Rafael Gomez-Moriana's occasional random thoughts on architecture and the built environment (by Rafael Gomez-Moriana)
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ES
View this contact
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Rafael Gomez-Moriana Korn
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ES
View this contact
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Criticalista | “Modernity is measured not by the onward march of industry but by the capacity for criticism and self-criticism.” — Octavio Paz | criticalista.com Reviews
https://criticalista.com
Rafael Gomez-Moriana's occasional random thoughts on architecture and the built environment (by Rafael Gomez-Moriana)
criticalista.com
Architecture and Crime | Criticalista
https://criticalista.com/2015/06/09/architecture-and-crime
Rafael Gomez-Moriana's occasional random thoughts on architecture and the built environment. Modernity is measured not by the onward march of industry but by the capacity for criticism and self-criticism. From a maximum-security prison in upstate New York, in which two convicted murderers cut through steel jail-cell walls to reach a mechanical system catwalk and a large drainage pipe leading to a manhole cover outside, brings to mind a 1988 text by Beatriz Colomina that was fashionable when I was student:.
About | Criticalista
https://criticalista.com/about
Rafael Gomez-Moriana's occasional random thoughts on architecture and the built environment. Modernity is measured not by the onward march of industry but by the capacity for criticism and self-criticism. Blog at WordPress.com. Criticalista assembles Rafael Gomez-Moriana's writings on architecture, cities and the built environment. Some of these texts have previously been published elsewhere and are reprinted here with permission. All photographs by the author unless indicated otherwise.
Writing | Criticalista
https://criticalista.com/category/writing
Rafael Gomez-Moriana's occasional random thoughts on architecture and the built environment. Modernity is measured not by the onward march of industry but by the capacity for criticism and self-criticism. A text written with a degree of creative license. As is well-known, Spain’s recent building boom-turned-bust has left behind a legacy of halted construction projects that are now in a state of decay. While most of these contemporary ruins are banal and rather ordinary buildings, there is also a small.
Observation | Criticalista
https://criticalista.com/category/observation
Rafael Gomez-Moriana's occasional random thoughts on architecture and the built environment. Modernity is measured not by the onward march of industry but by the capacity for criticism and self-criticism. Everyday Camouflage in the Countryside. The building above looks like a military installation of some sort, right? After all, it’s got a camouflage pattern on the façade. But no, its roof would also be presumably camouflaged if it were a military installation, which, as the satellite. Last night I saw a...
Beauty | Criticalista
https://criticalista.com/2015/07/17/beauty
Rafael Gomez-Moriana's occasional random thoughts on architecture and the built environment. Modernity is measured not by the onward march of industry but by the capacity for criticism and self-criticism. Perhaps, but it’s evident I haven’t been able to come up with one myself so far into this post. The only thing I can say for sure is that even though we architects don’t like using the word ‘beauty’, we sure as hell try to incorporate beauty in our work. At least. The difficulty with buildings, however,...
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11
About | Rafael Gómez-Moriana
https://rafagomo.com/about
Architectural work in different forms…. I am a Barcelona-based architect, writer and educator interested in architecture that can help make cities better places to live. criticalista.com. Is both an archive of writings of mine that have been previously published elsewhere (reproduced here with publisher permission) as well as a platform for venting personal rants and observations, while rafagomo.com. Blog at WordPress.com. Follow “Rafael Gómez-Moriana”. Get every new post delivered to your Inbox.
Rafael Gómez Moriana | DDDARQ #1 | Documents digitals d'arquitectura
http://ddd1.dddarq.cat/rafael-gomez-moriana
Una mirada global que es fa local. Tocar la superfície de l’arquitectura i la ciutat. La urbanitat material. El curtcircuit lingüístic i la realitat de l’arquitectura. De l’objecte al projecte, del projecte a l’acció, de l’acció al document. David H. Falagán. Intro: les tres exploracions. Del despatx a l’aula: la pràctica com a crítica. Despintar una casa, reconstruir una pintura. Hejduk a la platja. Les cases en el seu lloc. La muralla i el sargit. Allotjar un nou espai, reprojectar una mansió. Com en e...
