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contrachoreography | Contra dance and contra choreography

Contra dance and contra choreography

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contrachoreography | Contra dance and contra choreography | contrachoreography.wordpress.com Reviews

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Contra dance and contra choreography

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contrachoreography | Contra dance and contra choreography | Page 2

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Contra dance and contra choreography. Basics: Crossing the Set. May 9, 2013. This is how you get from a neighbor swing to a partner swing, and back again. This is also a quick and dirty way to check choreography, to make sure things progress correctly and everyone keeps their partner. To get to the other pairing, say to transition from a neighbor swing to a partner swing, one gender needs to cross the set. For instance, take the original version of Marian’s Delight. And with the crossings labelled:.

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Basics: Interference | contrachoreography

https://contrachoreography.wordpress.com/2013/05/07/basics-interference

Contra dance and contra choreography. May 7, 2013. I’m planning on sometimes getting technical on this blog, using concepts and words that some readers may not have encountered. Or I may have made them up out of thin air. I’m putting up short posts to link to, rather than explaining them for every post. 8220;Interference” is a very useful term that I learned from Bob Isaacs. It means having the same move appear in multiple different contexts. Sequential repetitions of the same figure (like petronella tur...

3

About | contrachoreography

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Contra dance and contra choreography. This is an example of a page. Unlike posts, which are displayed on your blog’s front page in the order they’re published, pages are better suited for more timeless content that you want to be easily accessible, like your About or Contact information. Click the Edit link to make changes to this page or add another page. See also my webpage, http:/ chrispagecontra.awardspace.us/index.htm. Leave a Reply Cancel reply. Enter your comment here. Address never made public).

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Double dances | contrachoreography

https://contrachoreography.wordpress.com/2013/05/09/double-dances

Contra dance and contra choreography. May 9, 2013. Repeated dances fascinate me. These are two almost-identical half dance fragments duct-taped together, with only the slightest variant between them to progress. Canonical examples are “ Hay in the Barn. 8221; and “ Midwest Folklore. 8221; They all take the form of:. A1/A2: Set of figures, swing one person B1/B2: Same set of figures, swing the other person. Men wind up on original side, women. 8220; Midwest Folklore. Women wind up on original side, men.

5

The twenty-four duple minor formations | contrachoreography

https://contrachoreography.wordpress.com/2013/11/06/the-twenty-four-duple-minor-formations

Contra dance and contra choreography. November 6, 2013. The twenty-four duple minor formations. The most common contra formation is the hands-four. There’s plenty of them — “improper,” “proper,” “reverse progression indecent Becket”. This essay is an attempt to catalog them all, and how to get from one to another. See also Larry Jennings’ sawtooth formation. Facing/orientation of dancers is irrelevant for this discussion. 8220;First diagonals” refer to first corner positions. 8212; when facing across, th...

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Notes on Choreography for Duple Minor Improper Contra Dances 2012 by Cary Ravitz

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For Duple Minor Improper Contra Dances. Last modified 1:02 AM, 21 Feb 2016 - File size 84K - Count 26117. Ravitz at ravitz.us (replace at with @). Partners, Neighbors, and Shadows. The Structure of a Dance. Black Boxes, Inside and Out (2-2015). New or Unusual Figures and Transitions. What Makes a Dance Good. My Rules of Choreography (rev 2013). An Evening of Dances. Proper and Cross Contra Formations (2013). More on Formations - Reverse Progression, . (2014). Partners, Neighbors, and Shadows. Your partne...

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contrachoreography | Contra dance and contra choreography

Contra dance and contra choreography. August 21, 2014. My latest contra hypothesis:. A dancer at rest wants to remain at rest until acted upon by an external dancer. Consider the following fragment after a partner swing:. B2 Men allemande left 1 and 1/2 Hands-across star left 1. It’s got nice flow, simple moves, and low piece count. So in theory it should work great. Now consider this, also after a partner swing:. B2 Men allemande left 1 and 1/2 Neighbor swing. Men allemande left, partner allemande right.

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