the-soundhead.blogspot.com
soundhead: Marc Barreca
http://the-soundhead.blogspot.com/2013/01/marc-barreca.html
Tuesday, January 8, 2013. Music Works For Industry (cassette, Palace Of Lights, 1983, US). Great minimal pop-industrial. Somewhat Dome-like at times. Subscribe to: Post Comments (Atom). Nostalgie de la boue. If Charlie Parker Was a Gunslinger. And Then She Lied Again. Vita ignes : corpus lignum. A hogon's industrial guide. No longer forgotten music. I'll read you a story. BX-59cppw (has left the building.). The Thing On The Doorstep - Blog. 9580; §ĬÇҜИ {still} ΛБΘЏИЧ ╬. Extension of the Meanings.
nostalgie-de-la-boue.blogspot.com
nostalgie de la boue: Various Artists - Total Volume 2 - The Body
http://nostalgie-de-la-boue.blogspot.com/2015/05/various-artists-total-volume-2-body.html
Sunday, May 24, 2015. Various Artists - Total Volume 2 - The Body. Scotland / UK, 1993. Gateshead Ratboy At The Snake Ministry (6:12). Lament 1,956 (5:08). 11 Greater Than One. I'm Gonna Whoop Your Ass (5:57). Libellés : Controlled Bleeding. Subscribe to: Post Comments (Atom). Bourbonese Qualk - Unpop. Various Artists - Total Volume 2 - The Body. Various Artists - Total Volume One. Various Artists - Endzeit. Various Artists - F-rants. Riccardo Sinigaglia - Watertube Ringspiel. View my complete profile.
hushcautionecholand.blogspot.com
Hush! Caution! Echoland!: Lewis Carroll in the Mix??
http://hushcautionecholand.blogspot.com/2008/02/lewis-carroll-in-mix.html
Samstag, 23. Februar 2008. Lewis Carroll in the Mix? Here are the first 3 of 6 mixes made as musical/acoustic backdrops for six chapters from Lewis Carroll's strange little book, "Sylvie and Bruno". The mixes represent something like "variations on .": I didn't try to illustrate anything from the story, although some parts get rather picturesque sometimes. Ever to thee Faithful I'll be, Five o'clock tea! Enjoying these mixes of yrs! Haven't had a chance to venture beyond the looking glass into this one y...
silentlight.blogspot.com
Saccades: Voice Figures
http://silentlight.blogspot.com/2010/11/voice-figures.html
Photophonics • Eyes • Ears. 21 November, 2010. Quite a lot has cropped up on the web about Margaret Watts-Hughes's 'Eidophone' in recent years. The Cymatics crowd talk a lot about it (it kind of is Cymatics, but from the late 19th Century). Louise O'Connor and Nick Laessing have made some and performed with them. What you won't find, however, is any more than a very few images of her 'Voice Figures' - that is to say the ones that were. Quote from Isabel Barrington in The London Spectator,. Media, produce...
silentlight.blogspot.com
Saccades: Two Machines: 2 - Oramics
http://silentlight.blogspot.com/2009/02/two-machines-2-oramics.html
Photophonics • Eyes • Ears. 19 February, 2009. Two Machines: 2 - Oramics. System is currently residing in my workshop, until it gets moved to a permanent home. As you can see, it's in a bit of a sorry state, having had several owners since the passing of Daphne Oram. Why was Oram planning on adding a keyboard element? Hi ROB thats amazing you actually have the oramics machine! I wrote my dissertation on the link between sound and drawing Im on the (BA drawing course at camberwell). We chatted briefly aft...
silentlight.blogspot.com
Saccades: The Haptic Optic
http://silentlight.blogspot.com/2009/07/haptic-optic.html
Photophonics • Eyes • Ears. 18 July, 2009. How do you record an object properly? Is it always pertinent to photograph, or draw something, for example? How about something which is similar to both, but is really neither? Next, will be the contact printer that used to belong to the London Filmmakers' Co-op. Looks beautiful to me, especially the eyes staring at me in the 2nd picture. Though Im not sure how it relates to Daphne Oram. July 25, 2009 at 9:39 AM. Nice to hear from you Mr (Miss?
hushcautionecholand.blogspot.com
Hush! Caution! Echoland!: Narrative Musical Wallpaper
http://hushcautionecholand.blogspot.com/2008/02/narrative-musical-wallpaper.html
Montag, 11. Februar 2008. Live mix: Feb. 10, 2008. And so, finally - here's the second mix from my "HCE" series. It's a rather airy and flutey affair with some noisy excursions, inspired by episodes from Master Francis Rabelais' fantastic and preposterous epic "Five Books of the Lives, Heroic Deeds and Sayings of Gargantua and his Son Pantagruel". Thanks for this one, hope you get more comments. You efforts are appreciated. 11 Februar 2008 um 11:44. I really dig those mixes you've done. I've been lis...
hushcautionecholand.blogspot.com
Hush! Caution! Echoland!: Juli 2008
http://hushcautionecholand.blogspot.com/2008_07_01_archive.html
Donnerstag, 3. Juli 2008. BACK ON THE TRACK. Part 1: One Day. Part 2: In a Landscape in a Landscape. Finally, ending a forced three month hiatus of no posting with a new mix. Not so much of my own material in here - just two complementary outtake tracks of electronics and bamboo percussion in the middle section and, closing the mix, "Pastorale 1" in the final master version, shimmering guitars all over. Lossless APE format: (1). BACK ON THE TRACK. Continuo's Reassessed aural delicacies.
silentlight.blogspot.com
Saccades: Amber
http://silentlight.blogspot.com/2011/02/amber.html
Photophonics • Eyes • Ears. 19 February, 2011. Like much of my work, the sound and image are generated from the same light sources, and recorded simultaneously. What you see/hear are shop windows along Regent Street in Central London, with their various digital lighting systems buzzing away. The cross-fades in the audio coincide directly with the cross-dissolves in the image, mimicking each other. Was it the particular frequency of the modulations we hear? June 28, 2011 at 11:08 AM.
silentlight.blogspot.com
Saccades: Light Traps
http://silentlight.blogspot.com/2009/05/light-traps.html
Photophonics • Eyes • Ears. 13 May, 2009. It's all been done before in all sorts of ways you know - by the structuralist/materialist film makers in the '70's, people like Guy Sherwin and Liz Rhodes (not that I'd compare myself to them of course), and using video, the Vasulkas amongst others. Nonetheless, it can be satisfying to discover you've made a video that has the camera in it as an explicit and essential ingredient. May 14, 2009 at 9:14 AM. Subscribe to: Post Comments (Atom).
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