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Critical Stages/Scènes Critiques – The IATC webjournal/Revue web de i'AICT

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Critical Stages/Scènes Critiques – The IATC webjournal/Revue web de i'AICT | critical-stages.org Reviews

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Critical Stages/Scènes Critiques – The IATC webjournal/Revue web de i'AICT – December 2012: Issue No 7

http://www.critical-stages.org/7

The IATC webjournal/Revue web de i'AICT December 2012: Issue No 7. A door in flames is among the minor effects of Purcarete’s Faust. Marko Mandic goes through 38 of his roles between the years 1996-2010 in his MandicMachine. Les acteurs de L’atelier volant Olivier Martin Salvan, Myrto Porcopiou, Richard Pierre, Nicolas Struve, Dominique Parent, René Turquois. The marionette of the main hero, Kukura by Martin Čičvák. August Strindberg: Miss Julie, directed and performed by Anna Pettersson. The Playwright ...

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Critical Stages/Scènes Critiques – The IATC webjournal/Revue web de i'AICT – December 2015: Issue No 12

http://www.critical-stages.org/12

The IATC webjournal/Revue web de i'AICT December 2015: Issue No 12. WOMANhouse / ReDoing GENDER (Copenhagen). Musician Jonas Nordberg becomes a dancer in the performance piece sofa(r) (Malmö). Scene from 19.14, a cabaret look at the Great War (Moscow). The cast of Kim's Convenience taking a curtain call (Toronto). Polish production of (A)pollonia (Prague). Interviews: Playwrights on Playwriting. Section Guest Editor: Katayoun H. Salmasi. The Playwright is a Labourer of Love. Section Editor: Ivan Medenica.

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Critical Stages/Scènes Critiques – The IATC webjournal/Revue web de i'AICT – Spring 2010: Issue No 2

http://www.critical-stages.org/2

The IATC webjournal/Revue web de i'AICT Spring 2010: Issue No 2. Sado-Maso Blues Bar by Maria Manolescu. Xola Mda as the Broken Man, in Orfeus. Faust, dir. Silviu Purcărete. Isabelle Huppert, Renate Jett, et (de dos) Yann Collette. Thalia Prize Le Prix Thalie. Discours de Sofia: Remise du Prix Thalie. Jean-Pierre Sarrazac Before and After the Thalia Prize : Un Questionnaire de Proust. Theatre views / Visions du théâtre. Interviewed by Ioana Moldovan. Interviewed by Ioana Moldovan. Pour une analyse des sp...

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Style Sheet for Critical Stages – Critical Stages/Scènes Critiques

http://www.critical-stages.org/13/style-sheet-for-critical-stages

The IATC webjournal/Revue web de i'AICT June/Juin 2016: Issue No 13. Style Sheet for Critical Stages. Quick Style Sheet for. See the Chicago-Style Citation Quick Guide online at. Http:/ www.chicagomanualofstyle.org/tools citationguide.html. See the Chicago documentation style and manuscript format at. Http:/ press.uchicago.edu/infoServices/emsguide.html. Request a longer version of this document at LTRenaud@gmail.com. UK, US., N.Y., EU, NATO, UNESCO. Do not use an apostrophe in a date: 1990s, not 1990’s.

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Critical Stages/Scènes Critiques – The IATC webjournal/Revue web de i'AICT – June/Juin 2016: Issue No 13

http://www.critical-stages.org/13

The IATC webjournal/Revue web de i'AICT June/Juin 2016: Issue No 13. Robert Lepage en marquis de Sade : très convaincant! Unconquerable Bodies: Interview with Edgardo Mercado. Quartet: Dangerous Liaisons After the End of the World. Towards a Free Body. Special Topic: Global Dancescapes. Section Guest Editors: Margareta Sörenson. Sweden) and Octavian Saiu. Tracking Performances in the Digital Age. The Human Body in Contemporary Dance: from Costumes to Nakedness. Maria Tsouvala and Katia Savrami (Greece).

