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Blue Antelope Correspondences

Welcome to a website about the extinct blue antelope. Preciousness is often defined by rarity. By this criterion, hardly anything in natural history can be more valuable than a scrap of blaauwbock.". Image RMNH Naturalis / Kate Foster. How does a culture reflect the animals it eradicates? Why look at obscure, old, specimens?

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Blue Antelope Correspondences | blueantelope.info Reviews
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Welcome to a website about the extinct blue antelope. Preciousness is often defined by rarity. By this criterion, hardly anything in natural history can be more valuable than a scrap of blaauwbock.. Image RMNH Naturalis / Kate Foster. How does a culture reflect the animals it eradicates? Why look at obscure, old, specimens?
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1 blue antelope correspondences
2 introduction
3 viewpoints
4 the animal
5 afterlife
6 habitats
7 events and presentations
8 links and texts
9 stephen jay gould
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Blue Antelope Correspondences | blueantelope.info Reviews

https://blueantelope.info

Welcome to a website about the extinct blue antelope. Preciousness is often defined by rarity. By this criterion, hardly anything in natural history can be more valuable than a scrap of blaauwbock.". Image RMNH Naturalis / Kate Foster. How does a culture reflect the animals it eradicates? Why look at obscure, old, specimens?

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newlightmanchester.wordpress.com newlightmanchester.wordpress.com

Unrealised Proposal for Cadavre Piece, 1970 | New Light on Old Bones

https://newlightmanchester.wordpress.com/2011/09/05/unrealised-proposal-for-cadavre-piece-1970

New Light on Old Bones. Honesty and illusion in museums. Destruction and preservation in museums →. September 5, 2011 · 9:00 am. Unrealised Proposal for Cadavre Piece, 1970. Myna Trustram writes…. David’s post about the display of dead bodies. 8211; whether animal or human – put me immediately in mind of a possible future exhibition at Manchester Art Gallery where a dead human body will be displayed. Honesty and illusion in museums. Destruction and preservation in museums →. Leave a Reply Cancel reply.

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Dr Merle Patchett - School of Geographical Sciences

http://www.bris.ac.uk/geography/people/merle-m-patchett/index.html

Skip to main content. School of Geographical Sciences. School of Geographical Sciences. CCSP/EPM/S&S Online Open Day. Faculty of Social Sciences and Law. School of Geographical Sciences. MA(Aberd), Mres(Glas), PhD(Glas). Lecturer in Human Geography. Clifton, Bristol BS8 1SS. My current research interests include ' Archiving Oil. With contemporary artist Neville Gabie and ' Animating Animal Afterlives. At Bristol City Museum and Art Gallery. . 1 Embodiment, Craft and Human-Nonhuman Relations . X00A0;2007)...

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Curatorial/Collaborative | Experimental Geography in Practice

https://merlepatchett.wordpress.com/collaborativecuratorial-work

Experimental Geography in Practice. Exploring correspondences between geographic research and experimental and artistic practices, initiated by Merle Patchett. Strip Appeal: An International Design Competition to Reinvent the Strip Mall,. Initiated by the City-Region Studies Centre, University of Alberta,. Is an ideas design competition intended to stimulate creative design proposals for the adaptive reuse of small-scale strip-malls (or mini-malls). 8 Nov 2011- 18 Feb 2012 – Atrium Gallery. 17 Nov 6 2012...

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Writing | Experimental Geography in Practice

https://merlepatchett.wordpress.com/writing

Experimental Geography in Practice. Exploring correspondences between geographic research and experimental and artistic practices, initiated by Merle Patchett. Patchett, M. ‘Sites of Taxidermy Practice: Differently Figuring the Working of Bodies and Bodies at Work”, intended for Journal of Historical Geography. 8211; Book Proposal. Patchett, M. ‘Touching the Truth About Flesh: Negotiating Life, Death and Disgust in a Taxidermist’s Workshop’, submitted. Patchett M. (forthcoming). 8211; Reaktion Books.

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Living Worlds | New Light on Old Bones

https://newlightmanchester.wordpress.com/2011/08/22/living-worlds

New Light on Old Bones. Peace, Love, and Understanding. Honesty and illusion in museums →. August 22, 2011 · 9:00 am. Guest blogger James writes…. I am on work experience from school and was asked to do a blog on the new exhibition in the Manchester Museum,. After having a look round for the first time. Seemed empty and a bit dull whereas some displays like the. Emed very full. I also thought that some of the titles seemed a bit abstract and didn’t make much sense, such as the. The skull of a horse that ...

merlepatchett.wordpress.com merlepatchett.wordpress.com

Bio | Experimental Geography in Practice

https://merlepatchett.wordpress.com/bio

Experimental Geography in Practice. Exploring correspondences between geographic research and experimental and artistic practices, initiated by Merle Patchett. Me (centre) with other Experimental Geographers (from left) Rui Chaves, Adeola Enigbokan and Bradley Garrett at the workshop Experimenting with Geography, Edinburgh 2010. Photo Brian Rosa. 2011) were the practical outcomes of different investigations by geographers and artists into how taxidermy and zoological collections can be utilized to tell o...

newlightmanchester.wordpress.com newlightmanchester.wordpress.com

Museums, nature and the five ways to well-being | New Light on Old Bones

https://newlightmanchester.wordpress.com/2011/08/01/museums-nature-and-the-five-ways-to-well-being

New Light on Old Bones. Health Rocks at The Manchester Museum. At the Wellcome… →. August 1, 2011 · 9:00 am. Museums, nature and the five ways to well-being. I’m hoping by this point you are all well aware of the Five Ways to Well-being:. Http:/ www.neweconomics.org/projects/five-ways-well-being. It occurs to me, a museum, working with a conservation body, a local nature reserve, a local neglected green space, can easily meet all five in one activity. So how would that work? It’s such a simple and ...

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Blue Antelope Correspondences

Welcome to a website about the extinct blue antelope. Preciousness is often defined by rarity. By this criterion, hardly anything in natural history can be more valuable than a scrap of blaauwbock.". Image RMNH Naturalis / Kate Foster. How does a culture reflect the animals it eradicates? Why look at obscure, old, specimens?

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