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The art world in Britain 1660 to 1735

The art world in Britain 1660 to 1735. Publishes primary sources and research tools for the study of the arts in late 17th and early 18th century Britain. Launched in 2011 this long-term project will create a large body of transcribed sources that will underpin a biographical dictionary, a topographical index, a calendar of art sales and a database of transactions. [more.]. The papers of one of the great early 18th century art collectors, the 10th Earl of Derby, provide important new detail about the Lon...

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The art world in Britain 1660 to 1735 | artworld.york.ac.uk Reviews
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The art world in Britain 1660 to 1735. Publishes primary sources and research tools for the study of the arts in late 17th and early 18th century Britain. Launched in 2011 this long-term project will create a large body of transcribed sources that will underpin a biographical dictionary, a topographical index, a calendar of art sales and a database of transactions. [more.]. The papers of one of the great early 18th century art collectors, the 10th Earl of Derby, provide important new detail about the Lon...
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The art world in Britain 1660 to 1735 | artworld.york.ac.uk Reviews

https://artworld.york.ac.uk

The art world in Britain 1660 to 1735. Publishes primary sources and research tools for the study of the arts in late 17th and early 18th century Britain. Launched in 2011 this long-term project will create a large body of transcribed sources that will underpin a biographical dictionary, a topographical index, a calendar of art sales and a database of transactions. [more.]. The papers of one of the great early 18th century art collectors, the 10th Earl of Derby, provide important new detail about the Lon...

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1

The art world in Britain 1660 to 1735

https://artworld.york.ac.uk/textSources.jsp

This page describes the 'Sources' part of the website. It begins with information applicable to the entire library of sources; then, the various categories of sources are described individually (for the time being, only three source category texts are published). Paintings, Drawings and Prints. Full-text and bibliographic records. Bills, Accounts and Receipts. Diaries, Memoir and Travel. Trade Cards and Handbills. Trade Organisations, Training and Employment. See above, at the heading 'Source categories'.

2

The art world in Britain 1660 to 1735

https://artworld.york.ac.uk/placeView.do?placeUrn=6.0094&amp;br=no

Castle Museum, Norwich, Norfolk. Repository of paintings (20th/21st century). British and Irish Paintings in Public Collections. Http:/ www.museums.norfolk.gov.uk/. Http:/ www.bbc.co.uk/arts/yourpaintings/galleries/collections/norfolk-museums-archaeology-service-norwich-castle-museum-ar928. Vautier, D (active 1663) : Sir Henry Bedingfeld of Oxburgh, 1663. Anonymous (17th/18th century) : William Skutt, 1680. Anonymous (17th/18th century) : Sir Neville Catelyn, 1688. Wootton, John (circa 1682, probate 1764...

3

The art world in Britain 1660 to 1735

https://artworld.york.ac.uk/textPeople.jsp

This text is still in preparation. The Artist's Studio, 1716 (composite details). Norfolk Museums and Archaeology Service ( Norwich Castle Museum and Art Gallery. 2011 University of York.

4

The art world in Britain 1660 to 1735

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This site uses two types of cookies. Session Cookies are only stored temporarily in the browser's memory, and are destroyed when it is closed down, although they will survive navigating away from the website they came from. Third Party Cookies (Google Analytics). The University of York's Legal Statements page contains a section on Cookies: http:/ www.york.ac.uk/about/legal-statements/. The Artist's Studio, 1716 (composite details). 2011 University of York.

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The art world in Britain 1660 to 1735

https://artworld.york.ac.uk/textSales.jsp

This text is still in preparation. The Artist's Studio, 1716 (composite details). Norfolk Museums and Archaeology Service ( Norwich Castle Museum and Art Gallery. 2011 University of York.

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earlymodernartnetwork.wordpress.com earlymodernartnetwork.wordpress.com

January | 2012 | Early Modern Art Network

https://earlymodernartnetwork.wordpress.com/2012/01

Early Modern Art Network. The Early Modern Art Network promotes the study of the visual and material cultures of the seventeenth and eighteenth centuries. Skip to primary content. Skip to secondary content. Monthly Archives: January 2012. Caravaggio exhibition of unprecendented scale to be hosted by the Pushkin Museum of Fine Arts. January 30, 2012. Early Modern Art Network. From The Moscow Times. Pushkin Museum hosts Baroque master Caravaggio. The exhibit will be the biggest exhibit of Caravaggio ever o...

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Early Modern Art Network | Early Modern Art Network

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Early Modern Art Network. The Early Modern Art Network promotes the study of the visual and material cultures of the seventeenth and eighteenth centuries. Skip to primary content. Skip to secondary content. Author Archives: Early Modern Art Network. Call for papers: Society for Interdisciplinary French Seventeenth-Century Studies. February 2, 2012. Early Modern Art Network. Call for papers / Appel à communications – 2012. Wellesley College Wellesley, MA, USA. November 8-10, 2012. 4 Dreams / Les Rêves.

