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THE BRIGHTER LIGHTS. – Notes on cinematography from land and sea.Notes on cinematography from land and sea.
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Notes on cinematography from land and sea.
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THE BRIGHTER LIGHTS. – Notes on cinematography from land and sea. | brighterlightsbiggercities.wordpress.com Reviews
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Notes on cinematography from land and sea.
brighterlightsbiggercities.wordpress.com
A case study: color grading |
https://brighterlightsbiggercities.wordpress.com/2014/11/09/a-study-in-color-grading
A case study: color grading. One-pass color grade via Photoshop. Shot on Arri Alexa in Log C mode. The camera original. The red key light allowed us to easily transform the location’s background from white to cyan in post-production. Other changes include increased contrast, skin-tone adjustments, and the application of a subtle vignette. There was a time early in my career when post-production work was less about color grading and more about basic color. November 9, 2014. Shooting in a subway. This I Be...
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December 7, 2014. Note to Self: Fail Harder. Love this artwork made by students at WK12, the experimental ad school at Wieden Kennedy Portland. The message is one I need to remind myself of every day. The view from Kostava Street: rain, and too much analysis. The continuing mission: Fail. More. Now. November 22, 2014. The Art of Layering. A frame from Bruno Aveillan’s commission for Swarovski. A superb example of bold and complex layering in the image. The Way I Are,. Provides a good example:. Great cine...
Picture wrap: “Germanuli Beer” |
https://brighterlightsbiggercities.wordpress.com/2015/04/24/picture-wrap-germanuli-beer-commercials
Picture wrap: “Germanuli Beer”. One of the things I love about shooting commercials is how much visual diversity there is between projects. I recently shot a series of beer commercials for the Windfor’s. All three of these commercials were directed by Nino Gordeladze, who is a long-time copywriter at Windfor’s and one of the creative engines behind this campaign. Looking forward to more projects with these guys! The view from Kostava street: cool mornings and the promise of spring. Next stop, Kiev! My 60...
ABOUT |
https://brighterlightsbiggercities.wordpress.com/about
I am a director of photography specializing in narrative, commercial, and non-traditional content. I trained in Los Angeles on feature films, dramatic television, music videos, commercials, and documentaries, and I’m particularly fascinated by the space where the non-fiction and commercial genres coalesce. When I’m not shooting I write, try to learn a thing or two about chess, and spend as much time as possible with animals. Current residence: Tbilisi, Georgia. Leave a Reply Cancel reply. Rippling: How S...
Note to Self: Fail Harder |
https://brighterlightsbiggercities.wordpress.com/2014/12/07/note-to-self-fail-more
Note to Self: Fail Harder. Love this artwork made by students at WK12, the experimental ad school at Wieden Kennedy Portland. The message is one I need to remind myself of every day. The view from Kostava Street: rain, and too much analysis. The continuing mission: Fail. More. Now. December 7, 2014. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out.
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Thomas Burns
http://www.thomasburns.net/index.html
CROSSING THE SPACE FRONTIER. Les Lieux de Mémoire.
Thomas Burns
http://www.thomasburns.net/cinematography.html
Directed by Zachary Cotler and Magdalena Zyzak. Director of photography: Thomas Burns. Directed by Andrea Pallaoro. Director of photography: Thomas Burns. European Independent Film Festival. Solento International Film Festival. Ismailia International Film Festival. Los Angeles International Film Festival. Directed by Ajay Sanjukta. Director of photography: Thomas Burns. Directed by Nino Gordeladze. Director of photography: Thomas Burns. Directed by Dato Borchkhadze. Director of photography: Thomas Burns.
Thomas Burns
http://www.thomasburns.net/films.html
Directed by Thomas Burns. Music by Chris Zabriskie. Directed by Thomas Burns. Original music by Nathaniel Smith. Additional music by Chris Zabriskie Sigur Ros. Directed by Thomas Burns. Ann Arbor Film Festival. Full Frame Documentary Film Festival. Round Midnight, Moscow Time: The Story of Jazz in the Soviet Union. Directed by Thomas Burns. Les Lieux de Mémoire: Portraiture from the South Caucasus. Produced and photographed by Thomas Burns. 16 color prints, 100cm x 117cm. Directed by Thomas Burns.
Thomas Burns
http://www.thomasburns.net/photo.html
Les Lieux de Mémoire: Portraiture from the South Caucasus. 16 prints, 100 x 120cm. Georgia, Azerbaijan, and Armenia have shared in a common struggle to reinvent themselves in the wake of the Soviet Union’s collapse. At the heart of this rebirth lies the dimming legacy of their shared Soviet experience, viewed most often by Western audiences through familiar iconographies of decline: faded statues, rusted infrastructure, and war. A blog about the project can be found here.
Terre Indienne: Absence
https://terreindienne.blogspot.com/2014/01/absence.html
Lundi 20 janvier 2014. La peinture grand format n'est plus là, ce panneau de bois peint depuis 4 mois a été découpé en 8 morceaux. Merci pour vos mots déposés, à celles et ceux qui viennent encore ici malgré mon absence dans la blogosphère. Je ne vous oublie pas! Publié par *Terre indienne*. Libellés : 12 petits mois. 20 janvier 2014 à 17:27. Que jaime cette image et ce paysage bleuté, nimbé dans une lumière de lune. 21 janvier 2014 à 17:12. Ton absence est aujourdhui.une Présence.merci. Vas ton chemin&#...
