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Musical Youth Cultures

Boppin to the Top: Brown University and the Colle. View my complete profile. Friday, May 8, 2009. Boppin' to the Top: Brown University and the Collegiate A Cappella Scene. As it stands, Brown University is home to 14 a cappella groups. Because there are so many, each has had to find and occupy its own niche. Every group has carved out its place in the landscape of Brown’s music scene by acquiring an inclination towards a certain genre. For example the Ursa Minors. Each member possesses a musical-theater-...

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Musical Youth Cultures | bradymyc.blogspot.com Reviews

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Boppin to the Top: Brown University and the Colle. View my complete profile. Friday, May 8, 2009. Boppin' to the Top: Brown University and the Collegiate A Cappella Scene. As it stands, Brown University is home to 14 a cappella groups. Because there are so many, each has had to find and occupy its own niche. Every group has carved out its place in the landscape of Brown’s music scene by acquiring an inclination towards a certain genre. For example the Ursa Minors. Each member possesses a musical-theater-...

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1 musical youth cultures

2 followers

3 blog archive

4 about me

5 brady

6 though a cappella

7 blend musicality and personality

8 and brady’s

9 performance snickers and squeals

10 conclusions

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Musical Youth Cultures | bradymyc.blogspot.com Reviews

https://bradymyc.blogspot.com

Boppin to the Top: Brown University and the Colle. View my complete profile. Friday, May 8, 2009. Boppin' to the Top: Brown University and the Collegiate A Cappella Scene. As it stands, Brown University is home to 14 a cappella groups. Because there are so many, each has had to find and occupy its own niche. Every group has carved out its place in the landscape of Brown’s music scene by acquiring an inclination towards a certain genre. For example the Ursa Minors. Each member possesses a musical-theater-...

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bradymyc.blogspot.com

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Musical Youth Cultures: Field Notes Part II

http://bradymyc.blogspot.com/2009/04/field-notes-part-ii.html

Field Notes Part II. New Ethnicities and Urban Cultures, Part II. New Ethnicities and Urban Cultures, Part I. View my complete profile. Tuesday, April 14, 2009. Field Notes Part II. Brady: What would you say your main fanbase is? Angie: I think… I don’t know…our friends obviously, first and foremost and then more girls, and then maybe some guy-pals. And then maybe some theater people. It’s not like a completely solidified fanbase. Guys have more fans. Yeah, I think so. B: [laugh] I guess that’s true.

2

Musical Youth Cultures: Boogaloo

http://bradymyc.blogspot.com/2009/04/boogaloo.html

Field Notes Part II. New Ethnicities and Urban Cultures, Part II. New Ethnicities and Urban Cultures, Part I. View my complete profile. Monday, April 13, 2009. Chapter 5 in Juan Flores'. To Hip Hop: Puerto. Culture and Latino Identity. Describes the birth of the Boogaloo. A dance-fad type music that arose in the 50s and 60s. The Boogaloo. Emerged from a New York melting-pot culture where African and Puerto. Identities intermingled. This type of music very quickly shut out the popular Latin.

3

Musical Youth Cultures: April 2009

http://bradymyc.blogspot.com/2009_04_01_archive.html

Field Notes Part II. New Ethnicities and Urban Cultures, Part II. New Ethnicities and Urban Cultures, Part I. View my complete profile. Wednesday, April 15, 2009. In Wayne Marshall's blog entries, he describes many aspects, both musical and historical, of reggaeton. He mentions different beats, instrumentation, artists, and Fruity Loops, a digital audio workstation. Marshall discusses how reggae started spreading and through new technologies like the internet. By utilizing the internet. Yeah, I think so.

4

Musical Youth Cultures: A Cappella Interview with "Angie"

http://bradymyc.blogspot.com/2009/03/cappella-interview-with-angie.html

A Cappella Interview with Angie. View my complete profile. Tuesday, March 31, 2009. A Cappella Interview with "Angie". This short excerpt is the beginning an interview (about the first 7 minutes of a 25 minute interview) I had with "Angie" a member of the a cappella community at Brown. I hope that soon I will be able to post the entire interview. Brady: So Angie, what group are you in. B: And could describe them for me? Like the style, the make up…. A: I think that’s the best way to describe us. A: Whene...

5

Musical Youth Cultures: Field notes

http://bradymyc.blogspot.com/2009/02/field-notes.html

Initial Topic Post: Collegiate A Cappella at Brown. View my complete profile. Tuesday, February 24, 2009. This set of field notes is a recollection of spring semester auditions for the Higher Keys, a co-ed a cappella group of which I am a part. A cappella hopefuls wait outside in the hall, filling out an information card:. Great Odin’s Raven. The game was quickly called off because the group agreed that it could not keep it together sufficiently. Everyone again splits into voice parts to learn their part...

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bradymyc.blogspot.com

Musical Youth Cultures

Boppin to the Top: Brown University and the Colle. View my complete profile. Friday, May 8, 2009. Boppin' to the Top: Brown University and the Collegiate A Cappella Scene. As it stands, Brown University is home to 14 a cappella groups. Because there are so many, each has had to find and occupy its own niche. Every group has carved out its place in the landscape of Brown’s music scene by acquiring an inclination towards a certain genre. For example the Ursa Minors. Each member possesses a musical-theater-...

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