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BastardScene

Miguel Alén para BS ACTO3 NODISTANCE, 2016.

http://bastardscene.blogspot.com/

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BastardScene | bastardscene.blogspot.com Reviews
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Miguel Alén para BS ACTO3 NODISTANCE, 2016.
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BastardScene | bastardscene.blogspot.com Reviews

https://bastardscene.blogspot.com

Miguel Alén para BS ACTO3 NODISTANCE, 2016.

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1

BastardScene: INFO

http://bastardscene.blogspot.com/p/equipo.html

Un seminario ideado y coordinado por. Con la colaboración de:. Con el apoyo de:. Comisión interdepartamental de la Facultad de Bellas Artes de Granada. Producción e Investigación en Arte. Centro Federico García Lorca. Centro de Cultura Contemporanea. La Madraza. Con la participación y apoyo de.

2

BastardScene: LINKS

http://bastardscene.blogspot.com/p/links.html

Call Cutta in a box. SNEJANKA MIHAYLOVA If I can'd dance, I don't want to be part of the your revolution. BRETT BAILEY Third World Bunfight website. Versión corta) Exhibit B. KRIS VERDONCK A two dogs company Website. Museo de la danza. ANNE TERESA DE KEERSMAEKER Roses. XAVIER LE ROY Website. TINO SEHGAL A year at the Stedelijk: TINO SEHGAL. CND El lugar sin limites. Centro José Guerrero Música y Acción. Full Length) contraseña enter.

3

BastardScene: EDICIONES

http://bastardscene.blogspot.com/p/ediciones.html

4

BastardScene: PRESENTACION

http://bastardscene.blogspot.com/p/presentacion.html

La inclusión de las artes escénicas en los diferentes discursos culturales está generando un inusitado interés por el arte en vivo dentro del contexto museístico. Bien sean propuestas desde los campos escénicos -como el de la coreografía o teatro contemporáneos- o de las artes visuales -como el denominado arte de acción o el body art-, el término performance. Ha adquirido una transversalidad sin precedentes en la historia del arte.

5

BastardScene: TEXTOS

http://bastardscene.blogspot.com/p/textos.html

Arts on the edge of moving. En torno a la frontera entre las artes visuales y danza contemporánea, dentro de la collection de textos en. Decaying in some museum. On Scores, Notation and the Trace in Dance. Archives. Performance Remains. En torno a ¿Es el museo una fábrica? La hora de los hornos. 1968), un manifiesto del Tercer Cine contra el neocolonialismo, especificaba un brillante requisito para su proyección: la presencia, en cada exhibición, de un cartel colgado con la siguiente leyenda: “Todo...

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Miguel Alén para BS ACTO3 NODISTANCE, 2016.

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