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kjuarez2 | What's Old is New
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What's Old is New. April 29, 2014. 8900: Visual Communication Pedagogy. April 29, 2014. 8900: Visual Pragmatism in a Virtual World. April 25, 2014. The Mental Image as Place. April 11, 2014. Liquid blackness symposium starts this evening (lineup after the jump)! April 3, 2014. I really enjoyed the interactive, multimodal capabilities that Kairos. Encourages of viewers and demands of writers. Looking specifically at. Polymorphous Perversity and Texts. March 25, 2014. 8900: Bodies as Form. March 4, 2014.
8900: Bodies as Form | What's Old is New
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What's Old is New. March 25, 2014. 8900: Bodies as Form. More to come. In the mean time, this “advertisement” first came to mind. “Kissing Doesnt Kill” speaks the ad language, particularly the Benetton ads that were popular at the time. If these bodies are read as form, its possible that beyond one’s politics, fears, or prejudices, human bodies are have equal borders, shapes, and perform the same gestures (in this case, kissing). And how does it produce or fail to produce the uncanny? Is a jumble of the ...
April | 2014 | What's Old is New
https://kdjuarez.wordpress.com/2014/04
What's Old is New. Monthly Archives: April 2014. April 29, 2014. 8900: Visual Communication Pedagogy. April 29, 2014. 8900: Visual Pragmatism in a Virtual World. April 25, 2014. The Mental Image as Place. April 11, 2014. Liquid blackness symposium starts this evening (lineup after the jump)! April 3, 2014. I really enjoyed the interactive, multimodal capabilities that Kairos. Encourages of viewers and demands of writers. Looking specifically at. Polymorphous Perversity and Texts. The Mental Image as Place.
On Looking | What's Old is New
https://kdjuarez.wordpress.com/on-seeing
What's Old is New. Kanye West x Steve McQueen interview for. Photos by Steven Klein. There’s a very interesting photo album accompanying Steve McQueen’s interview with Kanye West. Jerry Saltz calls Kanye’s pastiche the “ The New Uncanny.”. On the right the image touches on the the spectacle, its fabrication, and nod to both Kehinde Wiley. Left to Right. Kehinde Wiley, A. Fter Jean August Dominique Ingres’ The Virgin with the Host. Black Light series, photograph, 2009. Marilyn Minter,. Liquid blackness sy...
8900 Reading: In the Age of Mecha- nical Reproduction | What's Old is New
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What's Old is New. February 12, 2014. 8900 Reading: In the Age of Mecha- nical Reproduction. Or does it refer to the person or object being captured and their aura? Somehow I think this has something to do with the time-image and the movement-image, or maybe even the meta-picture. Through Glen Ligon’s self portraits, I think it becomes possible to see the tension that Benjamin describes between the obsolescence of locating the “original” photograph. This entry was posted in Reading. Notify me of new comm...
On Watching | What's Old is New
https://kdjuarez.wordpress.com/on-watching
What's Old is New. More Mediation: interfacing the screen. I first watched Joan Jonas’ live streamed performance at the Tate. Space, Time, Play: Computer Games, Architecture, and Urbanism: The Next Level. Edited by Friedrich von Borries, Steffen P Walz, and Matthias Boltger. Studio Charl Landvreugd,. 8216; at TENT Rotterdam in the exhibition Dark Matters. Tony Martin, Proximity Switched Installation, 2012. Courtesy of Ab-sens Press. Mediated viewership in Wong Kar Wai’s. Wong Kar Wai’s film. The recurrin...
What's Old is New | Thinking through visual rhetoric, film theory, media historiagraphy, & contemporary art | Page 2
https://kdjuarez.wordpress.com/page/2
What's Old is New. February 27, 2014. 8900: where wonder occurs because thinking or curiosity is enabled, but not easily satisfied or quieted - Philip Fisher. February 27, 2014. 8900: On Techne and Wonder. February 16, 2014. Watching: Interfacing the screen. February 12, 2014. 8900 Reading: In the Age of Mecha- nical Reproduction. January 28, 2014. 8900: Thoughts on watching Berger’s Way of Seeing. January 28, 2014. 8900 Thoughts on Reading 1.30. January 26, 2014. Deleuze and the ‘Time-Image’.
8900: On Techne and Wonder | What's Old is New
https://kdjuarez.wordpress.com/2014/02/27/8900-on-techne-and-wonder/comment-page-1
What's Old is New. February 27, 2014. 8900: On Techne and Wonder. This has changed over the years, where I have realized the power and the elusiveness of work that can perform concept and beauty indistinguishably and inextricably. It’s why I keep being drawn to work that challenges the concept of perception, but in ways that are enigmatic and not easily knowable. Tacita Dean’s film. For Shadow Puppets exhibition curated by Stephanie Dowda and Jill Frank at GSU galleries. The “mixed” seems to ...Though un...
8900: Visual Communication Pedagogy | What's Old is New
https://kdjuarez.wordpress.com/2014/04/29/visual-communication-pedagogy
What's Old is New. April 29, 2014. 8900: Visual Communication Pedagogy. I also agree that visual communication should be integrated into pedagogical innovation, but also feel that it should be integrated with the help of graphic designers, artists, advertisers, web designers and others who are pushing innovative communication techniques or interfaces, in order for students to have a nuanced understanding of media. This entry was posted in Reading. 8900: Visual Pragmatism in a Virtual World.
February | 2014 | What's Old is New
https://kdjuarez.wordpress.com/2014/02
What's Old is New. Monthly Archives: February 2014. February 27, 2014. 8900: where wonder occurs because thinking or curiosity is enabled, but not easily satisfied or quieted - Philip Fisher. February 27, 2014. 8900: On Techne and Wonder. February 16, 2014. Watching: Interfacing the screen. February 12, 2014. 8900 Reading: In the Age of Mecha- nical Reproduction. 8900: Visual Communication Pedagogy. 8900: Visual Pragmatism in a Virtual World. The Mental Image as Place. On 8900: Bodies as Form.
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commodiously in a sentence | simple examples
In A Sentence .org. The best little site that helps you understand word usage with examples. Commodiously in a sentence. Apartment buildings and individual apartments must be commodiously planned with well-designed kitchens and baths, soundproofed walls and floors, ample daylighting, reliable elevators, well-appointed public spaces and attractive landscaping. For my own part, however, I cannot but wonder, since he had divined and predicted that heterogeneous matter could be discharged by the course he in...
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