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cléo | a journal of film and feminism | © cléo 2014-2015

cléo is a journal of film and film culture, informed by feminist perspectives.

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cléo | a journal of film and feminism | © cléo 2014-2015 | cleojournal.com Reviews
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cléo | a journal of film and feminism | © cléo 2014-2015 | cleojournal.com Reviews

https://cleojournal.com

cléo is a journal of film and film culture, informed by feminist perspectives.

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masthead | cléo | a journal of film and feminism

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Cléo a journal of film and feminism. Esther R. Berry. Anne T. Donahue. Monica Bodirsky (vol. 1, issue 1). Vol 2, issue 2). Vol 3, issue 1). Vol 3, issue 2). Vol 2, issue 1). Vol 3, issue 3; vol. 4, issue 1). Is published three times a year in Toronto, Ontario by. To contact the publisher please email: kiva.reardon@gmail.com. Vol 1, issue 1: flesh. Vol 1, issue 2: home. Vol 1, issue 3: doom. Vol 2, issue 1: crave. Vol 2, issue 2: labour. Vol 2, issue 3: party! Vol 3, issue 1: boob tube.

2

vol. 2, issue 3: party! | cléo | a journal of film and feminism

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Cléo a journal of film and feminism. Vol 2, issue 3: party! Vol 2, issue 3: party! Editor’s Note: Party! December 3, 2014. The short answer is: yes, of course. No one but a Men’s Rights troll on Reddit would … Continue reading ». Vol 2, issue 3: party! Sharing something closer to paradise : An Interview with Sally Potter. December 3, 2014. By: Tim Hayes Sally Potter arrived at filmmaking after a full decade spent working as a dancer, musician, and choreographer; … Continue reading ». December 3, 2014.

3

archives | cléo | a journal of film and feminism

http://cleojournal.com/archive

Cléo a journal of film and feminism. Vol 1, issue 1: flesh. Vol 1, issue 2: home. Vol 1, issue 3: doom. Vol 2, issue 1: crave. Vol 2, issue 2: labour. Vol 2, issue 3: party! Vol 3, issue 1: boob tube. Vol 3, issue 2: camp. Vol 3, issue 3: grace. Vol 1, issue 1: flesh. Vol 1, issue 2: home. Vol 1, issue 3: doom. Vol 2, issue 1: crave. Vol 2, issue 2: labour. Vol 2, issue 3: party! Vol 3, issue 1: boob tube. Vol 3, issue 2: camp. Vol 3, issue 3: grace. Vol 4, issue 1: risk. Vol 4, issue 2: LOL!

4

vol. 2, issue 2: labour | cléo | a journal of film and feminism

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Cléo a journal of film and feminism. Vol 2, issue 2: labour. Vol 2, issue 2: labour. Editor’s Note: Labour. August 21, 2014. A few weeks back, I got into an argument about Marxism. Sitting on a park bench and enjoying the first … Continue reading ». Vol 2, issue 2: labour. Heavy Metal: Clio Barnard on Junkyards, Heroes, and Fairytales in The Selfish Giant. August 21, 2014. Vol 2, issue 2: labour. Voice(s) of the People: An Interview with Alanis Obomsawin. August 21, 2014. Vol 2, issue 2: labour. By: Adam...

5

submissions | cléo | a journal of film and feminism

http://cleojournal.com/submissions

Cléo a journal of film and feminism. Welcomes submissions three times a year, based on themes outlined in calls for pitches. We look for original and innovative 1500-2000 word pieces on film–new and old–with a feminist slant or focus. All abstracts and articles are reviewed by. 8216;s editorial board. Vol 4, issue: 2:. Deadline for pitches: may 10, 2016. Vol 4, issue 1:. Deadline for pitches: december 17, 2015. Vol 3, issue 3:. Deadline for pitches: september 23, 2015. Vol 3, issue 2:. Vol 3, issue 1:.

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Landscape Suicide: Realism(s) #53

http://landscapesuicide.blogspot.com/2015/07/realisms-53.html

Children on Fire Escape. Weegee (Arthur Fellig), 1938, gelatin silver print. 17 July 2015 at 00:28. Subscribe to: Post Comments (Atom). On newer posts, click images. Image credits that are not. Directly linked in a post appear. In the first comment below it. Words, Images, Comrades. Alexis Tioseco [R.I.P.]. Making Light of It. O signo do dragão. RWK: Vinyl is Heavy. The Great Leap Sideways.

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Landscape Suicide: 08.15

http://landscapesuicide.blogspot.com/2015_08_01_archive.html

Next month at BFI Southbank: a complete Hou Hsiao-hsien retrospective. Highlights that are otherwise completely unavailable on watchable video copies: Edward Yang's Taipei Story. Daughter of the Nile. Also: Flowers of Shanghai. In a new 35mm print that I've been warned is not quite optimal), Good Men, Good Women. Also worth noting: Horse Money. Screens in London, Manchester and across from the UK from 18th September. Thanks to Second Run. Elsewhere: a Lav Diaz retrospective in Brussels. Too late for this...

