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SATIRIČAN OBRAČUN S MALOGRAĐANŠTINOM I BRECHTOM… BAŠ I NE. Gostujuća izvedba šibenskog HNK,. Prema tekstu mladog Bertolda Brechta (napisan 1919.) izvedena je po sljedećoj formuli: na. U satiričkom kazalištu Kerempuh gledamo satiričan komad. Prema reakcijama publike, bila je uspješna, ali teško se oteti dojmu da je smijeh bio formulaično zagarantiran, jer bi takav instruirani moment humora trebao zauzdati spontani smijeh. Je li se možda radilo o “malograđanskom” humoru? KAKO PREŽIVJETI GLUMAČKU BESPOSLICU?

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Criticize this! | criticizethis.org Reviews
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SATIRIČAN OBRAČUN S MALOGRAĐANŠTINOM I BRECHTOM… BAŠ I NE. Gostujuća izvedba šibenskog HNK,. Prema tekstu mladog Bertolda Brechta (napisan 1919.) izvedena je po sljedećoj formuli: na. U satiričkom kazalištu Kerempuh gledamo satiričan komad. Prema reakcijama publike, bila je uspješna, ali teško se oteti dojmu da je smijeh bio formulaično zagarantiran, jer bi takav instruirani moment humora trebao zauzdati spontani smijeh. Je li se možda radilo o “malograđanskom” humoru? KAKO PREŽIVJETI GLUMAČKU BESPOSLICU?
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1 vesti
2 kritike
3 o projektu
4 opis projekta
5 aktivnosti
6 organizatori
7 mentori
8 donatori i partneri
9 podrška
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Criticize this! | criticizethis.org Reviews

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SATIRIČAN OBRAČUN S MALOGRAĐANŠTINOM I BRECHTOM… BAŠ I NE. Gostujuća izvedba šibenskog HNK,. Prema tekstu mladog Bertolda Brechta (napisan 1919.) izvedena je po sljedećoj formuli: na. U satiričkom kazalištu Kerempuh gledamo satiričan komad. Prema reakcijama publike, bila je uspješna, ali teško se oteti dojmu da je smijeh bio formulaično zagarantiran, jer bi takav instruirani moment humora trebao zauzdati spontani smijeh. Je li se možda radilo o “malograđanskom” humoru? KAKO PREŽIVJETI GLUMAČKU BESPOSLICU?

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U TRAGANJU ZA IZGUBLJENIM IDENTITETOM. Esej o radovima Šejle Kamerić, Maje Bajević i Nebojše Šerića Shobe. Esej u celini možete pročitati na portalu SEEcult.org. RAZVALINE SOCIJALIZMA KAO INSPIRACIJA. ESEJ – Razvaline socijalizma kao inspiracija za muzejske eksponate Mrđana Bajića. I skulpturalne dosetke Ivana Fijolića. Bliska prošlost na području nekadašnje Jugoslavije je obeležena lomovima, prekidima, naglim rezovima koji su prouzrokovali brojne napetosti između zvaničnih i ličnih sećanja. Sa preok...

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GALERIJA KAPELICA I POST-JUGOSLAVENSKI BODY ART | Criticize this!

http://www.criticizethis.org/2013/04/galerija-kapelica-i-post-jugoslavenski-body-art-1995–2010

GALERIJA KAPELICA I POST-JUGOSLAVENSKI BODY ART. GALERIJA KAPELICA I POST-JUGOSLAVENSKI BODY ART (1995 2010). Esej – Bojan Krištofić. Esej u celini možete pročitati na portalu SEEcult.org. STILSKA ELEGANCIJA KRATKE PRIČE. Plima, Ulcinj, 2011. Kritiku u celini možete pročitati na portalu Beton. OSMI I SEDMI PUTNIK. OSMI I SEDMI PUTNIK. Aleksandar Bjelogrlić, Citadela, Agora, Zrenjanin, 201. Kritiku u celini možete pročitati na portalu Beton. PAZ’TE SAD, PAZ’TE SAD. Paz’te sad, paz’te sad. Nije li ono što ...

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Donatori i partneri | Criticize this!

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Projekat “Criticize this! 8221; finansiran je sredstvima Evropske unije, u okviru programa Kultura 2007-2013 . Projekat se realizuje i uz podršku: Ministarstva kulture Republike Hrvatske. Nacionalne zaklade za razvoj civilnog društva. Ministarstva kulture, informisanja i informacionog društva Republike Srbije. I Sekretarijata za kulturu Grada Beograda. Partneri u realizaciji projekta su dnevni listovi “ Danas. 8221; (Srbija) i “ Pobjeda. 8221; (Crna Gora) i nedeljnik “ Novosti. Plima, Ulcinj, 2011. Čitat...

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Podrška | Criticize this!

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STILSKA ELEGANCIJA KRATKE PRIČE. Plima, Ulcinj, 2011. Kritiku u celini možete pročitati na portalu Beton. OSMI I SEDMI PUTNIK. OSMI I SEDMI PUTNIK. Aleksandar Bjelogrlić, Citadela, Agora, Zrenjanin, 201. Kritiku u celini možete pročitati na portalu Beton. PAZ’TE SAD, PAZ’TE SAD. Paz’te sad, paz’te sad. Meandarmedia, Zagreb, 2011.). Prva kolekcija proze uglednog šibenskog pjesnika Stjepana Gulina. Već svojim zvučnim naslovom. Paz’te sad, paz’te sad. Tvrdnja da se piše bez poze naravno samo je još jedna po...

