bienniallab.com
Biennial LabPublic Art Melbourne Biennial Lab, 'What Happens Now?' running October 17- 23, 2016 at the Queen Victoria Market, Melbourne. Artists were engaged with a Lab that comes to fruition in October.
http://www.bienniallab.com/
Public Art Melbourne Biennial Lab, 'What Happens Now?' running October 17- 23, 2016 at the Queen Victoria Market, Melbourne. Artists were engaged with a Lab that comes to fruition in October.
http://www.bienniallab.com/
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Biennial Lab | bienniallab.com Reviews
https://bienniallab.com
Public Art Melbourne Biennial Lab, 'What Happens Now?' running October 17- 23, 2016 at the Queen Victoria Market, Melbourne. Artists were engaged with a Lab that comes to fruition in October.
LAB — Biennial Lab
http://www.bienniallab.com/thelab2
THOUGHTS, PICTURES AND EXPLORATIONS FROM THE FIRST PUBLIC ART MELBOURNE BIENNIAL LAB. BY WRITERS, ARTISTS, CURATORS AND THE LIKE. Welcome to the inaugural Public Art Melbourne Biennial Lab:. We'd like to respectfully acknowledge that the the land on which we host our Lab is the traditional land of the Kulin Nation, and pay our respects to elders past, present and continuing. The purpose of the Biennial Lab? Some words from our Co-Convenors. Biennial Lab Co-convenor, Claire Doherty. Day Seven Lab wraps up.
Visible Hands — Biennial Lab
http://www.bienniallab.com/visible-hands
A Centre for Everything. Through a process of embodied research, Gabrielle de Vietri and Will Foster from A Centre for Everything. Have discovered and developed the unspoken language used by traders at the Queen Victoria Market. From everyday dealings to embedded cultural codes, hand gestures are used to direct, connect, communicate and play across the stalls of the marketplace. Participants are invited to explore the contested past, present and future of the site in a hands-on self-guided tour.
Day Seven - Sun 23 October | Biennial Lab — Biennial Lab
http://www.bienniallab.com/day-seven-biennial-lab
Day Seven - Sun 23 October Biennial Lab. The final day of Biennial Lab’s activation at the Queen Victoria Market was by far the fullest day of the whole week. There are always $1 bags of fruit and veg, cheap, good quality meats and seafood and an exhausted but rambunctious feel about the place. The artists were able to add to this chaos, in quiet or bold ways. Kenny Pittock's drawing workshop. Photo by Bryony Jackson. Kym Maxwell running a workshop as part of The Mechanics Institute's. People making mini...
Over Obelisk — Biennial Lab
http://www.bienniallab.com/over-obelisk
The John Batman obelisk, erected in 1881, awkwardly stands at the north-east corner of the Queen Victoria Market, engraved Circumspice [look around you] . SIBLING. Mon 17 Oct - around John Batman monument. Tue 18 Oct - Deli Lane. Wed 19 Oct - speakers/buskers corner (corner Therry and Queen St). Thu 20 Oct - Shed D, spaces 69-70. Fri 21 Oct - Shed L, spaces 17-18,. Sat 22 Oct - Mercat car spaces - day / Mercat footpath - night. Sunday 23 Oct - Shed A. Overnight hoarding at John Batman memorial.
Day Three - Wed 19 October | Biennial Lab — Biennial Lab
http://www.bienniallab.com/day-three-biennial-lab
Day Three - Wed 19 October Biennial Lab. Members of Field Theory, Bronza and S-Rod talking on. Photo by Bryony Jackson. Drawing by Kenny Pittock. Timothy Moore, Natalie King and Khairuddin Hori at MPavilion's ' Biennial Lab: Rethinking public space. Photo courtesy Lynda Roberts. In the evening, International Affiliate, Khai Hori, Chief Curator, Natalie King and Biennial Lab artist, Timothy Moore had a public discussion called. Public Art: Rethinking public space. Drawing by Kenny Pittock.
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Biennial Lab
Public Art Melbourne Biennial Lab 17-23 October 2016. From our Chief Curator, Natalie King. The title of the inaugural Biennial Lab,. Is derived from an anonymous paste-up program throughout New York City in 1979 by American artist Jenny Holzer. Like a manifesto, Holzer’s slogans are part of her acerbic ‘Inflammatory Essays’. While anchoring the curatorial framework, the proposition. How can we work with local communities within larger social and cultural structures? A Centre for Everything, Visible Hands.
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3rd Biennial of Painting. 1st Biennial of Painting 2011. 2nd Biennial of Painting 2013. Croatian Association of Artists ( HDLU. According to the adopted organizational model, Biennial of Painting consists of two parts; of national selection. And selection of artists from the foreign city. In 2011 the exhibition. I am a Berliner. Curated by Mark Gisbourne, presented to the Croatian public recent contemporary art scene in Berlin; in 2013, cooperation continued with Austria and the exhibition. Will be featu...
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