carolekunstadt.com
Carole P. KunstadtPortfolio of artist Carole P. Kunstadt: Images of recent work, upcoming events, press, bio, contact information.
http://www.carolekunstadt.com/
Portfolio of artist Carole P. Kunstadt: Images of recent work, upcoming events, press, bio, contact information.
http://www.carolekunstadt.com/
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Carole P. Kunstadt | carolekunstadt.com Reviews
https://carolekunstadt.com
Portfolio of artist Carole P. Kunstadt: Images of recent work, upcoming events, press, bio, contact information.
Carole P. Kunstadt
http://carolekunstadt.com/page.php?p=1254513115&n=News
Brand 44th Works On Paper. Brand Library Art Galleries. September 24 - October 28, 2016. Opening Reception September 24, 6 - 9 pm. Juror Laddie John Dill has selected Kunstadt's. Includes all 102 works. Http:/ www.glendaleca.gov/government/departments/library-arts-culture/brand-library-art-center/brand-library-art-galleries. Unbound Vol. VI. July 29 - August 27, 2016. South Pomfret, VT. Juror Mark Waskow selected. Emerge Gallery and Art Space. July 1 - 20, 2016. June 22 - July 22, 2016. A National Juried...
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Carole P. Kunstadt
http://carolekunstadt.com/page.php?p=1254510315&n=Bio
The Hudson Valley Center for Contemporary Art, Peekskill, NY. Numerous group exhibitions throughout the United States which have featured her work are notably,. Slash: Paper Under the Knife,. Museum of Arts and Design, New York, NY;. The Divine and Sublime. Drawing Rooms, Jersey City, NJ. Reader’s Art: Concealed, Confined and Collected. Minnesota Center for Book Arts, Minneapolis, MN;. The Book as Art 3.0: No Jacket Required,. Decatur Arts Alliance, The Art Institute of Atlanta - Decatur, GA;. Two consec...
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Beading | Textile Study Group of New York
http://tsgnyblog.org/index.php/category/beading
Textile Study Group of New York. We Educate, Connect, and Inspire. Skip to primary content. Skip to secondary content. Sandra Golbert: Finding Dimensionality. May 13, 2014. TSGNY: How would you describe your fiber process? Urchin I, 2008, 6 x 6 x 6, silk organza, silk thread, beads. TSGNY: How did that search for dimensionality begin? SG: It was a question of geography. My fashion designs appeared in. Serengeti, 1998, 57 x 24 x 5, hand-dyed silk hung from gold wire mesh. Amanece, 2007, hand-dyed silk.
Sculpture | Textile Study Group of New York
http://tsgnyblog.org/index.php/category/sculpture
Textile Study Group of New York. We Educate, Connect, and Inspire. Skip to primary content. Skip to secondary content. Juliet Martin: SAORI and Spontanaeity. December 28, 2013. TSGNY: What is your fiber process? Juliet Martin: I weave on a Japanese SAORI loom and make fabric to sew into sculptures and tapestries. In Japanese, sa is the first syllable of sai, the Zen idea that everything has its own individual dignity. Ori means weaving. TSGNY: How does SAORI differ from other kinds of weaving? Dirt; 2009...
Hooking | Textile Study Group of New York
http://tsgnyblog.org/index.php/category/hooking
Textile Study Group of New York. We Educate, Connect, and Inspire. Skip to primary content. Skip to secondary content. Linda Friedman Schmidt: Transformation Through Clothing. August 25, 2014. TSGNY: What role does fiber play your artwork? I cut these castoffs into strips by hand. The cutting is an important part of my process and pleasure: the breaking down of the old. It also provides a needed respite from the visual concentration required for hooking in a painterly fashion. Studio with work in progress.
Portraits | Textile Study Group of New York
http://tsgnyblog.org/index.php/category/portraits
Textile Study Group of New York. We Educate, Connect, and Inspire. Skip to primary content. Skip to secondary content. Lisa Lackey: Always A Maker. February 7, 2016. TSGNY: How do you describe your technique? Lisa Lackey: I refer to my work as textile. Fabric and thread replace the medium of paint on a canvas. The Conversation 5/6, 20 x 16, fabric, thread and acetate on canvas, 2014. TSGNY: Is this a recent development in your way of working? In the Shadows 5, 30 x 24, fabric and thread on canvas, 2015.
Joomchi | Textile Study Group of New York
http://tsgnyblog.org/index.php/category/joomchi
Textile Study Group of New York. We Educate, Connect, and Inspire. Skip to primary content. Skip to secondary content. Theresa Ellerbrock: Loosening Her Grid. September 10, 2014. TSGNY: What is your fiber process? Sea Change, 2014, 25 x 39 , Korean mulberry paper. TSGNY: How did you start working in Joomchi? TE: I’ve been weaving and papermaking for the past 30 years. My current work began to evolve in a new direction after I studied the Joomchi technique at Haystack with Jiyoung Chung. TSGNY: From your ...
