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My choir's tone needs a bit of a lift. The sound quality needs more focus. My sopranos and tenors find it difficult to sing high notes well. I have plenty of altos and basses but I’d like a richer sound. What can I do? How can I help them? These are the kinds of problems that Deborah has successfully addressed for many years. So often in the rehearsal period leading up to a concert, matters of voice production can get forgotten or there just isn't enough time. Conductors are also often reluctant to b...

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My choir's tone needs a bit of a lift. The sound quality needs more focus. My sopranos and tenors find it difficult to sing high notes well. I have plenty of altos and basses but I’d like a richer sound. What can I do? How can I help them? These are the kinds of problems that Deborah has successfully addressed for many years. So often in the rehearsal period leading up to a concert, matters of voice production can get forgotten or there just isn't enough time. Conductors are also often reluctant to b...

<META> KEYWORDS

1 choralclinic

2 towards choral excellence

3 welcome

4 options

5 workshop

6 evening rehearsal

7 polish your performance

8 choral technique

9 testimonials

10 choirs

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choralclinic,towards choral excellence,welcome,options,workshop,evening rehearsal,polish your performance,choral technique,testimonials,choirs,mezzo soprano,singing teacher,gloriana,welcome to choralclinic,deborah miles johnson,joomla template

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Home | choralclinic.co.uk Reviews

https://choralclinic.co.uk

My choir's tone needs a bit of a lift. The sound quality needs more focus. My sopranos and tenors find it difficult to sing high notes well. I have plenty of altos and basses but I’d like a richer sound. What can I do? How can I help them? These are the kinds of problems that Deborah has successfully addressed for many years. So often in the rehearsal period leading up to a concert, matters of voice production can get forgotten or there just isn't enough time. Conductors are also often reluctant to b...

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choralclinic.co.uk

1

Options

http://choralclinic.co.uk/index.php/options-menu

Deborah can tailor ChoralClinic sessions to match any requirements for any size or standard of choir. Just one short session will improve the tone, focus and vocal technique. She concentrates on:. Deborah believes in the importance of the. Use of the singing voice. She uses no risky, experimental methods, only sound vocal techniques rooted firmly in breathing, jaw and tongue position and good vowel production. Here are the most common formats:. DEBORAH MILES-JOHNSON and NEIL MACKENZIE. 1030am - 1.30pm.

2

Workshop

http://choralclinic.co.uk/index.php/options-menu/workshop-menu

A typical 3 hour workshop (to include a break):. All sessions start with a good warm-up lasting about 30mins. Physical exercises followed by a big variety of well paced vocal exercises to suit the choir. It includes thought-provoking work on the very basics of choral singing: breathing exercises, projection techniques, the art of blending and how to focus sound to maximum effect. FOCUSSING ON THE CONCERT. I need a pianist to play the accompaniments and accompany the exercises. Workshops are typically hel...

3

Mezzo-Soprano

http://choralclinic.co.uk/index.php/2013-09-11-13-33-50

Deborah enjoys an international career as a mezzo-soprano working in all the main concert venues in the UK and abroad. She was a staff member of the BBC Singers for many years and then sang with the Tallis Scholars and The Sixteen, but now has a freelance career working with such conductors as Sir Simon Rattle and Sir Andrew Davies (Stravinsky’s. Trevor Pinnock in Bach’s. In venues around the world and Sir Mark Elder in a recent recording of Donizetti's. In Worcester Cathedral, the Verdi. She is a member.

4

Choirs

http://choralclinic.co.uk/index.php/choirs

Deborah was vocal coach for 20years to this excellent choir. She is very proud of the excellent sound they made under her guidance. Read more: BBC Symphony Chorus. Deborah was a regular visitor to Canterbury for many years where she was alto faculty in the annual Berkshire Choral Festival. She visited Prague with BCF in May 2009 for the. Terezin Commemorative Day and. Deborah was appointed Chorus Master in Feb 2010 for. On stage organ (. She also sang the role of. In their performance of Puccini’s. Read&...

5

Welcome

http://choralclinic.co.uk/index.php/welcome-menu

My choir's tone needs a bit of a lift. The sound quality needs more focus. My sopranos and tenors find it difficult to sing high notes well. I have plenty of altos and basses but I’d like a richer sound. What can I do? How can I help them? These are the kinds of problems that Deborah has successfully addressed for many years. So often in the rehearsal period leading up to a concert, matters of voice production can get forgotten or there just isn't enough time. Conductors are also often reluctant to b...

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abcd.org.uk

abcd Annual Convention

https://www.abcd.org.uk/events/abcd-convention

44 (0) 1935 389 482. 31st Annual Convention, 26-28 August 2016. Inspiration and support for everyone leading singing. To go to our microsite, with all the latest Convention details. To book online, or download our brochure and booking form and return it by post or email. To download the latest timetable. Winchester welcomes the choral world. For an introduction to this year's Convention from Andrew Potter, Leslie East and Amy Bebbington. Vocal and conducting technique. On the science of the voice. Jo McN...

oxfordchoir.org

Links - The City of Oxford Choir

http://www.oxfordchoir.org/links

You can buy tickets from Tickets Oxford. From the Oxford Playhouse (01865 305305), or on the door if there are any left! Sign-up to our mailing list. To receive forthcoming concert details. The Brandenburg Choral Festival. Billy Purefoy - our vocal coach. Oxford University Music Society. Debbie Miles-Johnson: Choral Clinic. Links to third party websites are provided for you convenience. The City of Oxford Choir does not endorse their content.

wareoperatic.org.uk

Ware Operatic :: Links

http://wareoperatic.org.uk/links.php

Deborah Miles-Johnson – ChoralClinic – undertakes technique coaching for choirs to improve the tone, focus and vocal technique, leading to. Visit the Choral Clinic website. Founded in 1902 and currently has over 150 members. Under the professional conductor Julian Williamson, the Choir performs the major oratorios with soloists and orchestras of national repute. Visit the Ware Choral website. Hertford Dramatic and Operatic Society. Has been performing plays and musicals in. Visit the HD&OS website.

winkleighsingers.org.uk

The Winkleigh Singers : Workshops

http://winkleighsingers.org.uk/pages/workshops.html

OPEN REHEARSAL WITH THE WINKLEIGH SINGERS. Monday 5th September 2016, 7.30pm-9.30pm with a break for refreshments. Umberleigh Christian Fellowship Building. This is a free event and will count towards the three week trial period for any attendee who may subsequently wish to join the choir. We will be looking at new music in preparation for our Christmas Concert, including Gerald Finzi's In terra pax. If you wish to attend, please use the Contact Form. So that we have an idea of how many chairs to put out!

gloriana.net

Musical Director

http://www.gloriana.net/index.php/our-md

Combines the roles of mezzo-soprano, vocal coach and conductor. As a singer Deborah has now worked with most of the world’s leading conductors including both Sir Simon Rattle and Sir Andrew Davis performing Stravinsky’s. Among many solo performances was Bach’s. With the English Concert in concerts around Europe, Istanbul and Japan and the lead role in Handel’s. For the London Handel Society which was taken by the BBC. As a consort sin. And Daniel Oren (. Enescu). She is currently in rehearsal for. By Moz...

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My choir's tone needs a bit of a lift. The sound quality needs more focus. My sopranos and tenors find it difficult to sing high notes well. I have plenty of altos and basses but I’d like a richer sound. What can I do? How can I help them? These are the kinds of problems that Deborah has successfully addressed for many years. So often in the rehearsal period leading up to a concert, matters of voice production can get forgotten or there just isn't enough time. Conductors are also often reluctant to b...

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