Bite Bullet Dance is a group around the choreographic work of Michael Wälti. The dance group was founded in 2013 in Amsterdam (NL) and is based now in Bern (CH). Bite Bullet Dance stands for a specific physical language, centered around the physical experiences and conditioning of Michael Wälti. This is paired with his dystopian view…
http://www.bitebulletdance.com/
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Bite Bullet Dance
Michael Walti
Houtma●●●●●● 24-2R
Ams●●●dam , 1013 MN
Netherlands
View this contact
Bite Bullet Dance
Michael Walti
Houtma●●●●●● 24-2R
Ams●●●dam , 1013 MN
Netherlands
View this contact
Bite Bullet Dance
Michael Walti
Houtma●●●●●● 24-2R
Ams●●●dam , 1013 MN
Netherlands
View this contact
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BiteBulletDance – Contemporary Dance Company | bitebulletdance.com Reviews
https://bitebulletdance.com
Bite Bullet Dance is a group around the choreographic work of Michael Wälti. The dance group was founded in 2013 in Amsterdam (NL) and is based now in Bern (CH). Bite Bullet Dance stands for a specific physical language, centered around the physical experiences and conditioning of Michael Wälti. This is paired with his dystopian view…
bitebulletdance.com
But the Air is never sweet enough (2015/2016) – BiteBulletDance
http://bitebulletdance.com/works/but-the-air-is-never-sweet-enough
BUT THE AIR IS NEVER SWEET ENOUGH. In his first debut as Associate Artist of Dampfzentrale Michael Wälti addressed the body as a drug, and shows how we are chasing pleasure from moment to moment. Aside from music and personal relationships, pleasure arises exclusively internally, in contrast to consumerism. The internal worlds of the dancers spread out in an otherwise empty stage. The breath is the leitmotif and metaphor of our constant search for a state of pleasure. Susan Hoogbergen, Nick van de Ven.
Magic Arrow (2013) – BiteBulletDance
http://bitebulletdance.com/gallery/magic-arrow
At Melkweg Amsterdam,. Magic Arrow won the award of the public at the Melkweg open stage 16 Minutes of Fame. Sjifra IJpma, Bryan Atmopawiro. Timber Timbre, Sandy Bull, Yoko Kanno. Bite Bullet Dance bitebulletdance@gmail.com 41 (0)79 204 62 25.
Basalt (2014) – BiteBulletDance
http://bitebulletdance.com/works/basalt
11 December 2014, at Art Release Amsterdam, in Amsterdam Roest Jacob Bontiusplaats 1018 PL Amsterdam. Two humans, isolated and exposed, fight the decline of their kinship. They defend their sacred ground. The intruder is all around. Gazing at the unapproachable beings as they engage in their last dance. Their last call to their gods – until it all comes down on them. Sjifra IJpma, Inbal Abir. Darkside, Lynn Suemitsu aka RIN. Rise and Shine Films.
Basalt (2014) – BiteBulletDance
http://bitebulletdance.com/gallery/basalt
11 December 2014, at Art Release Amsterdam, in Amsterdam Roest Jacob Bontiusplaats 1018 PL Amsterdam. Two humans, isolated and exposed, fight the decline of their kinship. They defend their sacred ground. The intruder is all around. Gazing at the unapproachable beings as they engage in their last dance. Their last call to their gods – until it all comes down on them. Sjifra IJpma, Inbal Abir. Darkside, Lynn Suemitsu aka RIN. Rise and Shine Films.
Unset (2014) – BiteBulletDance
http://bitebulletdance.com/gallery/unset
Is an ongoing research about the boarder of improvisation and set choreography. How much does a piece need to be set to work every time while being very different each performance? To achieve that, Unset plays with a complex set of rules, comparable to a board game. The four dancers or players want to reach their goal. Through decision taking of the performers, the piece is developed and transformed on the spot. The role of the choreographer is thus spread among the four performers. UNSET is thus an atte...
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Programme - PLATEFORME INCIDANSE FRIBOURG. Le festival de danse destiné aux chorégraphes émergents suisses
http://www.incidanse.ch/programme.html
PROGRAMME 2015 COMPLET EN PDF : ICI. Vendredi 2 octobre :. 18h30 Programme A / 20h30 Programme B. Samedi 3 octobre :. 18h30 Programme C / 20h30 Programme A. Dimanche 4 octobre :. 16h00 Programme B / 18h00 Programme C. Adultes Jeunes (- de 16 ans). 1 programme 20.- 15.-. 2 programmes 35.- 28.-. 3 programmes 45.- 35.-. Sur incidanse@nouveaumonde.ch. Mentionner les noms et numéro de téléphone, nombres de places, dates et heures des spectacles). Toutes les infos dans le programme complet. Voir pages 10 et 11).
Transmission - Compagnie Gramma
http://www.cie-gramma.aurelieberland.com/compagnie/transmission
Interprètes de Pavane miroir. Partitions en Cinétographie LABAN. Chorégraphie de Doris Humphrey. Partition de Ann Hutchinson et Els Grelinger (1971). Interprétée par Bite The Bullet Dance Company (Suisse). Pour le travail de création de. Vidéo de la reconstruction au Dampfzentrale à Berne. Https:/ www.facebook.com/bitebulletdance/videos/1232754163475417/? Programme de janvier 1998, Cité de la Musique. D’après la partition Laban de Karin Sunke, 1998. Reconstruction de la partition Two Ecstatic Themes.
Charlotte Mathiessen - But the air is never sweet enough
http://www.charlottemathiessen.com/en/works/But-the-air-is-never-sweet-enough
What I stand for. But the air is never sweet enough. I did my very first official internship with the Bite Bullet Dance Company. BTA) in Bern, Switzerland. Choreographer of BBD Michael Wälti, is currently artist in residence at the Dampfzentrale where he created his first full evening piece, But the air is never sweet enough. The piece was premiered in the Dampfzentrale Bern in March 2016. Dance: Susan Hoogbergen, Bryan Atmopawiro, Inbal Abir, Sjifra IJpma, Nick van de Ven and myself. Video by Kai Meyer.
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BiteBulletDance – Contemporary Dance Company
Read about the People behind the Project. Lose your Head (2017). But the Air is never sweet enough (2016). Definition of bite the bullet: To behave courageously; to avoid showing fear or distress. (From the American Civil War when surgical operations were carried out without anesthesia – a shot of whiskey and bite the bullet). Michael (Michu) Wälti,. Fascinated by music, rhythm and working with the body, dance became a steadily more important value in Michu’s life. After two years of formal pre-educa...
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