the Artist. FAC Artist Bio – Stéphanie McKnight. Hawk Eye View – Tett. Organic Surveillance Instagram Project. Organic Surveillance Instagram Project (2015-ongoing). Organic Surveillance, looking at surveillance and security in its natural habitat. Follow, comment and share. Laquo; Previous Post. Next Post ». Leave a Reply x.

smmcknight.com

ORGANIC SURVEILLANCE: Security & Myth in the Rural curated by Sydney Hart |

https://smmcknight.com/2016/11/30/organic-surveillance-security-myth-in-the-rural-curated-by-sydney-hart

Artist: performance, media, installation and cultural research production. 8230;does it make a sound? White Water Gallery – Black Water Art. Art and Surveillance Project. FAC Meet the Artist. FAC Artist Bio – Stéphanie McKnight. Hawk Eye View – Tett. ORGANIC SURVEILLANCE: Security and Myth in the Rural curated by Sydney Hart. 14 – 18 November 2016. Centre for Indigenous Research – Creation. Queen’s University, Kingston, Ontario. Photo credit: Chris Miner, 2016. Laquo; Previous Post. Next Post ».

smmcknight.com

Bio |

https://smmcknight.com/about

Artist: performance, media, installation and cultural research production. 8230;does it make a sound? White Water Gallery – Black Water Art. Art and Surveillance Project. FAC Meet the Artist. FAC Artist Bio – Stéphanie McKnight. Hawk Eye View – Tett. Coded, I Am. Was shortlisted for the Queen’s University Research Photo Contest. Leave a Reply x. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). Notify me of new comments via email.

smmcknight.com

SCARECROW |

https://smmcknight.com/2016/07/10/scarecrow

Artist: performance, media, installation and cultural research production. 8230;does it make a sound? White Water Gallery – Black Water Art. Art and Surveillance Project. FAC Meet the Artist. FAC Artist Bio – Stéphanie McKnight. Hawk Eye View – Tett. Laquo; Previous Post. Next Post ». Leave a Reply x. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. Blog at WordPress.com.

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artandsurveillance.com

Art and Surveillance

Some Will Take More Prodding, Others Will Be More Difficult. Artwork Michael Lewis, 2008. Michael Lewis, Some Will Take More Prodding, Others Will Be More Difficult, 2008. Oil on canvas. Image courtesy of the artist. Michael Lewis. Some Will Take More Prodding, Others Will Be More Difficult. Artwork Michael Lewis, 2008. Oil on canvas In the group exhibition Sorting Daemons: Art, Surveillance Regimes and Social Control Agnes Etherington Art Centre, Kingston, ON. I’ll Take Care of It. Commissioned by the M...

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Art & Survival

A creative response to the challanges of our. Time through drawing, painting and sculpture. It may be that peace and balance in the world. Will come through our individual awakenings. The process. Of creating has the power to change who we are. And by extension, our world. To learn more about how we can create our lives as living art forms.

artandsurvival.org

Art & Survival

A creative response to the challanges of our. Time through drawing, painting and sculpture. It may be that peace and balance in the world. Will come through our individual awakenings. The process. Of creating has the power to change who we are. And by extension, our world. To learn more about how we can create our lives as living art forms.

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