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Chaucer’s Ariadne | recalling ariadne
https://recallingariadne.wordpress.com/2011/04/21/chaucers-ariadne
A concert project of the Chamber Singers of Haverford and Bryn Mawr Colleges. About the Chamber Singers. April 21, 2011. By Martha Lecauchois and Anna Merriman. Saying, abandoned by Theseus, [Ariadne] becomes the model of the woman lamenting male inconstancy and ingratitude (Grunewald,. The Legend of Good Women. Kessinger Publishing, LLC. 2004. Euripides and Robin Robertson (trans.). New York, N.Y: Free Press, 2009. Print. Brill’s New Pauly: The Reception of Myth and Mythology. Boston: Brill. 2010. You a...
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Ariadne in Renaissance Painting | recalling ariadne
https://recallingariadne.wordpress.com/2011/04/21/ariadne-in-renaissance-painting
A concert project of the Chamber Singers of Haverford and Bryn Mawr Colleges. About the Chamber Singers. Ariadne in Renaissance Painting. Ariadne in Renaissance Painting. April 21, 2011. By Sheera Rosenbaum and Sophie Wasserman. Aghion, I., C. Barbillon, and F. Lissarrague. “Ariadne.”. Gods and Heroes of Classical Antiquity. New York: Flammarion, 1996. 52. Print. Cancik, Hubert, Helmuth Schneider, Christine F. Salazar, David E. Orton, and Duncan Smart.”Ariadne.”. Leiden: Brill, 2002. 135. Print. Fill in ...
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The Renaissance Discovery of Catullus | recalling ariadne
https://recallingariadne.wordpress.com/2011/04/21/the-renaissance-discovery-of-catullus
A concert project of the Chamber Singers of Haverford and Bryn Mawr Colleges. About the Chamber Singers. The Renaissance Discovery of Catullus. The Renaissance Discovery of Catullus. April 21, 2011. Brill’s New Pauly: The Reception of Myth and Mythology. Leiden Boston. 2010. Reid, Jane D. Classical Mythology in the Arts, 1300-1990s. Oxford University Press.1993. Green, Peter (Tr.). The Poems of Catullus. Berkeley, University of California Press. 2005. The Rise and Fall of Athens: Nine Greek Lives. Conduc...
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The Minotaur: Baroque vs. Renaissance | recalling ariadne
https://recallingariadne.wordpress.com/2011/04/21/the-minotaur-baroque-vs-renaissance
A concert project of the Chamber Singers of Haverford and Bryn Mawr Colleges. About the Chamber Singers. The Minotaur: Baroque vs. Renaissance. The Minotaur: Baroque vs. Renaissance. April 21, 2011. By Elias Borne and Avi Bregman. 8221; the Minotaur plays a submissive role in death to the human hero Theseus. Furthermore, in contrast to the Renaissance are, the Minotaur is fully exposed to all to see, meaning that his power is diminished when compared to the glory of man. Leave a Reply Cancel reply. You a...
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Programme | recalling ariadne
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A concert project of the Chamber Singers of Haverford and Bryn Mawr Colleges. About the Chamber Singers. The Chamber Singers of Haverford and Bryn Mawr Colleges. Conductor: Ng Tian Hui. Claudio Monteverdi –. Curt Cacioppo – Arianna. Claudio Monteverdi – iv. Ahi che non respondi. Maya Bloom, soprano. Claudio Monteverdi –. Iii Dove, dove è la fede. Chen Zhangyi –. Claudio Monteverdi –. Ii O Teseo mio. Reena Esmail – Asterion in the Tropics. Naomi Goodman, soprano, Lina Blount, mezzo. Colin Britt –. Build a...
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Performances | recalling ariadne
https://recallingariadne.wordpress.com/performances
A concert project of the Chamber Singers of Haverford and Bryn Mawr Colleges. About the Chamber Singers. Preview of Cacciopo’s Arianna. February 19, 2011, Saturday, 5pm. Marquand Chapel, Yale Institute of Sacred Music. 409 Prospect St, New Haven, CT. Featuring premieres of works by Bafitis, Britt, Cacioppo, Chen, Esmail and Goh. April 28, 2011, Thursday, 4.30pm. Marshall Auditorium, Roberts Hall, Haverford College. 370 Lancaster Ave, Haverford, PA. May 3, 2011, Tuesday, 7:30pm. Leave a Reply Cancel reply.
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daniellemll | recalling ariadne
https://recallingariadne.wordpress.com/author/daniellemll
A concert project of the Chamber Singers of Haverford and Bryn Mawr Colleges. About the Chamber Singers. The Minotaur: Baroque vs. Renaissance. April 21, 2011. By Elias Borne and Avi Bregman. 8221; the Minotaur plays a submissive role in death to the human hero Theseus. Furthermore, in contrast to the Renaissance are, the Minotaur is fully exposed to all to see, meaning that his power is diminished when compared to the glory of man. The Renaissance Discovery of Catullus. April 21, 2011. Reid, Jane D.
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Ariadne and the Labyrinth | recalling ariadne
https://recallingariadne.wordpress.com/2011/04/21/ariadne-and-the-labyrinth
A concert project of the Chamber Singers of Haverford and Bryn Mawr Colleges. About the Chamber Singers. Ariadne and the Labyrinth. Ariadne and the Labyrinth. April 21, 2011. By Elizabeth Braithwaite, Lerys del Moral, Julia Jameson. During the period of the Renaissance Ariadne was viewed as a symbol of unrequited love. She was not really seen by the people of the time to have any importance other than to help Theseus with his accomplishments. In Ovid’s. 8220;ITALIAN RENAISSANCE ART.”. Leiden: Brill, 2010...
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Il lamento d’Arianna: “Lasciatemi morire” (Ariadne’s Complaint: “Let Me Die”) | recalling ariadne
https://recallingariadne.wordpress.com/2011/04/21/il-lamento-darianna-lasciatemi-morire-ariadne’s-complaint-“let-me-die”
A concert project of the Chamber Singers of Haverford and Bryn Mawr Colleges. About the Chamber Singers. Il lamento d’Arianna: “Lasciatemi morire” (Ariadne’s Complaint: Let Me Die ). Il lamento d’Arianna: “Lasciatemi morire” (Ariadne’s Complaint: Let Me Die ). April 21, 2011. Ariadne became the subject of a very famous opera written by an Italian composer named Claudio Monteverdi; with the title of. The opera has been remembered for its most legendary first lines, Lasciatemi Morire meaning, Let me die!