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counter)induction

a contemporary music collective.

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counter)induction | counterinduction.blogspot.com Reviews
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a contemporary music collective.
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1 posted by
2 douglas boyce
3 labels lee hyla
4 revisiting
5 jessica meyer
6 labels american
7 concerts
8 davidovsky
9 nunc
10 kyle bartlett
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posted by,douglas boyce,labels lee hyla,revisiting,jessica meyer,labels american,concerts,davidovsky,nunc,kyle bartlett,bird like thoughts,labels ekphrasis,improvisation,mimesis,performers,tychism,heidegger's hammer,labels action,bringing into the light
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counter)induction | counterinduction.blogspot.com Reviews

https://counterinduction.blogspot.com

a contemporary music collective.

INTERNAL PAGES

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1

counter)induction: Revisiting

http://counterinduction.blogspot.com/2014/06/revisiting.html

A contemporary music collective. Sunday, June 1, 2014. Sadly, you don't often play pieces more than once or twice in the new music world. Most of the time, we pour ourselves into learning an intricate web of rhythms and timbres for a piece that evaporates from our muscle memory only a few weeks afterwards. My first experience with Mario Davidovsky was 10 years ago, when I learned Festino. Sohow exactly did this happen? Is it because of this specific combination of people, or our collective of experiences?

2

counter)induction: February 2012

http://counterinduction.blogspot.com/2012_02_01_archive.html

A contemporary music collective. Wednesday, February 29, 2012. As you may know, c)i is going to have a concert at the "Casa Italiana" of Columbia University. Please note: It is a 6 pm concert! Below: Jessica Meyer, Miranda Cuckson and wonderful guest violinist Yuki Numata during the rehearsal of Nono quartet. So, the only way for the audience to know what texts say is . to listen, sound, and silence. Here is the very first page of the piece. The first text says. Tuesday, February 28, 2012. This endless i...

3

counter)induction

http://counterinduction.blogspot.com/2013/01/looking-forward-to-cis-next-concert.html

A contemporary music collective. Tuesday, January 29, 2013. Looking forward to c)i's next concert this Thursday at the NY Public Library for the Performing Arts' Bruno Walter Auditorium! I love the library there, I've done much reading and looking for pieces in both the circulating and research collections, and did a recital of Ross Lee Finney's music there when I was doing my dissertation (the NYPL has his papers). I'm looking forward to hear the whole program- hope to see you! Find Us on Facebook!

4

counter)induction: May 2014

http://counterinduction.blogspot.com/2014_05_01_archive.html

A contemporary music collective. Tuesday, May 27, 2014. Miranda Cuckson on Mario Davidovsky. Iranda Cuckson wrote this beautiful essay about her experience with Mario Davidovsky and his music. . My group  counter)induction . Is presenting a concert of Mario Davidovsky’s music on June 7 at Subculture. I wrote this essay below, which will appear on c)i’s blog and in abbreviated form in the program booklet.  (Also my organization . 160;will be performing his music at the Teatro Colon on August 15-17.).

5

counter)induction: October 2011

http://counterinduction.blogspot.com/2011_10_01_archive.html

A contemporary music collective. Sunday, October 23, 2011. Counter)induction plays well with others. MULTIPLE MODERNISMS is the opening show in a year of fierce and fabulous collaborations. We're really excited to have Matthew Levy of the Prism Saxophone Quartet suiting up with us for the gig. These collabs give us the opportunity to work with people we admire and respect (Matt, then Magnus Lindberg 1/23/12, Paula Robison 3/4/12! Rehearsing Whirled Series with Matt- what a great pleasure! Is super-revved...

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David Su - Compositions

http://www.usdivad.com/compositions.html

Composer, drummer, developer, computer musician. Also check out my Big House Publishing sampler. NASA - The Search Begins. Score for a short film from the Stanford Space Initiative, celebrating New Horizon's passing Pluto. Martyrs on the Shore. Action music for the Ada Lovelace Project. A forthcoming visual novel. Dramatic theme for the Ada Lovelace Project. Somber underscoring with strings and choir. Xiao Yu End Credits. From Xiao Yu: A Beggar's Life. For the official podcast of in-Training.

bigmouthsmusic.blogspot.com bigmouthsmusic.blogspot.com

Big Mouths: June 2010

http://bigmouthsmusic.blogspot.com/2010_06_01_archive.html

A space for conversations about music and conversations about talking about music. Complexify, young man. I don't agree with everything that Daniel Wolf is saying. But holy smokes it's better than this stuff. It all sounds very familiar. Or at least the logical flaws do. Links to this post. Sonification, Technics, and Phusis. The Metaphysics of Notation . Which highlights the alternately arbitrary and historical character of notation as an absent presence, or road river and rail. More after the break).

bigmouthsmusic.blogspot.com bigmouthsmusic.blogspot.com

Big Mouths: March 2011

http://bigmouthsmusic.blogspot.com/2011_03_01_archive.html

A space for conversations about music and conversations about talking about music. Memory, Imagination, History 2 : technics and adoption. Towards a technical historicism. And 'technology' derive quite directly from the Greek term 'techne.' In philosophy since Heidegger ' technics. Is used to capture systemic practices exteriorized from the human mind. This conceptualization of technics. Set the stage for much of the thinking around this subject for the following century. (6). Solicitous circumspecting);...

