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HomeChristoph De Boeck is represented by.
http://www.christophdeboeck.com/
Christoph De Boeck is represented by.
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Christoph De Boeck
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Home | christophdeboeck.com Reviews
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Christoph De Boeck is represented by.
NEWS : Christoph De Boeck
http://www.christophdeboeck.com/index.php/news/news
De Boeck will collaborate with the Department of Metals and Materials Engineering of KU Leuven (MTM). In order to accelerate localised progression of corrosion, and to rescale the acoustic emissions so that they are rendered audible. The project UAE#1 [working title] will be presented within the frame of:. Rennes, France (15 October - 1 November 2015). Festival van Vlaanderen Kortrijk. 14 April - 1 May 2016).
CELL : Christoph De Boeck
http://www.christophdeboeck.com/index.php/work/cell
Cell' represents a focal point for low-frequency acoustic waves, energy that arises with vibrations originating within the exhibition building. These vibrations - infrasonic and therefore inaudible - are picked up by wireless piezo sensors. A cylindrical volume of steel resounds those waves by rescaling them to an audible pitch. The inner cylinder reflections amplify the sound within the installation while it remains subtle to bystanders. From Christoph De Boeck. Piezo sensor electronics: Culture Crew.
EXHIBITS : Christoph De Boeck
http://www.christophdeboeck.com/index.php/exhibits
2010 : Christoph De Boeck
http://www.christophdeboeck.com/index.php/exhibits/2010
Concertgebouw, Brugge, Belgium. 12 - 21 February 2010. Group exhibition Update III. Zebrastraat, Ghent, Belgium. 16 April - 20 June 2010. Festival van Vlaanderen Kortrijk. Group exhibition Sounding City. Budascoop, Kortrijk, Belgium. 24 April - 9 May 2010. Festival Theater op de Markt. Z33, Hasselt, Belgium. 5 - 8 August 2010. Group exhibition STRP Festival. 5MM, Strijp, Eindhoven, The Netherlands. 18 - 28 November 2010.
2009 : Christoph De Boeck
http://www.christophdeboeck.com/index.php/exhibits/2009
STUK, Leuven, Belgium. 1 - 7 October 2009.
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CREW_online - Projects
http://www.crewonline.org/art/projects
What do we mean with? Lsquo;C.a.p.e. Drop Dog’. Is a virtuality performance, created by the Brussels live-art collective CREW. Inspired by two texts of Dutch writer and poet Tonnus Oosterhoff. Lsquo;Collateral Rooms’. Is an interactive live-art. Is a staged performance created by Eric Joris and Peter Verhelst. A collaboration of CREW and NTGent. Lsquo;Tuned Senses’. For BOZAR Music Opening Night. September 19, 2015 CREW created a subtle re-enactment (creation CREW/ Christoph De Boeck. Visual art installa...
CREW_online - Projects
http://www.crewonline.org/art/projects/567
What do we mean with? Lsquo;C.a.p.e. Drop Dog’. Is a virtuality performance, created by the Brussels live-art collective CREW. Inspired by two texts of Dutch writer and poet Tonnus Oosterhoff. Lsquo;Collateral Rooms’. Is an interactive live-art. Is a staged performance created by Eric Joris and Peter Verhelst. A collaboration of CREW and NTGent. Lsquo;Tuned Senses’. For BOZAR Music Opening Night. September 19, 2015 CREW created a subtle re-enactment (creation CREW/ Christoph De Boeck. Visual art installa...
CREW_online - Projects
http://www.crewonline.org/art/projects/364
What do we mean with? Lsquo;Collateral Rooms’. Is an interactive live-art. Lsquo;C.a.p.e. Drop-Dog’. Is a virtuality performance, created by the Brussels live-art collective CREW. Inspired by two texts of Dutch writer and poet Tonnus Oosterhoff. Is a staged performance created by Eric Joris and Peter Verhelst. A collaboration of CREW and NTGent. Lsquo;Tuned Senses’. For BOZAR Music Opening Night. September 19, 2015 CREW created a subtle re-enactment (creation CREW/ Christoph De Boeck. Visual art installa...
Tallieu Art Office
http://www.artoffice.be/home
Lawrence Malstaf, Transporter 02008. From gallery to art office. With the ambition to explore new paths and to extend its activities beyond the traditional concept of an art gallery, Tallieu Art Office and Ischa Tallieu continue to build upon the experience and achievements within the context of a promotion gallery. Aernoudt Jacobs, Heliophone Aneil Karia. Save the date - Où sont le sons? At CENTRALE for Contemporary Art, Brussels (B) in co-production with Overtoon - Platform for Sound Art. 32 9 222 00 33.
