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Criticism Exchange – Peer writing on contemporary dance and performance in Minneapolis

Peer writing on contemporary dance and performance in Minneapolis

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Criticism Exchange – Peer writing on contemporary dance and performance in Minneapolis | criticismexchange.wordpress.com Reviews

https://criticismexchange.wordpress.com

Peer writing on contemporary dance and performance in Minneapolis

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1

LOSING KANTOR & THE MAKING DO & SHIELDING LIFE DEVICE – Criticism Exchange

https://criticismexchange.wordpress.com/2016/11/29/losing-kantor-the-making-do-shielding-life-device

Peer writing on contemporary dance and performance in Minneapolis. November 29, 2016. LOSING KANTOR and THE MAKING DO and SHIELDING LIFE DEVICE. Audience using their complimentary viewing devices. I went to see. On the last of eight showings. I should have gone a few more times, to piece together more of the whole thing- I didn’t see it all, but I wouldn’t have seen it all anyway at any performance, complying as I did with a major construct of. Late in the development and rehearsal of. Through a series o...

2

Are They Gone Yet?: Jennifer Arave on Skewed Visions’ Ex (remade) – Criticism Exchange

https://criticismexchange.wordpress.com/2016/09/19/are-they-gone-yet-jennifer-arave-on-skewed-visions-ex-remade

Peer writing on contemporary dance and performance in Minneapolis. September 19, 2016. September 20, 2016. Are They Gone Yet? Jennifer Arave on Skewed Visions’ Ex (remade). Jennifer: What motivated you to produce/create a remake of EX? Charles: Memory. I think. Jennifer: Interesting. Your memory of that time, or search for memory, or the memory of the making of EX. Fascinating. Charles: That’s a question, right? Answer: yes, all three. Fresh Oysters Performance Research. June 16-25th, 2016. You are comme...

3

Rachel Jendrzejewski remembers Megan Mayer’s This is supposed to be my fertile window – Criticism Exchange

https://criticismexchange.wordpress.com/2016/06/07/rachel-jendrzejewski-remembers-megan-mayers-this-is-supposed-to-be-my-fertile-window

Peer writing on contemporary dance and performance in Minneapolis. June 7, 2016. June 7, 2016. Rachel Jendrzejewski remembers Megan Mayer’s This is supposed to be my fertile window. People are still finding their seats. I am standing in the aisle. Listening to a friend describe an existential realization. He said, with clarity,. We are all God ). And then, in our peripheral vision:. Quietly, casually, comfortably. Appeared on the stage. And they are dancing. Friends messing around dancing. Like, Try it!

4

About – Criticism Exchange

https://criticismexchange.wordpress.com/about

Peer writing on contemporary dance and performance in Minneapolis. A reciprocal mechanism for practicing artists to give and receive written responses to their work. An exploration of dance writing forms, articulating artistic dialogue and complexity. A record of experimental performance work in Minneapolis. An opportunity for audiences to access performance through written word and through the lens of performance-makers. Round Five Participants (May-October 2016). Scott Artley, Jennifer Arave, Emma Barb...

5

The Routine of Feeling: Emily Gastineau on Skewed Visions’ EX(remade) – Criticism Exchange

https://criticismexchange.wordpress.com/2016/06/22/the-routine-of-feeling-emily-gastineau-on-skewed-visions-exremade

Peer writing on contemporary dance and performance in Minneapolis. June 22, 2016. June 22, 2016. The Routine of Feeling: Emily Gastineau on Skewed Visions’ EX(remade). I came to view. With a major question: Why restage this piece, and why now? Are task-like, stripped of pathos, there was this undercurrent of very real, not performed, grief. This lack of pathos is key. In both versions of. Borrows its formal structure strictly from a Radiohead song, so that each section of the song dictates the length and...

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Press | Rosy Simas Danse |

http://www.rosysimas.com/press

8220;It takes a special kind of performer to bewitch an audience with stillness. Rosy Simas has that gift. An articulate dancer, Simas has the ability to suffuse the smallest movements, or even complete motionlessness, with a captivating aura.” Sheila Regan, City Pages. Click on links to read articles, reviews and listen to interviews. Articles about Rosy Simas. Movers and Makers: 17 more heroes of the arts scene, from the StarTribune – January 3, 2015. KALW Radio San Francisco October 14, 2015. Kahnawak...

