contemporaryandneedlelace.blogspot.com

contemporary and needlelace

Monday, 7 September 2009. Bedfordshire lace collar, inspired by autumn leaves in a local arboretum. This was worked for my City and Guilds Diploma, and used threads which I hand dyed before using in the lace. Each leaf is a different colour to its neighbour, representing the fallen leaves in autumn. The design is asymmetrical, reflecting on the random nature of the leaves. Friday, 14 August 2009. Magnolia flowers, worked in bobbin lace and kumihimo techniques with wire. Subscribe to: Posts (Atom).

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contemporary and needlelace | contemporaryandneedlelace.blogspot.com Reviews

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Monday, 7 September 2009. Bedfordshire lace collar, inspired by autumn leaves in a local arboretum. This was worked for my City and Guilds Diploma, and used threads which I hand dyed before using in the lace. Each leaf is a different colour to its neighbour, representing the fallen leaves in autumn. The design is asymmetrical, reflecting on the random nature of the leaves. Friday, 14 August 2009. Magnolia flowers, worked in bobbin lace and kumihimo techniques with wire. Subscribe to: Posts (Atom).

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1 contemporary and needlelace

2 posted by

3 louise west

4 no comments

5 laser cut design

6 bedfordshire lace

7 bucks point lace

8 back to list

9 older posts

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contemporary and needlelace | contemporaryandneedlelace.blogspot.com Reviews

https://contemporaryandneedlelace.blogspot.com

Monday, 7 September 2009. Bedfordshire lace collar, inspired by autumn leaves in a local arboretum. This was worked for my City and Guilds Diploma, and used threads which I hand dyed before using in the lace. Each leaf is a different colour to its neighbour, representing the fallen leaves in autumn. The design is asymmetrical, reflecting on the random nature of the leaves. Friday, 14 August 2009. Magnolia flowers, worked in bobbin lace and kumihimo techniques with wire. Subscribe to: Posts (Atom).

INTERNAL PAGES

contemporaryandneedlelace.blogspot.com

1

contemporary and needlelace

http://contemporaryandneedlelace.blogspot.com/2009/08/gros-point-techniques-used-for.html

Friday, 14 August 2009. Gros Point techniques used for contemporary leaf and fungi corsage. Subscribe to: Post Comments (Atom). Magnolia flowers, worked in bobbin lace and kumi. Carrickmacross needlelace techniques used for con. Bobbin lace worked in hand dyed linen, stiffened . Gros Point techniques used for contemporary leaf. Experimental needlelace and mixed lace technique. Silk blouse with needlelace to neckline, inspired. Tray cloth with lace insert. Design inspired by . View my complete profile.

2

contemporary and needlelace

http://contemporaryandneedlelace.blogspot.com/2009/09/bedfordshire-lace-collar-inspired-by.html

Monday, 7 September 2009. Bedfordshire lace collar, inspired by autumn leaves in a local arboretum. This was worked for my City and Guilds Diploma, and used threads which I hand dyed before using in the lace. Each leaf is a different colour to its neighbour, representing the fallen leaves in autumn. The design is asymmetrical, reflecting on the random nature of the leaves. Subscribe to: Post Comments (Atom). Bedfordshire lace collar, ins. View my complete profile.

3

contemporary and needlelace: August 2009

http://contemporaryandneedlelace.blogspot.com/2009_08_01_archive.html

Friday, 14 August 2009. Magnolia flowers, worked in bobbin lace and kumihimo techniques with wire. Carrickmacross needlelace techniques used for contemporary screen. Bobbin lace worked in hand dyed linen, stiffened to form 3D brooch. Gros Point techniques used for contemporary leaf and fungi corsage. Experimental needlelace and mixed lace techniques. Silk blouse with needlelace to neckline, inspired by Charles Rennie Macintosh. Tray cloth with lace insert. Design inspired by Charles Rennie Macintosh.

4

contemporary and needlelace

http://contemporaryandneedlelace.blogspot.com/2009/08/experimental-needlelace-and-mixed-lace.html

Friday, 14 August 2009. Experimental needlelace and mixed lace techniques. Subscribe to: Post Comments (Atom). Magnolia flowers, worked in bobbin lace and kumi. Carrickmacross needlelace techniques used for con. Bobbin lace worked in hand dyed linen, stiffened . Gros Point techniques used for contemporary leaf. Experimental needlelace and mixed lace technique. Silk blouse with needlelace to neckline, inspired. Tray cloth with lace insert. Design inspired by . View my complete profile.

