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The Right to Act | The Right to Act
https://therighttoact.wordpress.com/2010/03/04/the-right-to-act
The Right to Act. The practical application of your craft. The Right to Act. March 4, 2010. The natural, innate talent an actor possesses varies as much as it does in any athlete. In fact, an athlete’s talents are far more identifiable. There are very few professional baseball players who move from high school to ‘Double A’ baseball without undeniable, traceable excellence in some area of the game. It can be measured in the speed of their pitch, or the distance they hit or throw a baseball. The latter pu...
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Breadline Blog | NetworkedBlogs by Ninua
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Invite Friends to Follow. Written by 1 Author. Followed by 2 People. Dedicated to the nurturing and development of accomplished theater and film artists, and the develo. Http:/ breadlineproductions.wordpress.com/. No posts have been published yet. This site uses BitPixels previews.
therighttoact.wordpress.com
The Right to Act | The practical application of your craft. | Page 2
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The Right to Act. The practical application of your craft. What Have You Sacrificed in the Pursuit of Your Acting Career? June 16, 2011. When I first moved to Hollywood numerous people told me that endurance is the key to building a career out here. Through the years I’ve been in Los Angeles, I’ve personally experienced this reality, and speak of it to others as one’s willingness to sacrifice. If not, what are you going to do about it? As a teacher of acting. So, I’m going to address the three main compo...
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How Important is an Acting Coach? | The Right to Act
https://therighttoact.wordpress.com/2011/08/23/how-important-is-an-acting-coach
The Right to Act. The practical application of your craft. How Important is an Acting Coach? August 23, 2011. There are just as many actors who feel that they don’t need an acting coach. As those who are slavishly dedicated to one. This is a subject that is not often discussed, but I think it’s essential to present my perspective on that relationship. Draws from all his abilities and leaves the best impression on the room. As a coach, I not only responsible to help shape each audition, I must push the ac...
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Can Your Acting Really Improve in Less Than 30 Minutes a Day? | The Right to Act
https://therighttoact.wordpress.com/2011/06/08/can-your-acting-really-improve-in-less-than-30-minutes-a-day
The Right to Act. The practical application of your craft. Can Your Acting Really Improve in Less Than 30 Minutes a Day? June 8, 2011. The Tree is the Root. By calling yourself an actor, you’ve already implied that you work disproportionately hard for the rewards you reap. However, it’s difficult to quantify how much effort is required to see tangible results since rehearsal is a very unique process for each of us. For me, risk is the most important ingredient in an actor’s true growth. With an audience ...
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LA Audition Workshop – How to Overcome Audition Obstacles | The Right to Act
https://therighttoact.wordpress.com/2011/06/20/la-audition-workshop-how-to-overcome-audition-obstacles
The Right to Act. The practical application of your craft. LA Audition Workshop – How to Overcome Audition Obstacles. June 20, 2011. Two-Week Audition Intensive with Paul Kampf. Audition Workshop registration information. There are a lot of workshops that cover WHAT a Casting Director/Director is looking for in the room, but this intensive teaches you HOW to achieve those objectives. The audition is the hardest part of the acting process. You must:. Reveal something unique about your take on the character.
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Interview with Paul Kampf, Founder and Acting Teacher – PAI Training – Part 1 | The Right to Act
https://therighttoact.wordpress.com/2012/01/13/la-acting-teacher-paul-kampf-part1
The Right to Act. The practical application of your craft. Interview with Paul Kampf, Founder and Acting Teacher – PAI Training – Part 1. January 13, 2012. DSM: What brought you out to LA? Paul: I came out to LA from Chicago after I directed a feature film ( Brothers Three. I had a theater company, Breadline Theatre Group that focused on world premiere theater. After fifteen years it was the time to transition. DSM: How did you get into teaching in LA? DSM: What did you think of the classes? It gives an ...
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From Conscious to Instinctual | The Right to Act
https://therighttoact.wordpress.com/2010/03/14/from-conscious-to-instinctual
The Right to Act. The practical application of your craft. From Conscious to Instinctual. March 14, 2010. However, it is very hard to identify the validity of an impulse. They all come from somewhere, and therefore must reflect our instincts about a character, scene or fleeting moment. Yet, we need get to a point where we trust our strong impulses because they have led us to exciting results over a long period of time. The goal of the following exercises is to free the actor from seeing the text as a pri...
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You First: Believe in Yourself as an Actor, and Others Will Believe Too | The Right to Act
https://therighttoact.wordpress.com/2012/04/19/you-first-believe-in-yourself-as-an-actor-and-others-will-believe-too
The Right to Act. The practical application of your craft. You First: Believe in Yourself as an Actor, and Others Will Believe Too. April 19, 2012. Self-confidence is an equal ingredient to talent when you’re pursuing an acting career. Yet, too often actors find themselves repeating affirmations for self-confidence that have no bearing on the actual level of work they do. In the acting classes. Out of the courage to step into any uncomfortable situation, by applying his tools and letting go of ego or out...
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