artfile.es

ArtFile

Compiles a selection of professional projects and writings, mostly dealing with issues such as the scope, limits and use of art archives, the vast world of artist publications, and the friction zones between the categories of “artwork” and “document”. Buch / Kunst / Dialog. Talks with Artists about their Artist Books. Author / Actor / Reader. From Performance to the Book. Time as Choreographer. William Kentridge at the Deutsches Schauspielhaus Hamburg. When Attitudes Become Form: Bern 1969 / Venice 2013.

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Compiles a selection of professional projects and writings, mostly dealing with issues such as the scope, limits and use of art archives, the vast world of artist publications, and the friction zones between the categories of “artwork” and “document”. Buch / Kunst / Dialog. Talks with Artists about their Artist Books. Author / Actor / Reader. From Performance to the Book. Time as Choreographer. William Kentridge at the Deutsches Schauspielhaus Hamburg. When Attitudes Become Form: Bern 1969 / Venice 2013.

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ArtFile | artfile.es Reviews

https://artfile.es

Compiles a selection of professional projects and writings, mostly dealing with issues such as the scope, limits and use of art archives, the vast world of artist publications, and the friction zones between the categories of “artwork” and “document”. Buch / Kunst / Dialog. Talks with Artists about their Artist Books. Author / Actor / Reader. From Performance to the Book. Time as Choreographer. William Kentridge at the Deutsches Schauspielhaus Hamburg. When Attitudes Become Form: Bern 1969 / Venice 2013.

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artfile.es

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ArtFile

http://artfile.es/es

Compiles a selection of professional projects and writings, mostly dealing with issues such as the scope, limits and use of art archives, the vast world of artist publications, and the friction zones between the categories of “artwork” and “document”. Buch / Kunst / Dialog. Talks with Artists about their Artist Books. Author / Actor / Reader. From Performance to the Book. Time as Choreographer. William Kentridge at the Deutsches Schauspielhaus Hamburg. When Attitudes Become Form: Bern 1969 / Venice 2013.

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ArtFile / Colección / Recolección. La idea de coleccionar como praxis editorial

http://artfile.es/en/2013/collecting-recollecting-the-idea-of-collecting-as-editorial-praxis

Compiles a selection of professional projects and writings, mostly dealing with issues such as the scope, limits and use of art archives, the vast world of artist publications, and the friction zones between the categories of “artwork” and “document”. Colección / Recolección. La idea de coleccionar como praxis editorial. How does the collector modulate the meaning of all the components that make up his collection by the mere fact of having chosen to include them in it? And up to what point do they each p...

3

ArtFile / Archival Explosions: Archives in the Making

http://artfile.es/en/2013/hacer-explotar-el-archivo

Compiles a selection of professional projects and writings, mostly dealing with issues such as the scope, limits and use of art archives, the vast world of artist publications, and the friction zones between the categories of “artwork” and “document”. Archival Explosions: Archives in the Making. Sorry, this text is only in Spanish!

4

ArtFile / A Hinge between Library and Exhibition Space: MeLa Project’s Open Call

http://artfile.es/en/2013/a-hinge-between-library-and-exhibition-space-mela-projects-open-call-for-architecture

Compiles a selection of professional projects and writings, mostly dealing with issues such as the scope, limits and use of art archives, the vast world of artist publications, and the friction zones between the categories of “artwork” and “document”. A Hinge between Library and Exhibition Space: MeLa Project’s Open Call.

5

ArtFile / Projects

http://artfile.es/en/category/projects

Compiles a selection of professional projects and writings, mostly dealing with issues such as the scope, limits and use of art archives, the vast world of artist publications, and the friction zones between the categories of “artwork” and “document”. Buch / Kunst / Dialog. Talks with Artists about their Artist Books. A Hinge between Library and Exhibition Space: MeLa Project’s Open Call. Hard to Press Down into a Database: Miralda and the Food Cultura Project. Book Showcase #3: Possible Forms of Action.

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jamieallen.com

My Holy Nacho | jamie allen

http://www.jamieallen.com/my-holy-nacho

A single object is sent to different manufacturers and workshops to have various ‘processes’ applied to it. Each process is chosen, in secret and in turn, by the collaborating artists. After 10 processes, the object whatever it looks like and whatever it becomes is complete, and made public. My Holy Nacho is a. At Kunsthal Aarhus, March 18th, 2015 ( Video. We Make Money Not Art. ArtPapers comission (.pdf.

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Enjoy Ride..Enjoy your Life 木可的部落格

Enjoy Ride.Enjoy your Life 木可的部落格. 星期三, 8月 05, 2015. 移動的假日城堡 - Funseeker Roof Tent. 恩有幾年了很久沒有寫有關於露營的文章了, 寫部落格是一件很累人的工作,. 女兒和兒子第一次露營都在玉穗溫泉的野溪, 那時候6.7個月都還在襁褓中. 原本這頂 logos 帳篷, 使用多年. 用12年了, 陪伴的我兒子的成長歲月,. 也用到防水膠條嚴重脫落, 這頂也用了上百次. 原本要拿去修外帳, 廠商說維修不划算,. 想想夠本了, 骨架也維修過好幾次, 因為營地的石頭. 導致帳篷底布都有破洞, 雖有補起來,. 想想日幣剛好貶值, SP帳篷剛好降價, 所以敗家的因子自然就會成立. 第一次使用超過一萬塊的帳篷, 心中有點愧疚, 但質感確實不錯, 第一次開箱手忙腳亂中. 使用了二次第二次來到了天時農場, 我最喜歡的露營場地, 來這裡的次數, 手指已經算不清楚了. 因為這裡有國外露營場地的fu, 和我幾年前去歐洲露營的幾個場地有相似之處,. 露營一直是我假日的活動, 露營風氣越來越盛，. 我喜歡這樣的放空自己, 沒有任何的干擾,. 移動的假日城堡...

artfile.es

ArtFile

Compiles a selection of professional projects and writings, mostly dealing with issues such as the scope, limits and use of art archives, the vast world of artist publications, and the friction zones between the categories of “artwork” and “document”. Buch / Kunst / Dialog. Talks with Artists about their Artist Books. Author / Actor / Reader. From Performance to the Book. Time as Choreographer. William Kentridge at the Deutsches Schauspielhaus Hamburg. When Attitudes Become Form: Bern 1969 / Venice 2013.

artfile.wpadc.org

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