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d'Isigny Monde

Friday, December 4, 2009. My most recent body of work embraces my tendency towards fantasy and landscape and explores it in the context of Disney films. Growing up as a member of the Disney family I have inadvertently inherited the strong artistic tradition of fantasy in my own work. I looked at the landscapes and background paintings in Disney animated films as reference material for the landscapes in my photographs. The subtlety of movement animates. Movement of the figure in the space. The title direc...

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d'Isigny Monde | caitlindisney.blogspot.com Reviews

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Friday, December 4, 2009. My most recent body of work embraces my tendency towards fantasy and landscape and explores it in the context of Disney films. Growing up as a member of the Disney family I have inadvertently inherited the strong artistic tradition of fantasy in my own work. I looked at the landscapes and background paintings in Disney animated films as reference material for the landscapes in my photographs. The subtlety of movement animates. Movement of the figure in the space. The title direc...

<META> KEYWORDS

1 d'isigny monde

2 artist statement

3 peter pan

4 alice in wonderland

5 posted by

6 caitlin disney

7 no comments

8 cowboys and artists

9 art of darkness

10 recipe for awesome

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d'Isigny Monde | caitlindisney.blogspot.com Reviews

https://caitlindisney.blogspot.com

Friday, December 4, 2009. My most recent body of work embraces my tendency towards fantasy and landscape and explores it in the context of Disney films. Growing up as a member of the Disney family I have inadvertently inherited the strong artistic tradition of fantasy in my own work. I looked at the landscapes and background paintings in Disney animated films as reference material for the landscapes in my photographs. The subtlety of movement animates. Movement of the figure in the space. The title direc...

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caitlindisney.blogspot.com

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d'Isigny Monde: Art of Darkness

http://caitlindisney.blogspot.com/2009/12/art-of-darkness.html

Friday, December 4, 2009. Lift up the bottom side with my knee and slide it onto the counter top. Labels: Extra Credit Post. Subscribe to: Post Comments (Atom). Pray the Devil Back to Hell. Lunch Break, Lunch Box.

2

d'Isigny Monde: Lunch Break, Lunch Box

http://caitlindisney.blogspot.com/2009/12/lunch-break-lunch-box.html

Friday, December 4, 2009. Lunch Break, Lunch Box. I’ve had the privilege of taking an advanced photo class the semester with a very well known and well-respected artist, Sharon Lockhart. Sharon has not only been a teacher to our class but our mentor and mother hen. She's spent late nights and weekends with us even when she was installing two of her own shows, one of them halfway across the world in Poland. Her newest show at Blum and Poe Gallery. Sharon's films, Lunch Break. Upon entering the room we wer...

3

d'Isigny Monde: Destinos

http://caitlindisney.blogspot.com/2009/09/ive-never-been-ashamed-to-carry-his.html

Sunday, September 27, 2009. Perhaps I should begin at the beginning. Yes, I am related to Walt Disney, and no his head is not cryogenically frozen. Check out the resemblance. I’ve never been ashamed to carry his last name but as an artist I’ve had to prove myself despite my name. Let’s face it; the name Walt Disney is synonymous with animated children’s films, not avant guarde art movements. What most people don’t know is that they did manage to fit together. The result was Destino. Over 50 years later m...

4

d'Isigny Monde: Recipe for AWESOME

http://caitlindisney.blogspot.com/2009/12/recipe-for-awesome.html

Friday, December 4, 2009. Eggs, butter, sugar, flour, tape, cameras, and a ton of time; those are the ingredients of a “Recipe for Disaster.”. Despite these odd ingredients and many warnings Britney, Brian, Molly, and I forged ahead to create the most awesome group art project in the history of Writing 340. When we first sat down together to brainstorm ideas for this epic project we talked about the kind of work we each do. Right away we know those were the perfect ingredients to make a film. Stop motion...

5

d'Isigny Monde: Cowboys and Artists

http://caitlindisney.blogspot.com/2009/12/cowboys-and-artists.html

Friday, December 4, 2009. Sitting on the couch in a small rectangular room, I look around at what could be an 1870’s cowboy saloon, with a twist. The floor is covered three inches deep in straw and there is a piano on the opposite wall with bottles of whiskey and shot glasses strewn across the top of it. All around the room are hanging memorabilia, old black and white photographs, flags, bearskins, and a few Indian scalps. The door bursts open and in comes one scraggly looking cowboy. Lee had devoted his...

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onceuponanacress.blogspot.com

Once Upon An Actress: December 2009

http://onceuponanacress.blogspot.com/2009_12_01_archive.html

Once Upon An Actress. BP6: Recipe for Disaster. This video was a collaboration between Molly Burgess. And myself, and it came out several edits to a brainstorm idea. After about six hours and lots of cookie dough eating, we finally finished filming, and Brian went to work on putting the final cut together. What you watched up above was the final product! Side note: Later on, on the day I learned what stop motion was I came across this video. Links to this post. Labels: Blog Post 6.

onceuponanacress.blogspot.com

Once Upon An Actress: BP6: Recipe for Disaster

http://onceuponanacress.blogspot.com/2009/12/bp6-recipe-for-disaster.html

Once Upon An Actress. BP6: Recipe for Disaster. This video was a collaboration between Molly Burgess. And myself, and it came out several edits to a brainstorm idea. After about six hours and lots of cookie dough eating, we finally finished filming, and Brian went to work on putting the final cut together. What you watched up above was the final product! Side note: Later on, on the day I learned what stop motion was I came across this video. Labels: Blog Post 6. Subscribe to: Post Comments (Atom).

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d'Isigny Monde

Friday, December 4, 2009. My most recent body of work embraces my tendency towards fantasy and landscape and explores it in the context of Disney films. Growing up as a member of the Disney family I have inadvertently inherited the strong artistic tradition of fantasy in my own work. I looked at the landscapes and background paintings in Disney animated films as reference material for the landscapes in my photographs. The subtlety of movement animates. Movement of the figure in the space. The title direc...

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