PYTR 75: mei 2015
http://pytr75.blogspot.com/2015_05_01_archive.html
Zondag 31 mei 2015. Http:/ www.designerstwo.de/isolde-russ.html. Http:/ www.facebook.com/isolde.russ. Geplaatst door Pieter Van den Dorpe. Links naar dit bericht. Heiko Zahlmann sinn form. Geplaatst door Pieter Van den Dorpe. Links naar dit bericht. From Bot and Dolly. Geplaatst door Pieter Van den Dorpe. Links naar dit bericht. Woensdag 27 mei 2015. Sina Zekavat - Construction Sights. Geplaatst door Pieter Van den Dorpe. Links naar dit bericht. Jordi Huisman - Close, but not really. Donderdag 21 mei 2015.
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christophdeallemagne.wordpress.com
Christoph De Allemagne | Ungefragt Gesagt
Ähnlichkeiten zu einem anderen Storch sind rein zufällig. Das schöne am Populismus der AfD ist: er ist so dermaßen leicht zu entlarven, dass es fast weh tut. Man nehme, nur als Beispiel, diesen Post:. Https:/ www.facebook.com/plugins/post.php? Nicht nur, dass die publizierte Zahl natürlich das Worst-Case-Szenario ist. Nein, vor allem wird sich hier natürlich nur das aus den seriösen Quellen gepickt, was in die Stimmungsmache hereinpasst. Warum die AfD prinzipiell so agiert? Dieser Partei und vielen ihrer...
christophdebabalon.bandcamp.com
Music | Christoph de Babalon
Or browse results titled. 1 & (pageBandParentLabel() pageLabel() , col1: columns() = = 1, col2: columns() = = 2, col3: columns() = = 3 } ". 0 }" Other Linked Artists/Labels. Edit artists. add more artists. Please verify your email by clicking the link we sent to . Change email / Send again. The Haunting Past of Christoph de Babalon, Vol. III. The Haunting Past of Christoph de Babalon, Vol. II. The Haunting Past of Christoph de Babalon, Vol. I. A Bond With Sorrow. A World Of My Own. Switch to mobile view.
CHRISTOPH DE BABALON
A The Haunting Past of Christoph de Babalon, Vol. III by Christoph de Babalon /a. Amp;amp;amp;lt;a&amp;gt;The Haunting Past of Christoph de Babalon, Vol. II by Christoph de Babalon&amp;lt;/a&amp;gt;. Amp;amp;amp;amp;amp;lt;a&amp;amp;amp;gt;V I S C 0 1 by Christoph De Babalon / Nina&amp;amp;amp;lt;/a&amp;amp;amp;gt;. Amp;lt;a>Short Eternities by Christoph de Babalon</a>.
Christoph De Baene
May 9, 2014. May 9, 2014. By Christoph De Baene. Is a logging framework that enables structured logging. More information on how it can be used and configured can be found here. Note that for the following snippets you need Serilog 1.3. Take for example the following code snippet (taken from the sample. Where we changed the configuration to write to a json. Console.ReadKey(true); } } }. Just biting {Fruit} number {Count}". Just biting {Fruit} number {Count:0000}". I sat at {@Chair}". I sat at {Chair}".
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ChristophDecker.de | Website and Blog of Christoph Decker
Website and Blog of Christoph Decker. Silvester in den Alpen – Innsbruck, Vaduz & Zürich. March 11, 2013. Stubaier Gletscher, Silvesterabend im Stubaital und Innsbruck. Feldkirch, Werdenberg und Vaduz. Die nächste Station unserer Silvester-Tour durch die Alpenstaaten war die schöne Stadt Zürich in der Schweiz, welche mit ihren 394.000 Einwohnern etwa 389.000 Einwohner mehr hat als Vaduz – Glück für Vaduz, dass Zürich keine Hauptstadt ist, damit verlängert sich die Gültigkeit der Aussage von...Wir startet...
Christoph Declara – Pianist
Vorgestellt am 02. August 2013 bei festivo. Johannes Brahms: Scherzo op. 4, Balladen op. 10. Roland Leistner-Mayer: Sieben tapfere Klavierstücke op. 140 (Ersteinspielung). Jetzt hier bei Amazon erhältlich.
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Rückenwindfilm GmbH | Filmproduktion München | Werbefilm - Imagefilm - Corporate Film - Webclip
ES WAR NOCH NIE SO BILLIG,. EINEN SCHLECHTEN FILM ZU MACHEN. Film ist teuer. Film war teuer. Früher. Seit knapp zwei Jahrzehnten im Filmgeschäft erleben wir mit, wie sich die Technik rasend schnell verändert. Heute ist sie preiswert. Für jeden erschwinglich. Doch zum Filmemachen gehört mehr als günstige Technik. Medien ändern sich. Laufend. Abspielmöglichkeiten. Im Grunde können Filme überall, zu jeder Zeit, auf jedem Gerät angeschaut und abgerufen werden. Groß. Klein. Überdimensional. In...Die Beherrsch...