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Angela Meyer Reviews Etchings | Cordite Poetry Review
http://cordite.org.au/reviews/angela-meyer-reviews-etchings
Larr; Gay/Poet/Korea: An Interview with Gabriel Sylvian on the Poetry of Gi Hyeong-do. Stuart Cooke Reviews Anna Kerdijk Nicholson. Etchings 9 Love & Something. Edited by Sabina Hopfer et al. Ilura Press, 2011. Love & Something. Is the sub-header of. Seems to stand for the multitudinous meanings the word. Can never be loved, because of all it has taken away. She calls again, It’s time, meaning. It’s time to draw a line under today, to consign it. To the yesterdays that. Crept up and are suffocating us.
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41.1: RATBAGGERY | Cordite Poetry Review
http://cordite.org.au/content/poetry/ratbaggery
Image by Duncan Hose Graffiti St. Mark's Episcopal Chapel by Peter Stuyvesant 1795 288 East 10th Street, New York City. Cordite 41.1 Special Issue:. Like all designations of high hermeneutic mystery, the phrase ‘Ratbag Poetry’ requires a personal archaeology. I needed to know what a Ratbag Poem could be poems that are vituperative, poems that are a nuisance. I call upon Byron’s distaste for Keats’ propensity for. Frigging with his imagination. By DJ Huppatz, A Poetics of the Naughty. The Art of Poetry.
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Geoff Page Reviews Chris Wallace-Crabbe | Cordite Poetry Review
http://cordite.org.au/reviews/page-wallace-crabbe
Larr; Review Short: Tracy Ryan’s. Notes from Medellín, Colombia. Geoff Page Reviews Chris Wallace-Crabbe. New and Selected Poems. Carcanet Press, 2012. Varied though it may be, one would have to be a determined curmudgeon not to like his work. This entry was posted in BOOK REVIEWS. And tagged Chris Wallace-Crabbe. Geoff Page is based in Canberra and has published twenty-two collections of poetry as well as two novels and five verse novels. His recent books include. Pitt Street Poetry 2013),. Before joini...
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Vale Dorothy Porter | Cordite Poetry Review
http://cordite.org.au/features/vale-dorothy-porter
Larr; GDS 27 Spoken Word Feature! Ali Alizadeh Reviews Philip Mead. I thought Well, fuck everybody and wrote the book I wanted to write. The second-last day of winter in 1997 seems so far away now, but today I remember it clearly. After her captivating late afternoon reading, Dorothy Porter and I found a corner in the dining room at the Varuna Writers Centre, Katoomba, the daylight waning outside amidst steely dampness and the trickling departure of friends. Wed just launched a selection from. The next d...
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Fathers | Cordite Poetry Review
http://cordite.org.au/poetry/no-theme/fathers
Larr; Defrocked Priest. Five O’Clock at the River. Owned the smallest farm in Loosduinen. Next to The Hague, now swallowed up. Had my grandmother, his daughter,. Walk the goat to the Malienveld. She walking it through the city on a leash. Once slaughtered a goat. Maybe the same one. Because it ate a ten guilder bill. And retrieved the money from its stomach. The bill worth more than the goat. Drank his piss in the morning. But made my grandmother eat. When on her period. Died shortly after his wife.
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Picture Becomes Text, Becomes Writing: Software as Interlocutor | Cordite Poetry Review
http://cordite.org.au/features/picture-becomes-text-becomes-writing
Larr; INTERLOCUTOR Editorial. The Centre Cannot Hold: Six Contemporary Filipino Poets. And Sonny Rae Tempest. Picture Becomes Text, Becomes Writing: Software as Interlocutor. While co-teaching a class titled TOO MANY COOKS at UnderAcademy College. Our common interest in writing with the assistance of spell-check emerged. Sonny Rae Tempest’s. Blog post ‘ A Picture Worth 11,739 Words. Provoked our idea to collaborate on a presentation for students during the course. We derived our text, ‘ Exit Ducky? Http:...
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36-40: Interstitial Overdrive | Cordite Poetry Review
http://cordite.org.au/all-issues/36-40-interstitial-overdrive
As we head down the wooded slope towards our fortieth issue, expect to be surprised, shocked, alarmed and slightly bemused. Things got kick-started with the release of Cordite 36: Electronica in December 2011, and No Theme! In February 2012. We’ve published three more issues of Cordite in 2012, starting with 38: Sydney in May, then 39: Jackpot! In August. Cordite 40: Interlocutor will follow in November 2012. It’s been a busy year! Sean M. Whelan. Sarah Gory and Kent MacCarter. With Luke Davies and.
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Submissions | Cordite Poetry Review
http://cordite.org.au/submissions
Submission to Cordite 57: CONFESSION. With poetry guest-edited Keri Glastonbury. Closes 11.59pm Melbourne time. Sunday, 13 November, 2016. Submission to Cordite 56.1: EKPHRASTIC. With poetry guest-edited Paul Hetherington. Closes 11.59pm Melbourne time. Tuesday, 1 November, 2016. Submissions for Cordite Scholarly are always accepted. The following conditions apply to all poetry submissions:. 1 We will only read submissions sent during our official submission periods. Thanks to the generous support of the...
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BOOK REVIEWS | Cordite Poetry Review
http://cordite.org.au/content/reviews
Caitlin Maling Reviews Ellen van Nerveen. Monday, August 22nd, 2016. Poems about food, such as those comprising Ellen van Neerven’s first collection. Are often framed in terms of ideas of connection, community, and commonality. Van Neerven engages directly with these ideas, but emphasises their fault lines as much as their strengths. The poem I keep returning to appears early in the second of the book’s six loose sections. Continue reading →. Phillip Hall Reviews Maggie Walsh. Monday, August 22nd, 2016.
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TRANSLATIONS | Cordite Poetry Review
http://cordite.org.au/content/translations
Three Translated Péter Závada Poems. August 1, 2016. These three poems by Hungarian poet Péter Závada are taken from his second collection,. Published in 2015. The title itself is a play on words, as. Can mean either ‘limestone’ or ‘you are going.’ The significance of this duality becomes apparent in the emotional and symbolic power of the images evoked throughout the collection. Three Translated Mardonio Carballo Poems. August 1, 2016. Tlajpiajketl o la Canción del Maíz. Las Plumas de la Serpiente.
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