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2015 október 29., csütörtök. Mi az az őszinteség? Sok ember mondja magáról hogy ő milyen igaz, őszinte. Az interneten nagyon sok a hazug ember. Mindenki másnak adja ki magát mint aki. Én erre igazából nem tudok mit mondani, mert én is csak egy embernek adom ki magam. Bár gondolom senki nem gondolná, hogy az én igazi nevem Adison. Másban nem is hazudhattam, mert más adatot nem mondtam meg magamról. Nem én csináltam:P Na ez egy ocsmány dolog! Miért nem mondod meg neki az igazat? Egy Kezdő Designer Blogja.

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Criticism, Critique | Ideas, principles, praxis of criticsm and critique

Ideas, principles, praxis of criticsm and critique. Definition of Work as foundation of criticism. February 28, 2012. Abstraction of work varies by interest. Work is the only medium to survive, live, make preparations, construct and produce art. The abstraction of work varies by interest. Every human being has her own idea and opinion of meaning of work and its relation to life – whether its thought through or conceptualized. Work is the only medium to create and add value. Unfortunately. 8221; irrespons...

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2014 április 27., vasárnap. Elvihető fejléc, textúrák. Még az elején elmondanám, hogy meghosszabbítottam a fejlécverseny határidejét, mert siralmasan kevés jelentkező akadt, és még közülük sem kaptam meg mindenkitől a fejlécet. Ha egy hét múlva sem akad jelentkező, akkor a versenyt sajnos le kell fújnom, természetesen akiktől megkaptam a fejlécet nem maradnak díj nélkül. Szóval itt lenne egy elvihető fejléc (ha vinnéd, írd ki, hogy innen van! És pár textúra, amik deavianartról vannak. IDE JÖN A SZÖVEG!

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Criticism &c. | Don't mourn. Criticize.

Don't mourn. Criticize. We’ll always have Petrograd. November 11, 2017. Middot; by contributingeditor. October: the story of the Russian Revolution China Miéville Verso, 2017 An enormous amount of intellectual effort is necessary to unearth what significance, if any, the Russian revolutions of 1917 hold for us today. Before it is possible to do so, the mind must travel backwards from the integrated spectacle of Putin’s Russia to confront, […]. Trump: Does the future belong to him? December 4, 2016. The A...

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Criticism Exchange – Peer writing on contemporary dance and performance in Minneapolis

Peer writing on contemporary dance and performance in Minneapolis. Criticism Exchange: April 2014-October 2016. Continue reading →. January 2, 2017. January 2, 2017. Suspending Disbelief: ENCYCLOPEDIA by Rachel Jandrzejewski. Continue reading →. November 29, 2016. LOSING KANTOR and THE MAKING DO and SHIELDING LIFE DEVICE. Continue reading →. September 19, 2016. September 20, 2016. Are They Gone Yet? Jennifer Arave on Skewed Visions’ Ex (remade). Continue reading →. June 22, 2016. June 22, 2016.

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More options ▼. Subscribe to my blog. Created: 14/10/2012 at 5:55 AM. Updated: 14/10/2012 at 8:43 AM. 9642; CRITICISM FOR HER. Mon adresse e-mail : Lilly-Channel@hotmail.fr. Ma page Facebook : http:/ www.facebook.com/pages/Dreams-For-Her-%E1%83%A6/348459271905666. Mes astuces : http:/ http:/ dreamsforher.skyrock.com/. 9642; CRITICISM FOR HER. VOUS ÊTES PERDU AVEC TOUS CES PRODUITS? Eh bien . STOP! Je suis là pour vous guidez sur des bon produits et vous facilitez la vie! Tu as vu un produit à la pub?

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2014 október 6., hétfő. 9651;2 Kritika: Secrets of Empire. Kedvcsináló: Két szemben álló fél harca, mely talán örökre elcsendesíti a világot, vagy óriási katarzist okozva örökre megváltoztatja azt. Háború és szerelem. Árulás és szövetség. Ki lesz az ellenfél s ki a barát? Design: A design illik a fejléchez, de még mindig azt gondolom, hogy csúnya. És a társalgó mért van egy külön oldalon? Ezt sürgősen javíttasd ki valakivel! Is, amelyek híresek munkáikról. És ne felejtsétek, ti kértetek kritikát! Hisz' m...

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