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Cooking History- Consuming Art | an encounter in-between | chcasite.wordpress.com Reviews
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an encounter in-between
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March | 2016 | Cooking History- Consuming Art
https://chcasite.wordpress.com/2016/03
Cooking History- Consuming Art. Papers fresh from the oven. Accidental Realities: A survival guide to Jani Christou’s. I must act, that’s for sure. I need to create conflict in order to put it back in order. Or rather, I need balance, so I need to create opposites because real balance can exist only between opposites. Should I be a demiurge? Should I become this type of creature that creates realities out of sheer boredom only to sit back and watch my supposedly immaculate providence come apart? While Fr...
Papers fresh from the oven | Cooking History- Consuming Art
https://chcasite.wordpress.com/2016/03/30/papers-fresh-from-the-oven
Cooking History- Consuming Art. Papers fresh from the oven. Accidental Realities: A survival guide to Jani Christou’s. I must act, that’s for sure. I need to create conflict in order to put it back in order. Or rather, I need balance, so I need to create opposites because real balance can exist only between opposites. Should I be a demiurge? Should I become this type of creature that creates realities out of sheer boredom only to sit back and watch my supposedly immaculate providence come apart? While Fr...
Symposium Details | Cooking History- Consuming Art
https://chcasite.wordpress.com/2016/01/19/cooking-history-consuming-art
Cooking History- Consuming Art. January 19, 2016. A Royal Musical Association Study Day. 8216;Cooking History-Consuming Art’: An encounter in-between History, Musicology, and Performance Practice. Date: 26 April 2016. Venue: Senate House, University of London. Texts on Music and Architecture. For more information email: Artemis Ignatidou (artemis.ignatidou@brunel.ac.uk). Organised with the kind support of :. Leave a Reply Cancel reply. Enter your comment here. Address never made public).
Programme for the Day | Cooking History- Consuming Art
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Cooking History- Consuming Art. Programme for the Day. Tuesday 26 April 2016, Senate House, WC1E 7HU, London, Room SH264. 10:00-10:30 Morning Coffee, Friendly Chat, and Newspapers. In the Presence of Schubert: Ingmar Bergman’s Imaginative Affinities. Accidental Realities: A survival guide to Jani Christou’s Epicycle. A Greek icon: Heteroglossia, ambiguity and identity in the music of Nikos Skalkottas. Cycle 2: Performance Matters. 14:00-14:30 Workshop with the Oiseaux Bizarres ensemble. Symposium tickets...
chcasite | Cooking History- Consuming Art
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Cooking History- Consuming Art. Venue Map- Senate House, London,WC1E 7HU. Programme for the Day. Tuesday 26 April 2016, Senate House, WC1E 7HU, London, Room SH264. 10:00-10:30 Morning Coffee, Friendly Chat, and Newspapers. In the Presence of Schubert: Ingmar Bergman’s Imaginative Affinities. Accidental Realities: A survival guide to Jani Christou’s Epicycle. A Greek icon: Heteroglossia, ambiguity and identity in the music of Nikos Skalkottas. Cycle 2: Performance Matters. Cycle 3: The present, the future.
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News/Events | Thanasis Deligiannis
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Check out Thanasis Deligiannis' music, videos and new projects. Sep 11, Looptail. TivoliVredenburg, Utrecht NL. Sep 3, Gaudeamus Muziekweek Academy. Theater Kikker, Utrecht NL. Aug 27-Sep 4, Atlas Lab. CvA, Amsterdam NL. May 11-15, Composers’ Festival Amsterdam. CvA, Amsterdam NL. Apr 26, Oiseaux Bizarres, Cooking History – Consuming Art symposium. Opera Forward Festival,. Nationale Opera and Ballet, Amsterdam NL. Teviot Row House, Edinburgh UK. Opera Forward Festival,. De School, Amsterdam NL. PIanolt C...
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Cooking History- Consuming Art | an encounter in-between
Cooking History- Consuming Art. Venue Map- Senate House, London,WC1E 7HU. Programme for the Day. Tuesday 26 April 2016, Senate House, WC1E 7HU, London, Room SH264. 10:00-10:30 Morning Coffee, Friendly Chat, and Newspapers. In the Presence of Schubert: Ingmar Bergman’s Imaginative Affinities. Accidental Realities: A survival guide to Jani Christou’s Epicycle. A Greek icon: Heteroglossia, ambiguity and identity in the music of Nikos Skalkottas. Cycle 2: Performance Matters. Cycle 3: The present, the future.
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