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cultcap.org

CultCap

Publications & Papers. The Cultural Capital Project aims to re-envision the digital music industry based on connectivity. Crowd-sourced and curated library. 8211; music fans cultivate artist and personal pages, aggregating publically available music, videos, photos, and other cultural data. A universal library is the model, not branding and oligopoly capitalism. Equitable compensation to artists. Patronage is the model, not commodification. We are a growing team. 8211; our team. Publication in IASMP@Jour...

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Andrew deWaard

3191 Sep●●●●●●●●lvd #205

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Publications & Papers. The Cultural Capital Project aims to re-envision the digital music industry based on connectivity. Crowd-sourced and curated library. 8211; music fans cultivate artist and personal pages, aggregating publically available music, videos, photos, and other cultural data. A universal library is the model, not branding and oligopoly capitalism. Equitable compensation to artists. Patronage is the model, not commodification. We are a growing team. 8211; our team. Publication in IASMP@Jour...
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CultCap | cultcap.org Reviews

https://cultcap.org

Publications & Papers. The Cultural Capital Project aims to re-envision the digital music industry based on connectivity. Crowd-sourced and curated library. 8211; music fans cultivate artist and personal pages, aggregating publically available music, videos, photos, and other cultural data. A universal library is the model, not branding and oligopoly capitalism. Equitable compensation to artists. Patronage is the model, not commodification. We are a growing team. 8211; our team. Publication in IASMP@Jour...

INTERNAL PAGES

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Publications & Papers | CultCap

http://cultcap.org/publications-papers

Publications & Papers. Publications & Papers. Brian Fauteux, Ian Dahlman, and Andrew deWaard. The Cultural Capital Project: Radical Monetization of the Music Industry. Towards a Stewardship of Digital Music. Paper written by Ian Dahlman,. Ital and the Radical Monetization of the Music Industry. Paper presented by Brian Fauteux at the Canadian Communication Association Conference, 2011. Paper written by Ian Dahlman, 2011. MA Thesis, Ryerson University and York University (2009). Tweets by @Cult Cap.

2

Publication in IASMP@Journal – “The Cultural Capital Project: Radical Monetization of the Music Industry” | CultCap

http://cultcap.org/publication-in-iasmpjournal-the-cultural-capital-project-radical-monetization-of-the-music-industry

Publications & Papers. Publication in IASMP@Journal – “The Cultural Capital Project: Radical Monetization of the Music Industry”. July 29, 2013 9:11 pm. Dahlman, Ian, Andrew deWaard, and Brian Fauteux. The Cultural Capital Project: Radical Monetization of the Music Industry. Leave a Reply Cancel reply. Your email address will not be published. Required fields are marked *. You may use these. A href= title= abbr title= acronym title= b blockquote cite= cite code del datetime= em i q cite= strike strong.

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People | CultCap

http://cultcap.org/about/people

Publications & Papers. Is a PhD student and SSHRC/Chancellor’s Fellowship recipient at the University of California, Los Angeles, in the Cinema and Media Studies program. He has just completed the co-authored manuscript entitled The Cinema of Steven Soderbergh: indie sex, corporate lies and digital videotape. The Shape of Punk to Come. And on the “alternativeness” of campus radio broadcasting. Future of Music Summit 2013 in Washington, DC. Plenary Presentation in Gijon, Spain – June 27, 2013. The Univers...

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Resources | CultCap

http://cultcap.org/resources

Publications & Papers. Industry News and Associations. Digital Music Resources and Services. Cloud Music Storage Services. Future of Music Summit 2013 in Washington, DC. Publication in IASMP@Journal – “The Cultural Capital Project: Radical Monetization of the Music Industry”. Plenary Presentation in Gijon, Spain – June 27, 2013. Concordia University – Department of Communication Studies. McGill University – Centre for Intellectual Property Policy. McGill University – Faculty of Law. Tweets by @Cult Cap.

5

About | CultCap

http://cultcap.org/about

Publications & Papers. Project aims to establish a ‘radical monetization’ of the music industry based on equity, connectivity and sharing. Integrating critical cultural theory and open source philosophy with advances in web technology, this research argues — legally, philosophically, and practically — for the recognition and compensation of music consumers in the cultural industries and the establishment of a sustainable infrastructure to fully embrace shared culture. 1) A social network. Harvests the mu...