Terre Indienne: Pêle-Mêle
https://terreindienne.blogspot.com/2014/09/pele-mele.html
Mardi 30 septembre 2014. Je lis, beaucoup. Je réfléchis, trop. Je marche, souvent. Je cherche, tous les jours. Je me perds, je me trouve. Quelques instants passés au bord d'un étang dans le Morvan. Atelier Land art par une artiste, animation pour parents-enfants,. Au retour, je fais deux petits dessins. (inspirés du lieu et de la photographie ci-dessous). Https:/ www.facebook.com/chg.dumont. Publié par *Terre indienne*. Libellés : A quatre mains. Regard sur le monde. Trois cent soixante bouchées. La vie ...
Terre Indienne: J'apprends à être...
https://terreindienne.blogspot.com/2013/10/japprends-etre.html
Jeudi 24 octobre 2013. À monter les images avec du son. À télécharger un logiciel, puis un autre. Autodidacte, je galère pas mal. Je suis apprentie,. J'apprends quelque chose,. Ceci ou cela,. En attendant de montrer mon film qui parle d'exil, j'ai monté une petite séquence récréative pour me donner du courage. Publié par *Terre indienne*. Libellés : 12 petits mois. 24 octobre 2013 à 18:28. Merci du plaisir. Il y a des moments de grâce dans vos longs plans délicats. Encore, encore. 24 octobre 2013 à 23:19.
Terre Indienne: Vertige
https://terreindienne.blogspot.com/2013/11/vertige.html
Mercredi 13 novembre 2013. Un petit air d'accordéon,. Une pinte, c'est ainsi qu'on nommait ces endroits étranges,. Ou plutôt du vin, rouge ou blanc,. De la Pomme ou du Génépi,. De la fumée de cigarette,. Les yeux piquaient,. Les hommes buvaient,. Le pif tout rouge,. Ils parlaient tout seuls,. Des femmes riaient,. Se laissaient entraîner dans la danse. A certaines tables,. Des groupes discutaient, vivement,. Le monde tourne,. Les pintes existent-elles encore? J'ai trouvé la réponse ICI. Intuitivement, ce ...
About
http://www.thomasburns.net/about.html
Thomas Burns is an award-winning director of photography and visual media producer specializing in scripted, commercial, and non-traditional content. His background includes over a decade of training in Hollywood on feature films. Where the Wild Things Are, Die Hard 4). National Geographic, Discovery Channel). And hundreds of commercials. Porsche, McDonalds, Capital One). DO CHAAR DIN / t-series. PYAAR MANGA HAI / t-series. DAS IDILIA / windfor's. DAS AIVANI / windfor's. DAS PROFILAKTIKA / windfor's.
Terre Indienne: Dans les bras de Morphée
https://terreindienne.blogspot.com/2013/11/dans-les-bras-de-morphee.html
Lundi 25 novembre 2013. Dans les bras de Morphée. Il est 7h00. Elle ne pense pas encore à toutes ses tâches quotidiennes, ou peut-être que si, une odeur de déjà vu avant même d'avoir quitté le lit. Elle se retourne, se replie au creux des draps, s'enveloppe de la douceur de la couverture soupire et se rendort. Cette heure de marche. Cette heure de dessin. Cette heure de montage-film. Cette heure de toi et moi. Tu pourrais porter des baskets plates la prochaine fois? Lui dit la jambe gauche. Elle quitte l...
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Reduced Rates for New Clients! Pro-Level SEO Package $400. I recently moved to Madison and am starting this new Internet Marketing consulting practice. I NEED FIVE CLIENTS FAST. To create a new portfolio. I am drastically reducing rates for the FIRST 5 new clients, $400 for a pro-level package which normally costs $1500! If you are interested please contact me. Why I Do This:. I am starting this new practice because I enjoy working with and helping PEOPLE. The corporate level for me felt cold and imp...
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THE BRIGHTER LIGHTS. – Notes on cinematography from land and sea.
Notes on cinematography from land and sea. Inspiration from the Advertising World. The more I work in the commercial genre, the more enchanted I become: maximum story economy and maximum style in short projects with broad audience reach. I even love the accountability that working with clients brings to the process. Sometimes we get so wrapped up in our own ideas that we need someone who’s not in the room to tell us […]. Read More Inspiration from the Advertising World. Read More Bollywood in Tbilisi.
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We are an award-winning wedding videography studio based out of Boston, MA. Our small team prides itself in delivering quality, custom-made, professional wedding films to our loving couples,. All over the world. We invite you to watch some of our favorite Films. From recent weddings we’ve been a part of. To learn more about us, visit our Info. Page for details. Thank you so much for your time & attention. Only booking for 2018 and beyond.*. AS FEATURED IN…. 15 Channel Center St. Suite 217.
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