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December | 2011 | Early Modern Art Network

https://earlymodernartnetwork.wordpress.com/2011/12

Early Modern Art Network. The Early Modern Art Network promotes the study of the visual and material cultures of the seventeenth and eighteenth centuries. Skip to primary content. Skip to secondary content. Monthly Archives: December 2011. Prints and the pursuit of knowledge in early modern Europe. December 15, 2011. Early Modern Art Network. Hendrik Goltzius, Portrait of Nicolaus Petri van Deventer, 1595, engraving, Harvard Art Museums. December 13, 2011. Early Modern Art Network. Paradox of the Actor.

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Credits | Francis Towne | Paul Mellon Centre for Studies in British Art

http://www.francistowne.ac.uk/collection/credits

Skip to main navigation. Skip to quick links. Go to global search. Go to accessibility information. In 2006 Richard Stephens was awarded a PhD at Birkbeck College, London, for his thesis,. A Catalogue Raisonné of The Works of Francis Towne. On which this website is based. In 2016 he curated the exhibition. Light, Time, Legacy: Francis Towne's watercolours of Rome. At the British Museum, London. He edits The art world in Britain 1660 to 1735. Published by the University of York. Bernard Horrocks (intellec...

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OpenART Final Report | York Digital Library

https://yorkdl.wordpress.com/2011/11/02/openart-final-report

02/11/2011 at 10:00 · Filed under ontologies. The OpenART ontology, an event-driven ontology produced to describe the ‘artworld’ dataset. The ontology is split into a number of parts to allow greater re-usability. It should be considered ‘work in progress’, although the version published is complete for the OpenART project: dlib.york.ac.uk/ontologies/. An ontology browser version of the ontologies can be found at dlib.york.ac.uk/ontologies/openart. 8211; for easier reading! The approach taken in OpenART ...

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Links | circa 1700 - notes on British and Irish art history

https://circa1700.wordpress.com/links

Circa 1700 – notes on British and Irish art history. The Paul Mellon Centre for Studies in British Art. I’m Researcher/Co-ordinator for the Understanding British Portraits. Network, housed at the National Portrait Gallery in London. The network provides seminars, private collection visits, many online resources, early-career bursaries and other networking opportunities for curators, museum-learning professionals, scholars, conservators, dealers etc., who are engaged with British portraits. Notify me of n...

francistowne.ac.uk francistowne.ac.uk

Early Work, 1772-80 | Sections | Francis Towne | Paul Mellon Centre for Studies in British Art

http://www.francistowne.ac.uk/collection/early

Skip to main navigation. Skip to quick links. Go to global search. Go to accessibility information. Other entries in this section. Early Life, 1739-mid 1760s. Exeter, 1772 80. London Exhibits, 1762-80. Early Work, 1772-80. Other entries in this section. 11: West Country Sketches, 1772–80. 12: Tour of Wales, 1777. 13: Studio Watercolours, 1770s. 14: Oil Paintings, 1773–80. 15: Compositions and Copies. Early Life, 1739-mid 1760s. Francis was one of at least five children and maintained a relationship with ...

francistowne.ac.uk francistowne.ac.uk

Doubtful Works | Sections | Francis Towne | Paul Mellon Centre for Studies in British Art

http://www.francistowne.ac.uk/collection/doubtful

Skip to main navigation. Skip to quick links. Go to global search. Go to accessibility information. Attributed to Francis Towne. Attributed to Francis Towne. Attributed to Francis Towne. Landscape with a Donkey. Landscape with a Donkey. Attributed to Francis Towne. Attributed to Francis Towne. Unidentified circle of Francis Towne. In 2006 Richard Stephens was awarded a PhD at Birkbeck College, London, for his thesis,. A Catalogue Raisonné of The Works of Francis Towne. Published by the University of York.

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Retirement, 1806-16 | Sections | Francis Towne | Paul Mellon Centre for Studies in British Art

http://www.francistowne.ac.uk/collection/retirement

Skip to main navigation. Skip to quick links. Go to global search. Go to accessibility information. Other entries in this section. Other entries in this section. 41: Unbound Sketches, 1810–ca. 1814. 42: Oil Paintings, 1808–12. 47: 1812–15 Sketchbook. And 1809 ( FT. The bulk of Towne’s surviving work from these years comes from six sketchbooks ( FT. Towne’s 1812 visit to Dulwich was surely to meet the Gibbs family of Exeter, who were living there temporarily ( FT. No doubt when Towne stayed in Windsor in ...

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The art world in Britain 1660 to 1735

The art world in Britain 1660 to 1735. Publishes primary sources and research tools for the study of the arts in late 17th and early 18th century Britain. Launched in 2011 this long-term project will create a large body of transcribed sources that will underpin a biographical dictionary, a topographical index, a calendar of art sales and a database of transactions. [more.]. The papers of one of the great early 18th century art collectors, the 10th Earl of Derby, provide important new detail about the Lon...

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