collectivegap.info

THE COLLECTIVE GAP – EXAMINING THE EXHIBITION SPACE COLLECTIVELY

The Collective Gap is a project website for exhibitions, writing, and research associated with Lynnette Miranda’s 18-month Curatorial Residency at Charlotte Street Foundation in Kansas City, MO. The site primarily functions as a digital exhibition catalog for each show, publishing new commissioned writings and interviews by emerging and established arts writers from around the country. It also featureS Miranda’s research and writings on the exhibition space as pedagogical tool and platform.

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THE COLLECTIVE GAP – EXAMINING THE EXHIBITION SPACE COLLECTIVELY | collectivegap.info Reviews

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The Collective Gap is a project website for exhibitions, writing, and research associated with Lynnette Miranda’s 18-month Curatorial Residency at Charlotte Street Foundation in Kansas City, MO. The site primarily functions as a digital exhibition catalog for each show, publishing new commissioned writings and interviews by emerging and established arts writers from around the country. It also featureS Miranda’s research and writings on the exhibition space as pedagogical tool and platform.

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THE COLLECTIVE GAP – EXAMINING THE EXHIBITION SPACE COLLECTIVELY | collectivegap.info Reviews

https://collectivegap.info

The Collective Gap is a project website for exhibitions, writing, and research associated with Lynnette Miranda’s 18-month Curatorial Residency at Charlotte Street Foundation in Kansas City, MO. The site primarily functions as a digital exhibition catalog for each show, publishing new commissioned writings and interviews by emerging and established arts writers from around the country. It also featureS Miranda’s research and writings on the exhibition space as pedagogical tool and platform.

INTERNAL PAGES

collectivegap.info

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Don’t Tread on Us: Disrupting Symbols of Cultural Assimilation – THE COLLECTIVE GAP

http://collectivegap.info/bordallo-dont-tread-on-us

EXAMINING THE EXHIBITION SPACE COLLECTIVELY. Qué Pasa, USA? Don’t Tread on Us: Disrupting Symbols of Cultural Assimilation. November 23, 2016. Patricia Bordallo Dibildox reflects on the works of Dominique Carella, Maya Grace Misra, and Enzo Antonio Moscarella, artists who use satire to identify and subvert the symbols and language that construct cultural identity. Forever (United We Stand). Revised Flag #4 (Francisco Franklin),. Qué Pasa, USA? DON’T TREAD ON ME. That Awkward Moment When. Patricia Bordall...

2

Loose Threads: Weaving Latinx Narratives of Hybridity and Multiplicity – THE COLLECTIVE GAP

http://collectivegap.info/tatum-loose-threads

EXAMINING THE EXHIBITION SPACE COLLECTIVELY. Qué Pasa, USA? Loose Threads: Weaving Latinx Narratives of Hybridity and Multiplicity. November 23, 2016. Charlie Tatum examines the work of Melissa Leandro and Victoria Martinez, who dissect and piece together material culture and imagery from their respective. Cultures to commemorate the histories and cultures that inform their identity. En el camino Prague. 2016) on view in. Qué Pasa, USA? Collection No. 1. Qué Pasa, USA? For her 2012 exhibition. This circu...

3

Damali Abrams Shares Self-Healing Strategies as a Radical Act of Resistance – THE COLLECTIVE GAP

http://collectivegap.info/damali-abrams-self-healing-as-radical-act

EXAMINING THE EXHIBITION SPACE COLLECTIVELY. Qué Pasa, USA? Damali Abrams Shares Self-Healing Strategies as a Radical Act of Resistance. January 6, 2017. That Old Black Magic (Happiness Spell #1). HOPE-LIAN VINSON: In the oversaturation of violent media depicting police shootings, what has been your process in promoting self-healing as a response to social ills in your artistic practice? In addition to offering healing remedies through GlitterPriestess.com. I see my work as a contribution to those contem...

4

Making Space for Magic: Joy As a Vehicle for Survival – THE COLLECTIVE GAP

http://collectivegap.info/stepter-making-space-for-magic

EXAMINING THE EXHIBITION SPACE COLLECTIVELY. Qué Pasa, USA? Making Space for Magic: Joy As a Vehicle for Survival. November 23, 2016. Anthony D. Stepter. Anthony D. Stepter shares the work of Damali Abrams and Jacquelyn Carmen Guerrero, whose practices revolve around creating spaces of celebration and healing through the influence of Afro-Caribbean culture. Joy Happiness. Energy. Healing. Connecting. Casting. Some very common words have relatively fluid definitions despite their popularity. Qué Pasa, USA?

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¿Qué Pasa, USA? – THE COLLECTIVE GAP

http://collectivegap.info/quepasa

EXAMINING THE EXHIBITION SPACE COLLECTIVELY. Qué Pasa, USA? This slideshow requires JavaScript. OPENING RECEPTION: NOVEMBER 18, 2016, 6 9 PM. Taking its title from the late 1970s bilingual sitcom of the same name,. Qué Pasa, USA? Silvia Beatriz Abisaab,. Kansas City, MO. Damali Abrams the Glitter Priestess,. New York, NY. Bay Area, CA. Jacquelyn Carmen Guerrero,. Maya Grace Misra,. New York, NY. Enzo Antonio Moscarella,. New York, NY. Kansas City, MO. San Francisco, CA. Derek Macario, San Francisco, CA.

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