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weirdcanada.com weirdcanada.com

Ideas Archives - weird canada - we are northernly

https://weirdcanada.com/category/ideas

They exist in your spaces too. From the hands of anonymous:. CONTENT WARNING: The following contains writing that references to sexual assault relating to violence against indigenous women and childhood sexual abuse. Relive. Bury. Dig up once again – unwillingly. Say it out loud. Say it out loud. It doesn’t make it your fault. It was never your fault. It already happened, I did not speak it into existence. I’ll need to know details before I choose a side. Why aren’t you supporting your community? Many pe...

andrewdewaard.com andrewdewaard.com

The Cultural Capital Project | Andrew deWaard

http://andrewdewaard.com/the-cultural-capital-project

Media culture economy technology. The Cultural Capital Project. June 16, 2013. June 3, 2015. Is a collaborative research project between myself, Brian Fauteux. Read our inaugural publication about the project:. DeWaard, Andrew, Brian Fauteux and Ian Dahlman. The Cultural Capital Project: Radical Monetization of the Music Industry. More information: cultcap.org. This entry was posted in projects. And tagged digital music. Leave a Reply Cancel reply. Your email address will not be published.

cinemaofstevensoderbergh.com cinemaofstevensoderbergh.com

Authors | The Cinema of Steven Soderbergh

http://www.cinemaofstevensoderbergh.com/authors

The Cinema of Steven Soderbergh. Indie sex, corporate lies and digital videotape. Is a PhD student at the University of California, Los Angeles in the Cinema and Media Studies program. His most recent publications concern melodrama in the ‘hood film, Spike Lee’s cinematic authorship, and the digital music industry. He is currently working on a collaborative UCIRA. Funded research project entitled The Cultural Capital Project: Radical Monetization of the Music Industry. 8221; appeared in. Other publicatio...

andrewdewaard.com andrewdewaard.com

Projects | Andrew deWaard

http://andrewdewaard.com/projects

Media culture economy technology. The Cultural Capital Project. 2008 – ongoing. The Cultural Capital Project: Radical Monetization of the Music Industry is a UCIRA. More information: project description. 2012 – ongoing. Which will allow for widespread sharing of textual analysis and should provide an invaluable teaching resource. In addition, the database will eventually provide unique research opportunities, in the form of data-processing and pattern recgonition of annotations and descriptions. I worked...

andrewdewaard.com andrewdewaard.com

Bio | Andrew deWaard

http://andrewdewaard.com/bio

Media culture economy technology. Photo by Dallas Curow. Andrew deWaard is a PhD Student in the Cinema and Media Studies. Program at the Theatre, Film and Television. Department at the University of California, Los Angeles. His co-authored book entitled The Cinema of Steven Soderbergh: indie sex, corporate lies and digital videotape. Has just been released for Wallflower/Columbia University Press. His articles have appeared in. And he has chapters in multiple anthologies, including. The Spike Lee Reader,.

andrewdewaard.com andrewdewaard.com

CV | Andrew deWaard

http://andrewdewaard.com/cv

Media culture economy technology. PhD in Cinema and Media Studies. University of California, Los Angeles Los Angeles, CA 2011-present. Working on dissertation tentatively entitled Derivative Media: The Political Economy of Intertextuality and the Financialization of the Cultural Industries. Advisor: Dr. John T. Caldwell. Advanced to Candidacy: 10/29/2013. Awarded the level of ‘High Pass’ on comprehensive exams. Digital Humanities Graduate Certificate. UC Regents Special Fellowship. New York: Columbia Uni...

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Publications & Papers. The Cultural Capital Project aims to re-envision the digital music industry based on connectivity. Crowd-sourced and curated library. 8211; music fans cultivate artist and personal pages, aggregating publically available music, videos, photos, and other cultural data. A universal library is the model, not branding and oligopoly capitalism. Equitable compensation to artists. Patronage is the model, not commodification. We are a growing team. 8211; our team. Publication in IASMP@Jour...

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