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NA GRANICAMA VIDLJIVOSTI | Criticize this!

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Od promatrača do sudionika. Ima li suvremena umjetnost ikakva vidljiva socijalnog utjecaja ili političke važnosti? Esej u celini možete pročitati na portalu SEEcult.org. STILSKA ELEGANCIJA KRATKE PRIČE. Plima, Ulcinj, 2011. Kritiku u celini možete pročitati na portalu Beton. OSMI I SEDMI PUTNIK. OSMI I SEDMI PUTNIK. Aleksandar Bjelogrlić, Citadela, Agora, Zrenjanin, 201. Kritiku u celini možete pročitati na portalu Beton. PAZ’TE SAD, PAZ’TE SAD. Paz’te sad, paz’te sad. Meandarmedia, Zagreb, 2011.). Nije ...

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Priče o gradovima i ljudima | SEEcult.org Portal za kulturu jugoistočne Evrope

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Ministarstvo kulture Republike Srbije. Priče o gradovima i ljudima. Sat, 05/26/2012 - 14:14. Alen Aligrudić, predstavljanje umetničkih radova, Rex, Beograd, 17. april 2012. Piše: Milena Milojević. Pojam identiteta je direktno vezan za osećaj pripadnosti. Tako se na pitanje: Ko sam? Rdquo; ne može odgovoriti bez razmatranja odgovora na drugo pitanje: Gde pripadam? 1977), koji dolazi iz Danske, ali čije poreklo seže sa ovih prostora. Pozdrav iz Crne Gore. 2007-2009, predstavlja nastavak umetnikovih putovan...

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Arhiv aktivnosti 2005-2012. godine. Scroll down for english/serbian versions. Centimetar po centimetar, metar po metar, kilometar po kilometar. Sreda 24. oktobar 2012 u 19h. Kulturni centar REX, Jevrejska 16, Beograd. Predstavljanje radova Lise Torell. I razgovor sa umetnicom u razgovoru učestvuje nezavisna kustoskinja i istoričarka umetnosti Jelena Vesić. Švedska), kao i u Švedskom nacionalnom muzeju. Zatim u galeriji TSSK. Norveška) i časopisu A-prior. Koji je pokrenut ove godine kao prva rezidencija u...

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Sunday, 4 November 2007. Artservis was founded by SCCA, the Center for Contemporary Arts – Ljubljana (www.scca-ljubljana.si), a non-governmental and non-profit organisation based in Ljubljana, Slovenia. The SCCA team and the Artservis editor make all important strategic decisions together. Editor in chief: Marija Mojca Pungerčar. Assistant editor Spela Škulj. The Ministry of Culture of the Republic Slovenia, private sponsorship (in the past), the solidarity fund of SCCA-Ljubljana (at present). Culturelin...

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Wednesday, 1 September 2010. Open Talks on Contemporary Visual Art Practices in Zagreb (1990-2010). Is organizing an event entitled. Open Talks on Contemporary Visual Art Practices in Zagreb. Which will be held on Thursday and Friday, 9th and 10th of September at 5:00 pm in club Booksa in Zagreb (Croatia). In these. Will participate artists, curators, theorists, cultural managers as well as wider public, and will be moderated by journalists and art critics Marko Golub. The themes of the. And is implement...

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Sunday, 6 December 2009. Round table – Critical Art and Responsible Culture: Without Anaesthesia! SEEcult.org is organizing the round table “. Critical art and responsible culture: Without Anaesthesia! 8221; which will be held on December 7 2009 at the Goethe-Institut Belgrade. The participants are artists and curators from Belgrade, Ljubljana, Skopje and Zagreb, and discussion will be moderated by Maja Ćirić. A Belgrade based independent curator and art critic. The panelists are artist Vladan Jeremić.

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Thursday, 18 August 2011. From Zagreb (Croatia) and SEEcult.org. From Belgrade (Serbia) started a new project Criticize this! Designed with three more partners from the region - Kulturtreger. From Zagreb, KPZ Beton. From Belgrade, and Plima. From Ulcinj (Montenegro). The general aim of the project Criticize this! Specific objectives of the project are:. 1 To create trans-national critical discourse on art in order to contribute to intercultural dialogue;. There will be 11 participants (young art critics)...

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SATIRIČAN OBRAČUN S MALOGRAĐANŠTINOM I BRECHTOM… BAŠ I NE. Gostujuća izvedba šibenskog HNK,. Prema tekstu mladog Bertolda Brechta (napisan 1919.) izvedena je po sljedećoj formuli: na. U satiričkom kazalištu Kerempuh gledamo satiričan komad. Prema reakcijama publike, bila je uspješna, ali teško se oteti dojmu da je smijeh bio formulaično zagarantiran, jer bi takav instruirani moment humora trebao zauzdati spontani smijeh. Je li se možda radilo o “malograđanskom” humoru? KAKO PREŽIVJETI GLUMAČKU BESPOSLICU?

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