Sewing | Textile Study Group of New York
http://tsgnyblog.org/index.php/category/sewing
Textile Study Group of New York. We Educate, Connect, and Inspire. Skip to primary content. Skip to secondary content. Lisa Lackey: Always A Maker. February 7, 2016. TSGNY: How do you describe your technique? Lisa Lackey: I refer to my work as textile. Fabric and thread replace the medium of paint on a canvas. The Conversation 5/6, 20 x 16, fabric, thread and acetate on canvas, 2014. TSGNY: Is this a recent development in your way of working? In the Shadows 5, 30 x 24, fabric and thread on canvas, 2015.
Ivanhoe Books Art And Design: June 2010
http://ivanhoebooks.blogspot.com/2010_06_01_archive.html
Ivanhoe Books Art And Design. Wednesday, June 30, 2010. Lucien Freud: The Studio. Centre Pompidou, 2010. I don't think he wears socks. I love you, Lucian. Ivanhoe Books - Art And Design. Saturday, June 26, 2010. Oh Babs. I like you. Ivanhoe Books - Art And Design. Friday, June 25, 2010. Perfume by Susan Irvine. Random House, 1995. I've always liked a good perfume advert. The Obsession ads are so evocative of my teenage times. Man, oh man, I wanted to be Kate! Now I think she looks a bit hungry. My friend...
Uncategorized | Textile Study Group of New York
http://tsgnyblog.org/index.php/category/uncategorized
Textile Study Group of New York. We Educate, Connect, and Inspire. Skip to primary content. Skip to secondary content. Lisa Lackey: Always A Maker. February 7, 2016. TSGNY: How do you describe your technique? Lisa Lackey: I refer to my work as textile. Fabric and thread replace the medium of paint on a canvas. The Conversation 5/6, 20 x 16, fabric, thread and acetate on canvas, 2014. TSGNY: Is this a recent development in your way of working? In the Shadows 5, 30 x 24, fabric and thread on canvas, 2015.
RHS Art- Ms. Williams - Art II- Homework
http://rhsart.weebly.com/art-ii--homework.html
RHS Art- Ms. Williams. Art III- Summer Homework. Dear Upcoming Art III -. So glad you signed up for Art III next year! I know you probably have some mixed feelings of excitement and anxiety. Do not worry,…regardless of your skill level and goals, we will have a fun and productive year together. 2 A FINAL WORK. If you are doing a summer art program, this will easily satisfy the requirements for the assignment. I look forward to working with you next year. Have a great summer! Thumbnails- Due Mon. 3/12.
RHS Art- Ms. Williams - Art II- Classwork
http://rhsart.weebly.com/art-ii--classwork.html
RHS Art- Ms. Williams. 1 25 Points- You will need to update and organize your Mahara page. It is your final portfolio page for Art II. Therefore, all of your major projects need to be neatly displayed. If you have any extra boxes such as comments, friends, or anything else, they should be removed leaving only your artwork. Hidden Secrets Revealed (Conte) (18x24). Reflective Objects Charcoal (Homework)(18x24, 12x18). Oil Pastel Still Life (12x18). Color Themed Oil Pastel Homework (12 x 18). Is a printmaki...
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I am a psychologist with twenty-five years of experience working with adults, couples, and older adolescents. People often contact me who are experiencing difficulties in a relationship, in their career, and may be feeling perplexed, anxious, frustrated, or depressed. Despite determined efforts, they may feel stuck in a morass repeating the same mistakes. The nature of this work is personal and it is important for you to feel a good fit with your therapist. For that reason it can be useful to schedul...
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Carole P. Kunstadt
Carole has taken an 1844 Psalm book used in the churches for religious purposes, sliced it into a series of thin strips which are then rejoined, reconnected on her sewing machine. As she sews the pieces back together however, they've been interleaved wi … read more ». 9 × 9 in. – thread, 24 karat gold leaf, pages from Parish Psalmody 1849. Curator's Choice Award, 2015, Kleinert/James Center for the Arts, Woodstock Brydcliffe Guild. Collection of the artist.
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Ce qui n'est pas donné est perdu. Outils pour des apprenants FLE. Blog’s des camarades de la classe. L’université du Tampon en vidéo. Bonjour à vous,. Bienvenue sur ce blog créé pour présenter, en toute modestie, quelques aspects de l’île de la Réunion que je découvre depuis 8 mois et ceci dans le cadre d’études en licence de Français Langue étrangère. J’espère que vous déambulerez avec plaisir sur ce blog. Opération séduction avec ce bref diaporama qui ne fait qu’effleurer la beauté de cette île :.
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