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I Left My Heart in BERLIN ALEXANDERPLATZArticulating the Language of Cinema; by Aaron Mannino
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Articulating the Language of Cinema; by Aaron Mannino
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I Left My Heart in BERLIN ALEXANDERPLATZ | bluekeyreviews.blogspot.com Reviews
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Articulating the Language of Cinema; by Aaron Mannino
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I Left My Heart in BERLIN ALEXANDERPLATZ: PIETA - The Brutal Humanism of Ki-duk Kim
http://bluekeyreviews.blogspot.com/2013/04/pieta-brutal-humanism-of-ki-duk-kim.html
I Left My Heart in BERLIN ALEXANDERPLATZ. Articulating the Language of Cinema; by Aaron Mannino. Tuesday, April 9, 2013. PIETA - The Brutal Humanism of Ki-duk Kim. I've come to see that beauty is a thing that is without grace." - Jesca Hoop. To someone who has been entranced by Ki-duk Kim from virtually the start, his lauded victory in Venice was quite a long time coming. And for those waiting with bated breath during his hiatus after 2008’s Dream. Bi-Mong) and the non-release. In small ways Pieta. Marks...
I Left My Heart in BERLIN ALEXANDERPLATZ: March 2009
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I Left My Heart in BERLIN ALEXANDERPLATZ. Articulating the Language of Cinema; by Aaron Mannino. Sunday, March 1, 2009. MILLENIUM MAMBO (2001). 9/10. THE BLINDNESS OF THE PRESENT". Subscribe to: Posts (Atom). Analysis of Bertolucci's THE DREAMERS. Videos by Aaron Mannino. Ritz Theaters, Philly PA. Lincoln Film Center NY. County Theater, Doylestown PA. MILLENIUM MAMBO (2001). 9/10. I like samurai movies. View my complete profile. Travel template. Powered by Blogger.
I Left My Heart in BERLIN ALEXANDERPLATZ: November 2012
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I Left My Heart in BERLIN ALEXANDERPLATZ. Articulating the Language of Cinema; by Aaron Mannino. Friday, November 30, 2012. Cinema: A Native Language. 8221; Matthew asks softly. “I’m not chained to the gate,” she remarks casually smiling as she unwinds the links from her wrists, hands thrown up as if to say “ta da! 8221; Her convictions, one might infer, are. 8230;’New York Herald Tribune! New York Herald Tribune! 8221; when he returns with drinks to find a flustered Matthew. 8220;“One of us! 8221; ̶...
I Left My Heart in BERLIN ALEXANDERPLATZ: March 2010
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I Left My Heart in BERLIN ALEXANDERPLATZ. Articulating the Language of Cinema; by Aaron Mannino. Tuesday, March 16, 2010. Thought is a torrent, a flurry, within which we try our best to grab hold of a “still point;” a grounding of understanding and preception. How do we manage to find clarity enough to see into the spinning chaos around us? And of course, Cinema; the moving image, would be the ultimate expression of this ideal. Italian filmmaker Bernardo Bertolucci (THE LAST EMPEROR), in discussion of hi...
I Left My Heart in BERLIN ALEXANDERPLATZ: January 2010
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I Left My Heart in BERLIN ALEXANDERPLATZ. Articulating the Language of Cinema; by Aaron Mannino. Sunday, January 17, 2010. TOP 11 FAVORITE FILMS OF THE DECADE. Not in order of preference). 1 KABEI: OUR MOTHER (Yoji Yamada, Japan 2008). 2 BABEL (Alejandro Gonzalez Innaritu , Mexico 2006). BEST SUPPORTING PERFORMANCES OF THE DECADE! Rinko Kikuchi and Adriana Barraza). 3 THREE TIMES (Hou Hsiao-hsien, Taiwan 2005). Almodovar at his absolute height! Full and unforgettable characters, an affecting complex mora...
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LUNA MESA - Review | Cinedelphia
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LUNA MESA – Review. Raquo; Written by Aaron Mannino. I will however take the time to discuss. Has an ambitious scale but its commercial-grade HD visuals and amateur performances give it gravity and texture. After the screening, there was a flurry of varied reactions. Even within the modest assemblage some couldn’t decide how they felt,. Others were strongly dismissive, and others still found much to admire in. For writings and art-ings. Leave a Reply Cancel reply. Your email address will not be published.