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Review: Festival de Almada 2015, Portugal | Scottish Stage

https://scottishstage.wordpress.com/2015/07/13/review-festival-de-almada-2015-portugal

Theatre and arts reviews and features from Scotland and beyond, by Mark Brown. Review: Festival de Almada 2015, Portugal. Review: Festival de Almada 2015, Portugal. July 13, 2015. July 24, 2015. The Berliner Ensemble’s Brecht cabaret was the highlight of the opening days of Portugal’s biggest international theatre festival, writes Mark Brown. The Berliner Ensemble. Photo: Thomas Eichhorn. However, just as Linehan has opened the EIF to more leftfield, devised theatre (notably in the shape of Paul Bright&#...

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Feature: Palestinian Circus School & Palestine Day, Edinburgh Fringe | Scottish Stage

https://scottishstage.wordpress.com/2015/08/06/feature-palestinian-circus-school-palestine-day-edinburgh-fringe

Theatre and arts reviews and features from Scotland and beyond, by Mark Brown. Feature: Palestinian Circus School and Palestine Day, Edinburgh Fringe. Feature: Palestinian Circus School and Palestine Day, Edinburgh Fringe. August 6, 2015. August 6, 2015. Carnival of the oppressed. From the Palestinian Circus School to a special day of Palestinian arts at Forest Fringe, the artistic voice of Palestine will be heard at this year’s Edinburgh Festival, writes Mark Brown. In a 2015 Edinburgh Fringe in which c...

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scottishstage | Scottish Stage

https://scottishstage.wordpress.com/author/scottishstage

Theatre and arts reviews and features from Scotland and beyond, by Mark Brown. Articles posted by scottishstage. Edinburgh Festival Reviews: The Toad Knew etc. August 29, 2016. August 31, 2016. Anything That Gives Off Light. The View From Castle Rock. ART SPACE @ ST MARK’S. Reviewed by Mark Brown. The Toad Knew. Photo: EIF. So begins The Toad Knew. The extraordinary production which circus theatre master James Thieree and his Compagnie du Hanneton has brought to the Edinburgh International Festival (EIF).

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About | Scottish Stage

https://scottishstage.wordpress.com/about

Theatre and arts reviews and features from Scotland and beyond, by Mark Brown. Scottish Stage is the website of theatre critic, teacher and editor Mark Brown. Mark is currently theatre critic of the Scottish national newspaper the. And Scottish critic of the. A professional theatre critic and arts writer since 1994, he has written for a wide variety of publications including. An additional biographical note on Mark Brown. Cambridge University Press);. Sinais de Cena [Signs of the Stage]. Edited by David ...

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Review: Love’s Labour’s Lost, Botanic Gardens, Glasgow (Daily Telegraph) | Scottish Stage

https://scottishstage.wordpress.com/2015/06/29/review-loves-labours-lost-botanic-gardens-glasgow-daily-telegraph

Theatre and arts reviews and features from Scotland and beyond, by Mark Brown. Review: Love’s Labour’s Lost, Botanic Gardens, Glasgow (Daily Telegraph). Review: Love’s Labour’s Lost, Botanic Gardens, Glasgow (Daily Telegraph). June 29, 2015. July 24, 2015. Love’s Labour’s Lost, Bard in the Botanics Festival Glasgow, review: ‘wonderfully over-the-top’. Scotland’s festival of Shakespeare got off to a great start and sent Mark Brown home smiling. This year’s presentations include. The Merchant of Venice.

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Scottish Stage | Theatre and arts reviews and features from Scotland and beyond, by Mark Brown | Page 2

https://scottishstage.wordpress.com/page/2

Theatre and arts reviews and features from Scotland and beyond, by Mark Brown. Features: Preview of Adler and Gibb, Summerhall, plus Edinburgh Festival highlights. August 1, 2016. August 2, 2016. Acclaimed dramatist Tim Crouch opens a radically revised version of his play Adler and Gibb at this year’s Edinburgh Fringe. He talked to Mark Brown about art, money and “authenticity”. Tim Crouch and members of the cast in rehearsal. Photo: Richard Davenport. What does exist, as Summerhall venue audiences will ...

