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AN ILLUSTRATED HISTORY OF THE EARLY CINEMA

OF THE EARLY CINEMA. Movies come from the country fair and circus, not from art and academicism. - Werner Herzog. CHAPTER 1: From the Magic Lantern to the Projected Motion Picture. CHAPTER 2: The First Competitors. CHAPTER 3: The Pioneer Filmmakers. CHAPTER 4: Commerce and Spectatorship at the Turn of the Century. CHAPTER 5: The Exploration of Space, Action, and Story. CHAPTER 6: Industrialization of the Cinema in France. CHAPTER 7: From Vaudeville to the Nickelodeon. WE WELCOME YOUR COMMENTS.

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AN ILLUSTRATED HISTORY OF THE EARLY CINEMA | cinemathequefroncaise.com Reviews

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OF THE EARLY CINEMA. Movies come from the country fair and circus, not from art and academicism. - Werner Herzog. CHAPTER 1: From the Magic Lantern to the Projected Motion Picture. CHAPTER 2: The First Competitors. CHAPTER 3: The Pioneer Filmmakers. CHAPTER 4: Commerce and Spectatorship at the Turn of the Century. CHAPTER 5: The Exploration of Space, Action, and Story. CHAPTER 6: Industrialization of the Cinema in France. CHAPTER 7: From Vaudeville to the Nickelodeon. WE WELCOME YOUR COMMENTS.

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AN ILLUSTRATED HISTORY OF THE EARLY CINEMA | cinemathequefroncaise.com Reviews

https://cinemathequefroncaise.com

OF THE EARLY CINEMA. Movies come from the country fair and circus, not from art and academicism. - Werner Herzog. CHAPTER 1: From the Magic Lantern to the Projected Motion Picture. CHAPTER 2: The First Competitors. CHAPTER 3: The Pioneer Filmmakers. CHAPTER 4: Commerce and Spectatorship at the Turn of the Century. CHAPTER 5: The Exploration of Space, Action, and Story. CHAPTER 6: Industrialization of the Cinema in France. CHAPTER 7: From Vaudeville to the Nickelodeon. WE WELCOME YOUR COMMENTS.

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CHAPTER 6/PART 1: INDUSTRIALIZATION OF THE CINEMA IN FRANCE

http://www.cinemathequefroncaise.com/Chapter6-1/CHAPTER_06_INDUSTRIALIZATION_IN_FRANCE_01.html

CHAPTER 6 / Part 1. INDUSTRIALIZATION OF THE CINEMA IN FRANCE. ALL THE FILMS AT THIS THEATER WERE FRENCH. N his the movies in the age of innocence. American scholar Edward Wagenknecht recalls that when he was a regular at Chicago s Family Electric Theater in the years between 1906 and 1909,. Pathé Title with Red Roosters, 1908. The first nickelodeon opened in mid-1905, and by February 1910, there were more than 10,000 such theaters in the United States. [2]. And the domestic industry was too disorganized...

2

CHAPTER 1/PART 1: FROM THE MAGIC LANTERN TO THE PROJECTED MOTION PICTURE

http://www.cinemathequefroncaise.com/Chapter1-1/CHAPTER_01_PART_01.html

CHAPTER 1 / Part 1. FROM THE MAGIC LANTERN TO THE PROJECTED MOTION PICTURE. THE ILLUSION OF MOTION IN MOTION PICTURES. F you look at the strip of film in Figure 1.1. Which occurs when an object seemingly ceases to be at point A. And reappears at point B. Without really crossing the space between the two points. Naturally, apparent. Motion is not the same thing as real. Motion, which we perceive when an object actually does move from one point to another. A related illusion is called the. Position only wh...

3

CHAPTER 6/PART 2: INDUSTRIALIZATION OF THE CINEMA IN FRANCE

http://www.cinemathequefroncaise.com/Chapter6-2/CHAPTER_06_INDUSTRIALIZATION_IN_FRANCE_02.html

CHAPTER 6 / Part 2. INDUSTRIALIZATION OF THE CINEMA IN FRANCE. LE CINÉMA DES ATTRACTIONS. S in the United States and Great Britain. The early film in France was essentially a cinema of attractions. That developed out of the entertainment fashions of an emerging popular culture. As elsewhere, for example, the French cinema of attractions reflected the variety format that characterized programs in fairgrounds, vaudeville theaters, music halls, and café-concerts. A Cinema of Short-Term Sensorial Stimulation.

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CHAPTER 5/PART 1: EXPLORING SPACE, ACTION, AND STORY

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CHAPTER 5 / Part 1. EXPLORING SPACE, ACTION, AND STORY. THE COMING OF ATTRACTIONS. Etï s return for a moment to a sequence in R.W. Paulï s. Which we discussed in. Recall our description of the point at which the car, though its path seems to be blocked by the faï ade of a building, nevertheless drives ï upï the wall in apparent defiance of the laws of gravity. We can divide this sequence into three events:. RW Paul, The (? The car approaches the wall. The car drives up the wall. Shared by the three shots.

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CHAPTER 2: THE FIRST COMPETITORS

http://www.cinemathequefroncaise.com/Chapter2-1/CHAPTER_02_SOURCE_01.html

CHAPTER 2 / Part 1. THE ONSET OF COMMERCE. Ollowing the successful premiere of the vitascope in April 1896. Raff and Gammon s Vitascope Company. As sales agent for the Edison Manufacturing Company, set about the task of marketing the new product. When the machine is started by the operator, claimed the firm s prospectus,. Vitascope Flyer, 1896. For promoters exhibitors as well as the Vitascope Company and other agents the watchword was realism. The Standardization of Stock and Gauge. Unexposed film softe...

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AN ILLUSTRATED HISTORY OF THE EARLY CINEMA

OF THE EARLY CINEMA. Movies come from the country fair and circus, not from art and academicism. - Werner Herzog. CHAPTER 1: From the Magic Lantern to the Projected Motion Picture. CHAPTER 2: The First Competitors. CHAPTER 3: The Pioneer Filmmakers. CHAPTER 4: Commerce and Spectatorship at the Turn of the Century. CHAPTER 5: The Exploration of Space, Action, and Story. CHAPTER 6: Industrialization of the Cinema in France. CHAPTER 7: From Vaudeville to the Nickelodeon. WE WELCOME YOUR COMMENTS.

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