bigmouthsmusic.blogspot.com bigmouthsmusic.blogspot.com

Big Mouths: Benjamin's Monastic Impulse

http://bigmouthsmusic.blogspot.com/2012/06/benjamin-monastic-impulse.html

A space for conversations about music and conversations about talking about music. A friend recently recommended that I read Michael Löwy's 'Fire Alarm. He was surprised that I had never read it, given its intersections with many of my intellectual and artistic interests. By a few pages in, I was similarly surprised that I hadn't come across this little book. It is like a gem with hundreds of faces and with the density of a neutron star. Paul Klee's Angelus Novus. Link to source here ]. The objects which...

bigmouthsmusic.blogspot.com bigmouthsmusic.blogspot.com

Big Mouths: April 2011

http://bigmouthsmusic.blogspot.com/2011_04_01_archive.html

A space for conversations about music and conversations about talking about music. Memory, Imagination, History 4 : recapitulations. We have seen a consideration of the role of composership, in the. We, however, have yet to describe the NOW in a new way, which builds on these materials from our examination of the Post-Classical and the Pre-Romantic. Let us re-write Bonaventure writing and develop a typology of composership for the now. And Stephen Hartke's The King of the Sun. Regardless of one's view of...

bigmouthsmusic.blogspot.com bigmouthsmusic.blogspot.com

Big Mouths: the ends of lessons I :: listening, attending

http://bigmouthsmusic.blogspot.com/2012/09/endsoflessonsi.html

A space for conversations about music and conversations about talking about music. The ends of lessons I : listening, attending. For Diana Lipscomb, who asked me about this once:. Listening, appreciating, performing, attending. This ethos echoes a long tradition of cultivation and of the building of the self through cultural practice. Gadamer's monumental Truth and Method. Is perhaps the pithiest and best consideration of the implications of this approach that I've read. The term Bildung refers to th...

bigmouthsmusic.blogspot.com bigmouthsmusic.blogspot.com

Big Mouths: September 2012

http://bigmouthsmusic.blogspot.com/2012_09_01_archive.html

A space for conversations about music and conversations about talking about music. The ends of lessons II : the ideal and the praxial. This discussion starts here. The ideal and the praxial. As a proxy for the composer that instructor is actually also a proxy for a hermeneutic tradition around a work, a composer, a style, and a genre. This discussion continues in part iii. Links to this post. The ends of lessons I : listening, attending. For Diana Lipscomb, who asked me about this once:. This ethos echoe...

bigmouthsmusic.blogspot.com bigmouthsmusic.blogspot.com

Big Mouths: April 2010

http://bigmouthsmusic.blogspot.com/2010_04_01_archive.html

A space for conversations about music and conversations about talking about music. The backbone of Mr. Sandow’s first posting is the claim that musical modernism has failed to have the same impact as other forms of modernist art, due to the former’s relative removedness from the everyday. There is much to unpack here. Steely, fragmented, progressive, yes, but also steeped in old Europe. Links to this post. American orchestras program more "alt-classical" music. Out alt-classical ensembles’ tendency...

counterinduction.com counterinduction.com

counter)induction :: The C)I Blog

http://counterinduction.com/about/blog

Group theory : a c)i CD. Contact and Mailing List. If you you are not automatically forwarded, update your browser, but first click HERE. For the c)i blog.). Ldquo;Any philosophy that can be put in a nutshell belongs there.”. Sydney J. Harris. Is powered by Radiosonde.

bigmouthsmusic.blogspot.com bigmouthsmusic.blogspot.com

Big Mouths: the ends of lessons III :: imaginaries & intersections

http://bigmouthsmusic.blogspot.com/2012/10/endsoflessonIII.html

A space for conversations about music and conversations about talking about music. The ends of lessons III : imaginaries and intersections. This discussion starts here. The prior post is here. But the presence and persistence of these myths demonstrate the extent to which the structures of music making and music instruction operate within a symbolic network. Charles Taylor's Modern Social Imaginaries. Difficult questions, and critical instructional intersections. It is that critical consideration of the ...

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counter)induction

A contemporary music collective. Saturday, September 20, 2014. Lee Hyla In Memoriam. Miranda Cuckson (vln), Ning Yu (pf), and. Mariel Roberts (cello) performing 'Amnesia Redux'. I am on my way home from the Lee Hyla Memorial Concert at St. Mark's in the Bowery this afternoon. It was a moving event that filled me with joy at the delicate rage and furious beauty of Lee's music, and also brought great tragedy for all the music that will remain unwritten. Sunday, June 1, 2014. 160;with my talented colleague ...

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counter)induction

Music in the present tense. Man can embody truth but he cannot know it. Miranda Cuckson, violinist. C)i will be performing the trio version of the suite from Stravinsky’s. A Soldier’s Tale. But always at the same time it is about the body, it is in the body, savagely and unavoidably. Continue reading “man can embody truth but he cannot know it”. Shadows aren’t mirrors. It struck me as a good fit for the 3x2x2x3. The Soldier’s Tale. Continue reading “Shadows aren’t mirrors”. Quite a bit, I think. Ok, so, ...

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Counter Infiltration | Half a truth, is no-less a lie!

COUNTER INFILTRATION, OUR MISSION STATEMENT. April 21, 2014. Say it, and it must be so. Obama’s claim to transparency amounted to a blinding, eager presumption by polarized liberals that he would proceed with another first-year promise, that of “no more business as usual.” The former resulted in an intrusion that only rendered our own personal lives transparent; the latter claim resulted in the unheralded accommodation of merely a different set of even more lobbyists. But all the world is now so liberall...

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