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Reviews: The Merchant of Venice, Botanic Gardens, Glasgow & The Importance of Being Earnest, Pitlochry Festival Theatre | Scottish Stage

https://scottishstage.wordpress.com/2015/07/27/reviews-the-merchant-of-venice-botanic-gardens-glasgow-the-importance-of-being-earnest-pitlochry-festival-theatre

Theatre and arts reviews and features from Scotland and beyond, by Mark Brown. Reviews: The Merchant of Venice, Botanic Gardens, Glasgow and The Importance of Being Earnest, Pitlochry Festival Theatre. Reviews: The Merchant of Venice, Botanic Gardens, Glasgow and The Importance of Being Earnest, Pitlochry Festival Theatre. July 27, 2015. July 27, 2015. The Merchant Of Venice. Botanic Gardens, Glasgow. The Importance Of Being Earnest. Various dates until October 16. Reviewed by Mark Brown. My fellow theat...

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Preview: Festival of Ian Smith, CCA, Glasgow | Scottish Stage

https://scottishstage.wordpress.com/2015/07/20/preview-festival-of-ian-smith-cca-glasgow

Theatre and arts reviews and features from Scotland and beyond, by Mark Brown. Preview: Festival of Ian Smith, CCA, Glasgow. Preview: Festival of Ian Smith, CCA, Glasgow. July 20, 2015. July 24, 2015. Death is not the end at Festival of Ian Smith. A year on from the untimely death of leading performance artist Ian Smith, his artistic collaborators are honouring his life and work with a celebratory festival, writes Mark Brown. The festival, which will be held in the Centre for Contemporary Arts (CCA) in G...

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Reviews: Love’s Labour’s Lost, Botanics, Glasgow & Home and Beauty, Pitlochry (Sunday Herald) | Scottish Stage

https://scottishstage.wordpress.com/2015/07/06/reviews-loves-labours-lost-botanics-glasgow-home-and-beauty-pitlochry-sunday-herald

Theatre and arts reviews and features from Scotland and beyond, by Mark Brown. Reviews: Love’s Labour’s Lost, Botanics, Glasgow and Home and Beauty, Pitlochry (Sunday Herald). Reviews: Love’s Labour’s Lost, Botanics, Glasgow and Home and Beauty, Pitlochry (Sunday Herald). July 6, 2015. July 24, 2015. Love’s Labour’s Lost. Botanic Gardens, Glasgow. Various dates until October 15. Reviewed by Mark Brown. The play, in which the King of Navarre swears himself and his noblemen to abstinence from the company o...

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Reviews: Great Expectations, Dundee Rep & The Producers, Theatre Royal, Glasgow | Scottish Stage

https://scottishstage.wordpress.com/2015/06/22/reviews-great-expectations-dundee-rep-the-producers-theatre-royal-glasgow

Theatre and arts reviews and features from Scotland and beyond, by Mark Brown. Reviews: Great Expectations, Dundee Rep and The Producers, Theatre Royal, Glasgow. Reviews: Great Expectations, Dundee Rep and The Producers, Theatre Royal, Glasgow. June 22, 2015. July 24, 2015. Seen at Dundee Rep;. Transferring to Perth Concert Hall,. Seen at Theatre Royal, Glasgow;. Touring to His Majesty’s Theatre, Aberdeen,. Reviewed by Mark Brown. It seems invidious to single out anyone in what is, first-and-foremost, a ...

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Critical Stages/Scènes Critiques – The IATC webjournal/Revue web de i'AICT

The IATC webjournal/Revue web de i'AICT. International Association of Theatre Critics. Association internationale des critiques de théâtre. A/s Jean-Pierre Han, 27, rue Beaunier, 75014 Paris,France. Critical Stages is published twice a year with generous support from the Department of Theatre and the College of Fine and Applied Arts. At the University of Illinois at Urbana-Champaign, U.S. Style Sheet for Critical Stages. Protocole abrégé de Critical Stages. Theme: Spacious by ThemeGrill.

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