Could I be Japanese?: April 2013
http://couldibejapanese.blogspot.com/2013_04_01_archive.html
Could I be Japanese? Is it more important to identify with where we are from, or where we want to be? The answer is that together, they weave the very fabric of ourselves. My Writing on Film. Japan American Society of Philly. HANAFUBUKI - An Unseasonable Display. I like samurai movies. View my complete profile. Tuesday, April 2, 2013. HANAFUBUKI and Shofuso were covered in an article. By the Knight Arts Foundation! HANAFUBUKI - An Unseasonable Display. Exhibition series, and signaled the close of my resi...
Could I be Japanese?: January 2011
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Could I be Japanese? Is it more important to identify with where we are from, or where we want to be? The answer is that together, they weave the very fabric of ourselves. My Writing on Film. Japan American Society of Philly. The Beginning of Something. SHOFUSO; Winter Needles. I like samurai movies. View my complete profile. Sunday, January 9, 2011. My first pic with Impossible Project's SILVER SHADE UV! The rest from the roll didnt turn out so good, but once I got the hang of how to adjust the exposure...
Could I be Japanese?: June 2008
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Could I be Japanese? Is it more important to identify with where we are from, or where we want to be? The answer is that together, they weave the very fabric of ourselves. My Writing on Film. Japan American Society of Philly. せっぷくおめでとう - SEPPUKU OMEDETOU: Congratulations on y. A bit more structure. I like samurai movies. View my complete profile. Saturday, June 21, 2008. せっぷくおめでとう - SEPPUKU OMEDETOU: Congratulations on your suicide. A filmed performance piece accompanies this installation, utilizing it a...
Could I be Japanese?: April 2011
http://couldibejapanese.blogspot.com/2011_04_01_archive.html
Could I be Japanese? Is it more important to identify with where we are from, or where we want to be? The answer is that together, they weave the very fabric of ourselves. My Writing on Film. Japan American Society of Philly. I like samurai movies. View my complete profile. Saturday, April 16, 2011. From stillness, blushing. A pink cloud snared in branches. Quick to the falling. Sounds of water poured. No, sounds of water falling. No The sound of both. Somewhere between breath and breeze.
Aaron.Mannino: some, but not all
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My art. - -aaron.mannino@gmail.com- -. Saturday, June 30, 2007. Some, but not all. This (above and below) is a small selection (4 of about 14) of print/collage.oh whatever, i'll call them paintings! Subscribe to: Post Comments (Atom). I like samurai movies. View my complete profile. Links and cool stuff. Dave Montgomery goes blah blah blah. Shannon Wagner: prose and poem. Writing on Film; by Aaron Mannino. Some, but not all.cont. Some, but not all. I tried painting and this is what happened.
Could I be Japanese?: More HANAFUBUKI
http://couldibejapanese.blogspot.com/2013/04/more-hanafubuki.html
Could I be Japanese? Is it more important to identify with where we are from, or where we want to be? The answer is that together, they weave the very fabric of ourselves. My Writing on Film. Japan American Society of Philly. HANAFUBUKI - An Unseasonable Display. I like samurai movies. View my complete profile. Tuesday, April 2, 2013. HANAFUBUKI and Shofuso were covered in an article. By the Knight Arts Foundation! Subscribe to: Post Comments (Atom).
Could I be Japanese?: SHADES OF TRUTH : The Means is the Message
http://couldibejapanese.blogspot.com/2012/09/shades-of-truth-means-is-message.html
Could I be Japanese? Is it more important to identify with where we are from, or where we want to be? The answer is that together, they weave the very fabric of ourselves. My Writing on Film. Japan American Society of Philly. SHADES OF TRUTH : The Means is the Message. I like samurai movies. View my complete profile. Thursday, September 13, 2012. SHADES OF TRUTH : The Means is the Message. If you stopped in at Shofuso Japanese House and Garden. In Fairmount Park Philadelphia) anytime durning the month of...
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I Left My Heart in BERLIN ALEXANDERPLATZ
I Left My Heart in BERLIN ALEXANDERPLATZ. Articulating the Language of Cinema; by Aaron Mannino. Tuesday, April 9, 2013. PIETA - The Brutal Humanism of Ki-duk Kim. I've come to see that beauty is a thing that is without grace." - Jesca Hoop. To someone who has been entranced by Ki-duk Kim from virtually the start, his lauded victory in Venice was quite a long time coming. And for those waiting with bated breath during his hiatus after 2008’s Dream. Bi-Mong) and the non-release. In small ways Pieta. Marks...
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