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LE DEUXIÈME REGARD | KIVA REARDON

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LE 2ÈME REGARD PRÉSENTE. LE 2ÈME REGARD PRÉSENTE. Directrice du magazine en ligne. A journal of film and feminism , publication pointue basée à Toronto, qui mêle pop culture, critique de cinéma et féminisme. Propos recueillis par Clémentine Gallot. Dans quelles conditions s’est élaboré le magazine? Elles ont toute répondu par l’affirmative et éditent la revue avec moi. Depuis, nous avons des contributeurs du monde entier, c’est l’avantage d’une plateforme en ligne. HBO a lancé un labo d’écriture po...

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Toronto Film Review: March 2015

http://torontofilmreview.blogspot.com/2015_03_01_archive.html

Toronto Film Listings, Reviews and Criticism. Friday, March 27, 2015. The Legacy of Iannis Katsahnias and The Batman Review. By the end of the Eighties Cahiers. Was becoming a different place then it was at the beginning of the decade. It was evolving, and this was a good thing, and there were new critics that were starting to impose themselves and there were new directors that were starting their careers and whose films needed to be contemplated and discussed. Of June 1999 (N.536),. To write at Cahiers.

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Toronto Film Review: A Must-See: Diamond Tongues

http://torontofilmreview.blogspot.com/2015/08/a-must-see-diamond-tongues.html

Toronto Film Listings, Reviews and Criticism. Tuesday, August 11, 2015. A Must-See: Diamond Tongues. How's Pavan Moondi and Brian Robertson's Diamond Tongues. It's a lot more polished than their previous film Everyday Is Like Sunday. Similar to Matt Johnson's Nirvana The Band. It's about the struggle for an artistic breakthrough in a city that's not always welcoming. (Johnson, whose upcoming Operation Avalanche. Calum Marsh has compared Diamond Tongues. And Nathan Silver's Soft in the Head. The film show...

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Toronto Film Review: September 2014

http://torontofilmreview.blogspot.com/2014_09_01_archive.html

Toronto Film Listings, Reviews and Criticism. Monday, September 29, 2014. Jean-Luc Godard on The Man Who Knew Too Much. It’s on Ed’s blog Les Cahiers-Positifs. That I discovered Godard also reviewed Hitchcock’s The Man Who Knew Too Much. 1956) I thought he only reviewed Strangers on a Train. And The Wrong Man. By Hitch. I guess, I was wrong. It happens. Anyways, on the cover of the November 1956 issue of Cahiers. N64) there is a still of Joshua Logan’s Bus Stop. Describes Hitchcock as the “greatest...

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Toronto Film Review: June 2015

http://torontofilmreview.blogspot.com/2015_06_01_archive.html

Toronto Film Listings, Reviews and Criticism. Monday, June 29, 2015. Saturday, June 6, 2015. Upcoming Vallée : Shooting Stars Extinguishing. Jean-Marc Vallée’s upcoming films are Demolition. Was supposed to have been made right after Dallas Buyers Club. Something was liberated in his cinema. After the oppressive and claustrophobic heat of Texas in Dallas Buyers Club,. The open-air natural landscapes of California and Oregon liberated something in his cinema. Just like Fantastic Mr. Fox. Is what it means ...

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Toronto Film Review: April 2015

http://torontofilmreview.blogspot.com/2015_04_01_archive.html

Toronto Film Listings, Reviews and Criticism. Thursday, April 30, 2015. My friend Joyce Kim took this picture when we were shooting Putty Hill back in 2009. Looking at it now, I can't help but see a gesture symbolic of what many citizens of Baltimore (myself included) are feeling right now. If it's not clear enough, I'll volunteer a caption: FUCK YOU, WE'RE ANGRY." - Matt Porterfield. Wednesday, April 29, 2015. Canadian Cinema : Summer 2015. Where these films are discussed and the directors interviewed&#...

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Landscape Suicide: 04.15

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17, Rapallo, 2009. Andrea Botto, from the series KA-BOOM. The Explosion of Landscape. A golf course in the Sun City Palm Desert gated community sits by barren land, about 10 miles east of Palm Springs. Damon Winter, 2015. Subscribe to: Posts (Atom). On newer posts, click images. Image credits that are not. Directly linked in a post appear. In the first comment below it. Words, Images, Comrades. Alexis Tioseco [R.I.P.]. Making Light of It. O signo do dragão. RWK: Vinyl is Heavy. The Great Leap Sideways.

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Landscape Suicide: 07.15

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Toronto) - Charlie Lindsay, 2014. Children on Fire Escape. Weegee (Arthur Fellig), 1938, gelatin silver print. Subscribe to: Posts (Atom). On newer posts, click images. Image credits that are not. Directly linked in a post appear. In the first comment below it. Words, Images, Comrades. Alexis Tioseco [R.I.P.]. Making Light of It. O signo do dragão. RWK: Vinyl is Heavy. The Great Leap Sideways.

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cléo | a journal of film and feminism | © cléo 2014-2015

Vol 1, issue 1: flesh. Vol 1, issue 2: home. Vol 1, issue 3: doom. Vol 2, issue 1: crave. Vol 2, issue 2: labour. Vol 2, issue 3: party! Vol 3, issue 1: boob tube.

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