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Art Blah Blog | Interviews and commentary about art and the art world by Andrew Baron

Interviews and commentary about art and the art world by Andrew Baron

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Art Blah Blog | Interviews and commentary about art and the art world by Andrew Baron | artblahblog.com Reviews
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Art Blah Blog | Interviews and commentary about art and the art world by Andrew Baron | artblahblog.com Reviews

https://artblahblog.com

Interviews and commentary about art and the art world by Andrew Baron

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1

Creating the Dreamscape: An interview with Ayad Sinawi | Art Blah Blog

http://www.artblahblog.com/2014/02/20/creating-the-dreamscape-an-interview-with-ayad-sinawi

Interviews and commentary about art and the art world by Andrew Baron. Creating the Dreamscape: An interview with Ayad Sinawi. The Universe Of Mind, Doubled By Pity Before A Mirror. 2011-12; 66 x 72 inches; oil on canvas. Firstly, thank you Andrew for giving me this opportunity to discuss my work. Working thematically and in series have always been a process I felt most comfortable within. I have iconoclastic tendencies and have resisted establishing a recognizable style from early on in my work. I allud...

2

The Revolution Will Not Be Displayed at Cheim and Read | Art Blah Blog

http://www.artblahblog.com/2014/03/11/the-revolution-will-not-be-displayed-at-cheim-and-read/comment-page-1

Interviews and commentary about art and the art world by Andrew Baron. The Revolution Will Not Be Displayed at Cheim and Read. The essay written by Holland Cotter dated January 17, 2014 in the New York Times (see article. I can’t help but suspect that these artists feel insecure about the value of their work. How else to explain the comments in the blogosphere where there is talk about the. Of making a painting as being a radical gesture and/or “a political act? In and of itself. I believe that painting.

3

Shameless Self-Promotion: All That Glitters at Gateway Projects – Opening this Thursday, January 16th from 6-9 PM | Art Blah Blog

http://www.artblahblog.com/2014/01/14/shameless-self-promotion-all-that-glitters-at-gateway-projects-opening-this-thursday-january-16th-from-6-9-pm

Interviews and commentary about art and the art world by Andrew Baron. Shameless Self-Promotion: All That Glitters at Gateway Projects – Opening this Thursday, January 16th from 6-9 PM. Reaping the Whirlwind, oil on canvas, 56 x 84 inches;. Link: https:/ www.facebook.com/TheGatewayProjectNewark#! I hope to see you this Thursday January 16th from 6-9PM for the opening of. At Gateway Projects in the city of tomorrow, Newark NJ. I will be exhibiting the above painting,. KATHERINE BERNHARDT – http:/. JESSIVA...

4

Interview with Richard Staub, agent of disturbance | Art Blah Blog

http://www.artblahblog.com/2014/01/27/interview-with-richard-staub-agent-of-disturbance

Interviews and commentary about art and the art world by Andrew Baron. Interview with Richard Staub, agent of disturbance. Towel; 2012; paper, tape; 72 x 25 inches. You do many kinds of work – paintings, sewing, collage, sculpture. When you go to the studio, do you have an idea as to what you’ll be working on that day? Do you ever feel conflicted about what you “should” be working on? Grey Top; 2009, oil on canvas, 36 x 24 inches. Did you feel that they scratched an itch that painting did not? If so, how?

5

Ayad Sinawi | Art Blah Blog

http://www.artblahblog.com/tag/ayad-sinawi

Interviews and commentary about art and the art world by Andrew Baron. Tag Archives: Ayad Sinawi. Creating the Dreamscape: An interview with Ayad Sinawi. The Universe Of Mind, Doubled By Pity Before A Mirror. 2011-12; 66 x 72 inches; oil on canvas. Firstly, thank you Andrew for giving me this opportunity to discuss my work. Working thematically and in series have always been a process I felt most comfortable within. I have iconoclastic tendencies and have resisted establishing a recognizable style fr...

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Art Blah Blog | Interviews and commentary about art and the art world by Andrew Baron

Interviews and commentary about art and the art world by Andrew Baron. The Revolution Will Not Be Displayed at Cheim and Read. The essay written by Holland Cotter dated January 17, 2014 in the New York Times (see article. I can’t help but suspect that these artists feel insecure about the value of their work. How else to explain the comments in the blogosphere where there is talk about the. Of making a painting as being a radical gesture and/or “a political act? In and of itself. I believe that painting.

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