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Thursday, March 31, 2011. The Politics of Recognition. This week we read Charles Taylor’s The Politics of Recognition. Taylor argues that the demand for recognition stems from a new understanding of identity first articulated in the 18. Can a gallery create an exhibition that showcases various cultures without embedded value judgments and biases? Thursday, March 24, 2011. Woman’s tubular cloth. Ivory Coast; Dida peoples. Collection of Barbara and Bill McCann. This week we discussed the ways that textiles...

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Conversation Pieces | conversationpiecescuag.blogspot.com Reviews

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Thursday, March 31, 2011. The Politics of Recognition. This week we read Charles Taylor’s The Politics of Recognition. Taylor argues that the demand for recognition stems from a new understanding of identity first articulated in the 18. Can a gallery create an exhibition that showcases various cultures without embedded value judgments and biases? Thursday, March 24, 2011. Woman’s tubular cloth. Ivory Coast; Dida peoples. Collection of Barbara and Bill McCann. This week we discussed the ways that textiles...

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Conversation Pieces | conversationpiecescuag.blogspot.com Reviews

https://conversationpiecescuag.blogspot.com

Thursday, March 31, 2011. The Politics of Recognition. This week we read Charles Taylor’s The Politics of Recognition. Taylor argues that the demand for recognition stems from a new understanding of identity first articulated in the 18. Can a gallery create an exhibition that showcases various cultures without embedded value judgments and biases? Thursday, March 24, 2011. Woman’s tubular cloth. Ivory Coast; Dida peoples. Collection of Barbara and Bill McCann. This week we discussed the ways that textiles...

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conversationpiecescuag.blogspot.com

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Conversation Pieces: The Politics of Recognition

http://conversationpiecescuag.blogspot.com/2011/03/politics-of-recognition.html

Thursday, March 31, 2011. The Politics of Recognition. This week we read Charles Taylor’s The Politics of Recognition. Taylor argues that the demand for recognition stems from a new understanding of identity first articulated in the 18. Can a gallery create an exhibition that showcases various cultures without embedded value judgments and biases? Subscribe to: Post Comments (Atom). The Politics of Recognition. Interview with Barbara McCann. Join us for the Ottawa premiere of Fold Crumple C.

2

Conversation Pieces: About Us

http://conversationpiecescuag.blogspot.com/p/about-us.html

Welcome to our blog! We are the students of Curating African Textiles, a fourth year seminar at Carleton University, taught by Conversation Pieces. Curator Catherine Hale. Conversation Pieces: African Textiles from Barbara and Bill McCann’s Collection. Will be on display at the Carleton University Art Gallery (CUAG) from 14 February to 17 April 2011. We look forward to hearing your thoughts, questions, and comments! Subscribe to: Posts (Atom). The Politics of Recognition. Interview with Barbara McCann.

3

Conversation Pieces: Interview with Barbara McCann

http://conversationpiecescuag.blogspot.com/2011/03/interview-with-barbara-mccann.html

Tuesday, March 15, 2011. Interview with Barbara McCann. This past week we had the opportunity to interview Barbara McCann, whose textile collection is featured in the. Exhibition. We are happy to share her responses with you here. Q: What was your motivation for starting this collection? Meeting Jean and later, ethnographers at the British Museum, was really the beginning of my collecting. Q: What was your selection criteria? Did you look for specific textiles? Q: Do you continue to collect? There are st...

4

Conversation Pieces: Symbols and Proverbs

http://conversationpiecescuag.blogspot.com/2011/03/symbols-and-proverbs.html

Wednesday, March 9, 2011. Ghana, Ntonso; Asante peoples. Rayon, dye made from tree bark. Collection of Barbara and Bill McCann. In Ghana the symbols stamped on Asante adinkra. Cloths are a visualization of proverbs that embody cultural ideals, social understandings, and popular sayings. Beautiful as many of the adinkra. Cloths are, they are not intended to be seen for purely aesthetic reasons; it is the meanings that are most important, therefore symbols are chosen with the utmost care. Arkilla Kerka (We...

5

Conversation Pieces: February 2011

http://conversationpiecescuag.blogspot.com/2011_02_01_archive.html

Wednesday, February 9, 2011. Welcome to our blog! We are the students of Curating African Textiles, a fourth year seminar at Carleton University, taught by Conversation Pieces. Curator Catherine Hale. Conversation Pieces: African Textiles from Barbara and Bill McCann’s Collection. Will be on display at the Carleton University Art Gallery (CUAG) from 14 February to 17 April 2011. We look forward to hearing your thoughts, questions, and comments! Come join the conversation beginning February 14th.

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Conversation Pieces

Thursday, March 31, 2011. The Politics of Recognition. This week we read Charles Taylor’s The Politics of Recognition. Taylor argues that the demand for recognition stems from a new understanding of identity first articulated in the 18. Can a gallery create an exhibition that showcases various cultures without embedded value judgments and biases? Thursday, March 24, 2011. Woman’s tubular cloth. Ivory Coast; Dida peoples. Collection of Barbara and Bill McCann. This week we discussed the ways that textiles...

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