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criticalissuesinphotography2009.blogspot.com
Critical Issues in Photography 2009
Critical Issues in Photography 2009. Tuesday, January 26, 2010. Wednesday, November 11, 2009. He has a book with photo eye as well. Monday, November 2, 2009. Http:/ www.tierneygearon.com/exhibitions/explosure. Http:/ www.yossimilo.com/exhibitions/2005 01-tris morr/. Http:/ www.yellowbellywebdesign.com/hoch/gallery.html. Http:/ www.flickr.com/photos/amyelkins/. Http:/ www.youtube.com/watch? Http:/ www.youtube.com/watch? Http:/ www.port2portpress.com/mav/. Sunday, November 1, 2009. Slide Listy list list.
Critical Issues – Just another WordPress site
Just another WordPress site. Welcome to WordPress. This is your first post. Edit or delete it, then start blogging! June 4, 2015. 1 Comment on Hello world! Proudly powered by WordPress.
criticalissuesintheculturalindustries.wordpress.com
Critical Issues in the Cultural Industries
Critical Issues in the Cultural Industries. People waiting in line to enter Damien Hirst’s exhibition. White Cube, Mason’s Yard, London (2007). Critical Issues in the Cultural Industries. Or have the arts today completely lost out in the battle against standardisation, leveling, commercialisation and popularisation? Has art finally become a lucrative business in the modern economy, a mere component of the entertainment sector, or can it still operate autonomously and critically? To what extent can they s...
criticalissuesintheculturalindustries2.wordpress.com
Critical Issues in the Cultural Industries II
Critical Issues in the Cultural Industries II. The Marvelous Oakland Museum of California. The Museum Goes Outside the Museum. Analog Meets Digital in the Studio-cum-Exhibition Space. Lawrence Weiner, Re-appropriated. Ode to the Amateur. The Artist’s Studio. The World Explained in the Tropenmuseum. A ‘Theatre of Nature’ in Venlo. Amsterdam’s ‘White Cube’ at the Rotterdam Biennial. Cyprien Gaillard’s The Discovery of Recovery. Museums Google the Future. The Havana Biennial in the 1980s. In the short piece.
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Issues, Ideas, Impact! Welcome to the Critical Issues RoundTable web site. We invite you to review the projects we have undertaken, some of which remain works in progress. Your comments and queries are welcome. The Critical Issues RoundTable may be contacted through its chairman, Brigadier General (Ret) Alan B. Salisbury ( Salisbury@CriticalIssuesRT.org. Or via the contacts below. 2605 Geneva Hill Court, Oakton, VA 22124. General Information: Info@CriticalIssuesRT.org.
Criticalista | “Modernity is measured not by the onward march of industry but by the capacity for criticism and self-criticism.” — Octavio Paz
Modernity is measured not by the onward march of industry but by the capacity for criticism and self-criticism. Octavio Paz. A few weeks ago, I received a curious e-mail from someone representing “a digital marketing agency currently working with a leading architecture and design firm.” They wrote to inquire if I, as the proprietor of this architecture blog, would be. A Guide to the Many Flags Visible in Barcelona These Days. A Guide to the Many Flags Visible in Barcelona These Days. Originally published...
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Criticaliteraria.com: Leia e escreva críticas literárias
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LA POESÍA ES – Creación, crítica y ensayo
Creación, crítica y ensayo. Para que sepas de donde vengo, qué me mueve. Poeta, traductor, crítico literario. Javier Hernández Fernández (La Palma, 1979). estudié Traducción e Interpretación lo cual me permitió seguir alimentando una curiosidad innata y una congénita manía de cuestionarlo todo; y resolver algunas preguntas (planteando otras mil). Escribí mi primer libro de poemas en 2005, de un tirón 400 versos y suerte que los revisé! El Tiempo de los Lémures. Septiembre 11, 2016. Abril 12, 2016. O poet...
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SOMOS LO QUE LEEMOS – Espacio de crítica literaria
SOMOS LO QUE LEEMOS. Espacio de crítica literaria. 1 junio, 2014. Emília Illamola. Fraccions. Al juliol del 2102 va aparèixer la primera edició de Fraccions: l’opera prima d’Emília Illamola. I arriba el moment. Fraccions és una juxtaposició de fragments, d’impressions, de visions i percepcions que dibuixen tot un mosaic poètic d’absència i enyorança, un blues, un cant a la saudade. Paraules, frases i paràgrafs breus i pausats que per una banda destil len la realitat més quotidiana i per l’altre tei...
