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Break-A-Leg

Possible with Passion (writebreakaleg@gmail.com) *** (D) DANCE; (T) Theatre; (M) Music; (R) Ramblings *** Copyright © 2003-2017 Choy Su-Ling

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Break-A-Leg | break-a-leg.blogspot.com Reviews
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Possible with Passion (writebreakaleg@gmail.com) *** (D) DANCE; (T) Theatre; (M) Music; (R) Ramblings *** Copyright © 2003-2017 Choy Su-Ling
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Break-A-Leg | break-a-leg.blogspot.com Reviews

https://break-a-leg.blogspot.com

Possible with Passion (writebreakaleg@gmail.com) *** (D) DANCE; (T) Theatre; (M) Music; (R) Ramblings *** Copyright © 2003-2017 Choy Su-Ling

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1

Break-A-Leg: March 2005

http://break-a-leg.blogspot.com/2005_03_01_archive.html

Possible with Passion.and free tickets! Wednesday, March 30, 2005. M) March 13, 2005 - Gambus Jazz. THE fourth of the Avanti Friday Night Jazz Series on March 4 showcased Farid Ali and Friends, who gave an enticing performance. A guitarist, Farid fuses modern jazz with the traditional gambus (Malay lute). His electric gambus was crafted by luthier Jeffrey Yong of GIM Custom Guitar, and bears his name on its chest. Fusing traditional instruments with western music is, of course, not a new idea. Ravi S...

2

Break-A-Leg: January 2005

http://break-a-leg.blogspot.com/2005_01_01_archive.html

Possible with Passion.and free tickets! Friday, January 28, 2005. D) January 23, 2005 - Tapestry of My Heart, Ellie Zhou. WHEN a performing arts group is launched, the objective is always to go "professional". That would be the direction that Ellie Zhou Performing Arts, the extension of Ellie Zhou Ballet Studio, is heading. The Chinese dances Han, Tibetan, Dai, and XinJiang were all choreographed by Zhou. It was a surprise to find that most of the performers were elderly ladies who were sometimes joi...

3

Break-A-Leg: (D) Final Showcase of SPROUTS 2010

http://break-a-leg.blogspot.com/2010/09/d-final-showcase-of-sprouts-2010.html

Possible with Passion.and free tickets! Wednesday, September 15, 2010. D) Final Showcase of SPROUTS 2010. Winner of SPROUTS 2009, Gianti Gadi. After a vigorous pre-selection process and Preliminary Round, 8 promising individuals will have yet another taste of the limelight for the Final Showcase held on 18 September 2010, 7.30pm at the University Cultural Centre Theatre. Previous winner of SPROUTS 2009, Gianti Gadi, will also perform her new work during the Final Showcase of SPROUTS 2010. In addition, 2 ...

4

Break-A-Leg: August 2005

http://break-a-leg.blogspot.com/2005_08_01_archive.html

Possible with Passion.and free tickets! Sunday, August 21, 2005. D) August 21, 2005 - En-Body-Men. WEIJUN of Wj Powerhouse expanded his solo work, EN-BODY-MAN, to a piece which involves an ensemble of six. A good move, since this adds colour and character to the contemporary dance, now called EN-BODY-MEN. Weijun, in red sneakers and torn jeans, hogged the red spotlight. This no-music solo section focused on the strength and grace of the body. There was more ballet and contemporary dance vocabular...There...

5

Break-A-Leg: February 2005

http://break-a-leg.blogspot.com/2005_02_01_archive.html

Possible with Passion.and free tickets! Monday, February 28, 2005. D) February 20, 2005: Spellbound. Roughly translates as an identifiable style of dance. For a Malaysian dance school to come up with its own distinct and identifiable style of odissi, the ancient Indian classical dance form, is pretty amazing. But that seems to be what Sutra Dance Theatre has done. Sutra’s set and lighting designer, Sivarajah Natarajan, created a wonderful see-through effect with the images so that, sometimes, dancers sta...

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Choreography for Non-Choreographers: July 2006

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Marion - After years of putting non-dancers on stage, I thought, okay, if I can make non-dancers perform, I should be able to make the process of choreography accessible to non-choreographers. It's just one more step. Basically it's to open up the "sacred realm" of the director and the choreographer. One more step in the democratisation of the creative space. Thursday, July 20, 2006. Found these lying around. I know it's after the fact, tapi takpe lah. Thanks once again for your work. I would have also a...