5

contemporary and needlelace

http://contemporaryandneedlelace.blogspot.com/2009/08/carrickmacross-needlelace-techniques.html

Friday, 14 August 2009. Carrickmacross needlelace techniques used for contemporary screen. Subscribe to: Post Comments (Atom). Magnolia flowers, worked in bobbin lace and kumi. Carrickmacross needlelace techniques used for con. Bobbin lace worked in hand dyed linen, stiffened . Gros Point techniques used for contemporary leaf. Experimental needlelace and mixed lace technique. Silk blouse with needlelace to neckline, inspired. Tray cloth with lace insert. Design inspired by . View my complete profile.

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buckspointlace.blogspot.com

Buckinghamshire Point Ground Lace

http://buckspointlace.blogspot.com/2009/08/bucks-point-handkerchief-fuchsia-motif.html

Buckinghamshire Point Ground Lace. Friday, 14 August 2009. This was my second fan designed from the fan sticks. Fan sticks by Matthew Hester. Contemporary and needlelace pieces. Subscribe to: Post Comments (Atom). Bucks point fan, designed from the fan sticks flo. Bucks Point Christmas Tree This started off as a . Bucks point handkerchief Fuchsia motif. View my complete profile.

buckspointlace.blogspot.com

Buckinghamshire Point Ground Lace: August 2009

http://buckspointlace.blogspot.com/2009_08_01_archive.html

Buckinghamshire Point Ground Lace. Friday, 14 August 2009. Bucks point fan, designed from the fan sticks flowers. Fan sticks by Matthew Hester. Bucks Point Christmas Tree. This started off as a challenge.make two and join them after stiffening, to form three dimensional tree, as Bedfordshire one. This was my second fan designed from the fan sticks. Fan sticks by Matthew Hester. Contemporary and needlelace pieces. Subscribe to: Posts (Atom). Bucks point fan, designed from the fan sticks flo.

louisewestweavedesign.blogspot.com

Louise West Weave Design: Bobbin Lace

http://louisewestweavedesign.blogspot.com/2009/08/bobbin-lace.html

Louise West Weave Design. Friday, 14 August 2009. Gallery of Bedfordshire lace. Buckinghamshire Point Ground Lace. Subscribe to: Post Comments (Atom). View my complete profile.

louisewestlacedesign.blogspot.com

louisewestlacedesign: August 2009

http://louisewestlacedesign.blogspot.com/2009_08_01_archive.html

Friday, 14 August 2009. Two pieces of flat lace made, stiffened and joined at right angles to form 3D piece of lace. Own design with inspiration taken from Pilkington glass. Small Bedfordshire pieces, showing range of techniques. Buckinghamshire Point Ground lace. Pattern from Northamptonshire Museum pattern book. Subscribe to: Posts (Atom). Bedfordshire Christmas tree Two pieces of flat la. Handkerchief edging. Own design with inspiration . Small Bedfordshire pieces, showing range of tec.

louisewestweavedesign.blogspot.com

Louise West Weave Design: August 2009

http://louisewestweavedesign.blogspot.com/2009_08_01_archive.html

Louise West Weave Design. Friday, 14 August 2009. Gallery of Bedfordshire lace. Buckinghamshire Point Ground Lace. Subscribe to: Posts (Atom). View my complete profile.

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contemporaryandneedlelace.blogspot.com

contemporary and needlelace

Monday, 7 September 2009. Bedfordshire lace collar, inspired by autumn leaves in a local arboretum. This was worked for my City and Guilds Diploma, and used threads which I hand dyed before using in the lace. Each leaf is a different colour to its neighbour, representing the fallen leaves in autumn. The design is asymmetrical, reflecting on the random nature of the leaves. Friday, 14 August 2009. Magnolia flowers, worked in bobbin lace and kumihimo techniques with wire. Subscribe to: Posts (Atom).

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Out with the New and in with the Old. Skip to primary content. Skip to secondary content. As a dealer, do we buy what we like or what we think other people will like? Do i continue to specialise or do i try to buy for the masses? And within that question….do i buy what is fashionable at this time or do i continue mainly buying what i like or what i can appreciate? So to help me in my cause i have been taking a closer look at stock within antique centres, shops and even flea markets. My initial conclu...