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Choreography for Non-Choreographers: The Star review

http://boxspots.blogspot.com/2006/07/star-review.html

Marion - After years of putting non-dancers on stage, I thought, okay, if I can make non-dancers perform, I should be able to make the process of choreography accessible to non-choreographers. It's just one more step. Basically it's to open up the "sacred realm" of the director and the choreographer. One more step in the democratisation of the creative space. Sunday, July 02, 2006. The Star, 2 July 2006. Door into the ‘sacred realm’. Her Choreography for Non-Choreographers. Concluding the workshop two we...

binarybutoh.blogspot.com binarybutoh.blogspot.com

splines in space: May 2007

http://binarybutoh.blogspot.com/2007_05_01_archive.html

Theorising through (dance) practice. Networked choreography - ii. Race and gender (etc.) malarkey. Nam June Paik (1932 - 2006). Published 15 May 2007 by mpgough. Splines in space is on hiatus, but you can follow my tumblelog at: http:/ quodlibet.tumblr.com/. Networked choreography - ii. Race and gender (etc.) malarkey. Nam June Paik (1932 - 2006). Motive (reason to move). Sort of a weblog. Uncoycom la vie viennoise. We make money not art. Original design by Michael Heilemann.

binarybutoh.blogspot.com binarybutoh.blogspot.com

networked choreography - ii - splines in space

http://binarybutoh.blogspot.com/2006/03/networked-choreography-ii.html

Theorising through (dance) practice. Race and gender (etc.) malarkey. Nam June Paik (1932 - 2006). Woof (wú - mu). Networked choreography - ii. Published 11 March 2006 by mpgough e-mail this post. All personal information that you provide here will be governed by the Privacy Policy of Blogger.com. More. This post follows on from networked choreography. And explores the theory and practice of hyperchoreography. Whilst not aligning the concept with chaos theory let me define indeterminacy of meaning in dan...

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race & gender (etc.) malarkey - splines in space

http://binarybutoh.blogspot.com/2006/02/race-gender-etc-malarkey.html

Theorising through (dance) practice. Nam June Paik (1932 - 2006). Woof (wú - mu). New year - new sharing. Race and gender (etc.) malarkey. Published 02 February 2006 by mpgough e-mail this post. All personal information that you provide here will be governed by the Privacy Policy of Blogger.com. More. To: xxxxx@uea.ac.uk. Subject: CCTV still of Rapist. Its' sad people still believe all that malarkey. 0 responses to “race and gender (etc.) malarkey”. Else {}' / Convert to bold. Nam June Paik (1932 - 2006).

binarybutoh.blogspot.com binarybutoh.blogspot.com

splines in space: March 2006

http://binarybutoh.blogspot.com/2006_03_01_archive.html

Theorising through (dance) practice. Networked choreography - ii. Race and gender (etc.) malarkey. Nam June Paik (1932 - 2006). Networked choreography - ii. Published 11 March 2006 by mpgough. This post follows on from networked choreography. And explores the theory and practice of hyperchoreography. Whilst not aligning the concept with chaos theory let me define indeterminacy of meaning in dance praxis as 'interpretive dependence on initial conditions'. such a definition applies equally to the produ...

binarybutoh.blogspot.com binarybutoh.blogspot.com

splines in space: November 2005

http://binarybutoh.blogspot.com/2005_11_01_archive.html

Theorising through (dance) practice. Networked choreography - ii. Race and gender (etc.) malarkey. Nam June Paik (1932 - 2006). Published 07 November 2005 by mpgough. When you have to keep close to the edge, when do you know you have crossed the line without someone to guide you. self governance would be ideal, but when travelling the unfamiliar it may not be enough. The students i see on a regular basis are starting to understand how my expectations of them. however, given the opportunity to express...

binarybutoh.blogspot.com binarybutoh.blogspot.com

tumble blog - splines in space

http://binarybutoh.blogspot.com/2007/05/tumble-blog.html

Theorising through (dance) practice. Networked choreography - ii. Race and gender (etc.) malarkey. Nam June Paik (1932 - 2006). Woof (wú - mu). Published 15 May 2007 by mpgough e-mail this post. All personal information that you provide here will be governed by the Privacy Policy of Blogger.com. More. Splines in space is on hiatus, but you can follow my tumblelog at: http:/ quodlibet.tumblr.com/. 0 responses to “tumble blog”. Else {}' / Convert to bold. Networked choreography - ii. Woof (wú - mu).

binarybutoh.blogspot.com binarybutoh.blogspot.com

Tina Bausch - splines in space

http://binarybutoh.blogspot.com/2006/02/tina-bausch.html

Theorising through (dance) practice. Race and gender (etc.) malarkey. Nam June Paik (1932 - 2006). Woof (wú - mu). Published 23 February 2006 by mpgough e-mail this post. All personal information that you provide here will be governed by the Privacy Policy of Blogger.com. More. Amusing typo (well it made me laugh over my breakfast) in The Guardian. Both online and in print. I doubt kahn make this mistake, must be a non dance informed editor. What I'd do if I had the money: Akram Khan, choreographer/dancer.

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Sunday, April 24, 2011. The Graey Festival: An On-going Conversation. Read more in http:/ www.asiadancechannel.com/. April 24, 2011. Saturday, April 23, 2011. D) Smt. Vyjayanthi Kashi - Honoured Artist. Smt Vyjayanthi Kashi, Kuchipudi exponent was honored on 3rd April 2011 in Mysore by His Excellency H R Bharadwaj, the Governor of Karnataka for her outstanding contribution to Kuchipudi. It was on the occasion of the Vasundharotsav Dance Festival. April 23, 2011. D) Bodies Across Boundaries. 830pm Friday ...

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